In this personal memoir, the author shares engaging stories about being a latch-key kid growing up in the American Midwest during the 1930s and `40s. Her father, `shellshocked' in World War I, had a dramatic impact on the family. Her mother, as a single parent, raised her through the hardships of the Great Depression. Janet grows from a lonely child to a twenty-year old mother, and blossoms into a complex woman who has uncommon experiences with family, friends, work, travel, health, and her sixty-five years of marriage to one man.
Historians of the English congregational hymn, focusing on its literary or theological aspects, have usually found the genre out of step with the rationalist era that produced it. This book takes a more balanced approach to the work of four writers and concludes that only eighteenth-century Britain, with its understanding of public verse, common truth, and the utility of poetry, could have invented the English hymn as we know it. The early hymns sought to inspire, teach, stir, and entertain congregations. The essential purpose shifted slightly in line with each poet's setting and in accord with the poetic thought of his day. For Isaac Watts's Independents, powerful traditional imagery was appropriate. Charles Wesley's enthusiasm proceeded from and served the spirit of the revival. John Newton's prophetic vision particularly suited the impoverished community at Olney. William Cowper's masterful handling of formal conventions and his idiosyncratic personal hymns reflect his poetic, rather than clerical, vocation. Despite such temporal variations, the great poetry by each man displays themes of general Christian relevance, suggesting common experience, showing normative features of the genre, and bearing a complex and intriguing relationship to secular literature.
This text presents a systematic way of approaching college textbook material that is designed to make students more efficient in their reading and studying. It reinforces the essential skills of identifying the topic, main idea and supporting details, and also provides strategies for important skills, ranging from predicting and questioning actively as you read, to selecting, organizing and rehearsing textbook material for a test.
This is the first study of the posthumous life of Aphra Behn, the extraordinary vicissitudes of her critical reception, and the personal vilifications of her reputation through three centuries. Beginning with the reception of Behn's work during her lifetime, which she herself helped to orchestrate by performing herself as a seductive woman, a beleaguered lady writer, and a serious intellectual, among other roles, the work ends with the late 20th-century reception of Behn, when the interest in gender, race, and class has made of her almost a postmodern writer. In the 17th century she was seen as a playwright of sexy and propagandist comedies, and attacked by those who disapproved her supposedly unfeminine stance and her royalist politics. Later, as the Restoration period itself fell into disrepute, Behn's plays were denigrated along with those of her fellow men, but greater opprobrium fell on her as a woman, because in the 19th century it was felt that a female writer should have higher morals than a man. During this period, Behn's reputation was exceedingly low, while her short story Oroonoko gained acclaim, freed from any association with its author or her supposedly squalid times. In the 18th and 19th centuries Oroonoko moved from being viewed as political commentary and heroic romance to a sentimental tale of doomed love and then an abolitionist text. In the early twentieth century it was hailed as one of the earliest realist texts, part of the great English ascent into the novel. JANET TODD is professor of English at the University of East Anglia
First published in 1976, this was the first comprehensive annotated bibliography of Mary Wollstonecraft’s works and most of the critical and biographical comments on her in English written between 1788 and 1975. It is designed both as a research tool for scholars and students and as a revelation of the quantity and variety of comment. The book is divided into three main chronological time periods of publication date and suggests the vagaries of Wollstonecraft’s posthumous reputation and indicates the peaks and troughs of interest. Known as an eighteenth-century British writer, philosopher, and advocate of women's rights, Mary Wollstonecraft has received much critical attention with particular interest in her unorthodox lifestyle of the time and is now regarded as one of the founding feminist philosophers.
Behn is a mass of contradictions: a high Tory who disliked traditional power structures; a powerful, autonomous woman who depended on men's approval; a woman who desired men and women and who became involved in intense political activity, yet craved case. This readable, fast-paced book uncovers Behn's assertive, duplicitous, sensual character and illustrates the openly erotic nature of her writings, her explorations of desire, sexual excitement and disappointment, which later made her a byword for lewdness. It reveals historical sources and court cases behind some of her most famous 'fictions'.".
Jill Randall would do anything to help her friend Kerry ... even head out to BIG SKY COUNTRY to see that rancher John Riordan gets his comeuppance. Riordan is arrogant, handsome, and too sexy for his own good - and he disapproves of Kerry's engagement to his younger brother. Jill has a feeling that the best way to distract him is to seduce him ... until Riordan turns the tables on her! In "SHOW ME", Tanya and Jake Lassiter are married in name only and she is determined to raise their young son without him. But when he comes home after years abroad, it's clear that Jake has changed - and so has she. His passionate kisses begin to melt her frozen heart - until a long-held secret threatens to destroy their newfound love. --Amazon.com
A savvy heartbreaker meets her match—a stubborn Montana rancher—in this sizzling Americana romance from the beloved New York Times–bestselling author. Discover romance across America with Janet Dailey’s classic series featuring a love story set in each of the fifty states. One of America’s premier romance authors, with more than 300 million copies of her books sold, Dailey continues her beloved Americana series with a love story as breathtaking as the mountains of Big Sky Country. There isn’t a male heart in Helena, Montana, that Jill Randall couldn’t break with her charm, brains, and dazzling looks. So when a tanned mountain of a man named Riordan shows up at her door to stop his brother from marrying Jill’s gentle, shy roommate, the ever-persuasive seductress takes charge. But Riordan is as stubborn as he is handsome. An enigmatic loner—as comfortable in designer suits as he is in jeans, cowboy boots, and a Stetson—he’s seen it all, and he’s not about to let a beautiful schemer sweet talk him into changing his mind. And at Riordan’s ranch on the rolling prairie—beneath a Montana sky that goes on forever—Jill Randall is about to discover she’s finally met her match.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.