Janet Duffy, a spunky, seventeen-year-old Irish girl, is eager to start college—but instability between her alcoholic father and self-absorbed mother jeopardize her dream, so she sets up her own apartment with her younger sister in Jamaica, Queens, and treks to City College in Manhattan, New York. The routine is deadening, but she finds purpose in the black community, working for a mural painter and volunteering for a civil rights activist. After turning eighteen, Janet marches with Dr. Martin Luther King, Jr. and falls for a young black saxophone player, Carmen. Her father, a policeman, explodes over their relationship, so Janet rebels—runs away with the jazz musician, and then winds up in the East Village in the Summer of Love. In the ensuing months she deals with heartbreak, sexual harassment, poverty, and danger—but eventually, she asks for the help she needs in order to pick up the pieces of her life and return to her dream.
Janet Duffy, a spunky, seventeen-year-old Irish girl, is eager to start college—but instability between her alcoholic father and self-absorbed mother jeopardize her dream, so she sets up her own apartment with her younger sister in Jamaica, Queens, and treks to City College in Manhattan, New York. The routine is deadening, but she finds purpose in the black community, working for a mural painter and volunteering for a civil rights activist. After turning eighteen, Janet marches with Dr. Martin Luther King, Jr. and falls for a young black saxophone player, Carmen. Her father, a policeman, explodes over their relationship, so Janet rebels—runs away with the jazz musician, and then winds up in the East Village in the Summer of Love. In the ensuing months she deals with heartbreak, sexual harassment, poverty, and danger—but eventually, she asks for the help she needs in order to pick up the pieces of her life and return to her dream.
Honorable Mention for the 2018 American Ethnological Society Senior Book Prize Honorable Mention for the 2017 Victor Turner Prize for Ethnographic Writing presented by the American Anthropological Association In 1963, Kenya gained independence from Britain, ending decades of white colonial rule. While tens of thousands of whites relocated in fear of losing their fortunes, many stayed. But over the past decade, protests, scandals, and upheavals have unsettled families with colonial origins, reminding them that their belonging is tenuous. In this book, Janet McIntosh looks at the lives and dilemmas of settler descendants living in post-independence Kenya. From clinging to a lost colonial identity to pronouncing a new Kenyan nationality, the public face of white Kenyans has undergone changes fraught with ambiguity. Drawing on fieldwork and interviews, McIntosh focuses on their discourse and narratives to ask: What stories do settler descendants tell about their claim to belong in Kenya? How do they situate themselves vis-a-vis the colonial past and anti-colonial sentiment, phrasing and re-phrasing their memories and judgments as they seek a position they feel is ethically acceptable? McIntosh explores contradictory and diverse responses: moral double consciousness, aspirations to uplift the nation, ideological blind-spots, denials, and self-doubt as her respondents strain to defend their entitlements in the face of mounting Kenyan rhetorics of ancestry.
Jeremiah Johnson, The Way We Were, Absence of Malice, Out of Africa, Tootsie, The Firm, Searching for Bobby Fischer--Sydney Pollack has produced, directed or appeared in some of the biggest and most influential films of the last quarter century. His emergence in Hollywood coincided with those of such other innovative directors as John Frankenheimer, George Roy Hill and Sidney Lumet, and with them he helped develop a contemplative style of filmmaking that was almost European in its approach but retained its commercial viability. Film-by-film, this work examines the directorial career of Sydney Pollack. One finds that his style is marked by deliberate pacing, ambiguous endings and metaphorical love stories. Topically, Pollack's films reflect social, culture and political dilemmas that hold some fascination for him, with multidimensional characters in place that generally break the stereotypical molds of the situations. Pollack's directing efforts on television are also detailed, as are his production and acting credits.
Pasta? Pancakes? Pizza? It's time to say "hello" to forbidden foods and "see you later" to fad diets! The Food Lover's Healthy Habits Cookbook by nutrition expert Janet Helm, MS, RD and the editors at Cooking Light proves that, with the right tools, delicious and healthy can happily coexist in any lifestyle. This unique collection of more than 250 road-tested recipes, tips and solutions has done all of the thinking for you. Each section dishes up brand-new secrets to living a healthier life, straight from more than 50 nutrition and fitness experts, bloggers, chefs and Cooking Light readers.
Medieval Monasticism traces the Western Monastic tradition from its fourth-century origins in the deserts of Egypt and Syria through the many and varied forms of religious life it assumed during the Middle Ages. It explores the relationship between monasteries and the secular world around them. For a thousand years, the great monastic houses and religious orders were a prominent feature of the social landscape of the West, and their leaders figured as much in the political as on the spiritual map of the medieval world. In this book many of them, together with their supporters and critics, are presented to us and speak their minds to us. We are shown, for instance, the controversy between the Benedictines and the reformed monasticism of the twelfth century and the problems that confronted women in religious life. A detailed glossary offers readers a helpful vocabulary of the subject. This fifth edition has been revised by Janet Burton to include an updated bibliography and an introduction which discusses recent trends in monastic studies, including reinterpretations of issues of reform and renewal, new scholarship on religious women, and interdisciplinary and multidisciplinary approaches. This book is essential reading for both students and scholars of the medieval world.
Martin Johnson Heade was one of the most significant American painters of the nineteenth century, creator of portraits, history and genre pictures, still lifes, ornithological studies, landscapes, and marines, and his own unique orchid and hummingbird compositions. This book brings a perspective to Heade and his works, presenting him as one of the most original and productive painters of his time. Theodore Stebbins builds on his acclaimed 1975 study of Heade, drawing on several newly discovered collections of Heade's letters and the painter's own Brazilian journal. Stebbins tells of Heade's training and early career as an itinerant portraitist and discusses his move to New York, where, under the influence of Frederic E. Church, he began painting landscapes and seascapes. He examines Heade's relationships with patrons and dealers, writers and scientists, and he sheds new light on Heade’s trips to Brazil, to the Central American tropics, and to London. And he describes Heade's move to Florida in 1883, which marked not his retirement but a final period of creativity that lasted until his death in 1904. The book includes not only an examination of Heade's life and works but also reproductions of all his 620 known paintings, including nearly 250 that have been discovered since 1975.
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