White Matter: A Memoir of Family and Medicine is the story of a Bostonian close-knit Jewish working-class family of five sisters and one brother and the impact they and their next generation endured due to the popularization of lobotomy during the 20th century. When Janet Sternburg’s grandfather abandoned his family, and her uncle, Bennie, became increasing mentally ill, Sternburg’s mother and aunts had to bind together and make crucial decisions for the family’s survival. Two of the toughest familial decisions they made were to have Bennie undergo a lobotomy to treat his schizophrenia and later to have youngest sister, Francie, undergo the same procedure to treat severe depression. Both heartrending decisions were largely a result of misinformation disseminated that popularized and legitimized lobotomy. Woven into Sternburg’s story are notable figures that influenced the family as well as the entire medical field. In 1949, Egas Moniz was awarded the Nobel Prize in Medicine for developing the lobotomy, and in the three years that followed his acceptance of the award, more Americans underwent the surgery than during the previous 14 years. By the early 1950s, Walter Freeman developed an alternate technique for lobotomy, which he proselytized during his travels throughout the country in a van he dubbed the “Lobotomobile.” The phrase “prefrontal lobotomy” was common currency growing up in Janet Sternburg’s family and in White Matter she details this scientific discovery that disconnects the brain’s white matter, leaving a person without feelings, and its undeserved legitimization and impact on her family. She writes as a daughter consumed with questions about her mother and aunts—all well meaning women who decided their siblings’ mental health issues would be best treated with lobotomies. By the late 1970s, the surgical practice was almost completely out of favor, but its effects left patients and their families with complicated legacies as well as a stain on American medical history. Every generation has to make its own medical choices based on knowledge that will inevitably come to seem inadequate in the future. How do we live with our choices when we see their consequences?
Phantom Limb is a wise and courageous memoir that moves between past and present, chronicling an adult daughter’s journey through the final years of her parents’ lives. A story of discovering love through adversity as well as an inquiry into contemporary neurology and spiritual life, Phantom Limb is a moving meditation on the struggle to make peace with physical and emotional ghosts of the past. Janet Sternburg writes with such warmth and honesty that loss itself becomes luminous: “This is the grace of the last years, the children coming to understand the contradictions in their parents, not to reconcile them but encompass them in a larger love.”
This is a story about a beautiful girl from a small Mississippi town and her adventures through life. She was a caring, fun loving, and charismatic person who enjoyed life to its fullest. This book chronicles her many pursuits and adventures. She was a true joy and I had the pleasure of being with her for 20 years. She was my companion and friend. I hope by reading this book you can enjoy her as much as I did. This book was written in her final years of her life as she fought a courageous battle with cancer. This book is a tribute to her life. With all my love Kirk A. Stanley.
Phantom Limb is a wise and courageous memoir that moves between past and present, chronicling an adult daughter’s journey through the final years of her parents’ lives. A story of discovering love through adversity as well as an inquiry into contemporary neurology and spiritual life, Phantom Limb is a moving meditation on the struggle to make peace with physical and emotional ghosts of the past. Janet Sternburg writes with such warmth and honesty that loss itself becomes luminous: “This is the grace of the last years, the children coming to understand the contradictions in their parents, not to reconcile them but encompass them in a larger love.”
White Matter: A Memoir of Family and Medicine is the story of a Bostonian close-knit Jewish working-class family of five sisters and one brother and the impact they and their next generation endured due to the popularization of lobotomy during the 20th century. When Janet Sternburg’s grandfather abandoned his family, and her uncle, Bennie, became increasing mentally ill, Sternburg’s mother and aunts had to bind together and make crucial decisions for the family’s survival. Two of the toughest familial decisions they made were to have Bennie undergo a lobotomy to treat his schizophrenia and later to have youngest sister, Francie, undergo the same procedure to treat severe depression. Both heartrending decisions were largely a result of misinformation disseminated that popularized and legitimized lobotomy. Woven into Sternburg’s story are notable figures that influenced the family as well as the entire medical field. In 1949, Egas Moniz was awarded the Nobel Prize in Medicine for developing the lobotomy, and in the three years that followed his acceptance of the award, more Americans underwent the surgery than during the previous 14 years. By the early 1950s, Walter Freeman developed an alternate technique for lobotomy, which he proselytized during his travels throughout the country in a van he dubbed the “Lobotomobile.” The phrase “prefrontal lobotomy” was common currency growing up in Janet Sternburg’s family and in White Matter she details this scientific discovery that disconnects the brain’s white matter, leaving a person without feelings, and its undeserved legitimization and impact on her family. She writes as a daughter consumed with questions about her mother and aunts—all well meaning women who decided their siblings’ mental health issues would be best treated with lobotomies. By the late 1970s, the surgical practice was almost completely out of favor, but its effects left patients and their families with complicated legacies as well as a stain on American medical history. Every generation has to make its own medical choices based on knowledge that will inevitably come to seem inadequate in the future. How do we live with our choices when we see their consequences?
In this personal memoir, the author shares engaging stories about being a latch-key kid growing up in the American Midwest during the 1930s and `40s. Her father, `shellshocked' in World War I, had a dramatic impact on the family. Her mother, as a single parent, raised her through the hardships of the Great Depression. Janet grows from a lonely child to a twenty-year old mother, and blossoms into a complex woman who has uncommon experiences with family, friends, work, travel, health, and her sixty-five years of marriage to one man.
Coloring book for kids of all ages-the main character in the book is a young girl who has a great sense of style and fashion. She is down-to-earth and lots of fun.
At long last—a book-length biography celebrates Toni Cade Bambara, a seminal literary, cultural, and political figure who was among the most widely read and frequently reviewed of the well-regarded black women writers to emerge in the 1970s. A Joyous Revolt: Toni Cade Bambara, Writer and Activist is the first-ever, full-length biography of a trailblazing artist who championed black women in her fiction as well as in her life. This incisive study provides a comprehensive treatment of Bambara's published and unpublished works, and it also documents her emerging vision of her role as an agent of change. The biography allows readers into the personal life of Bambara, offering personal insights into a woman with a strong public persona and friendships with other celebrated artists of her era. Perhaps most important for those seeking to understand and appreciate Bambara's legacy, it connects her oeuvre to the context of her experience and places all of her wide-ranging creative work in the context of her singular vision.
In this book of critical writings, Janet Wolff examines issues of exile, memoir, and movement from the perspective of the female stranger. Wolff, born in Great Britain but now living and working in the United States, discusses the positive consequences of women's travel; the use of dance (another form of mobility) as an image of liberation; whether exile or distance provides a better vantage point for cultural criticism than centrality and stability; the place of personal memoir in academic writing; and much more.
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