“Chronicles the misdeeds of many of America’s worst miscreants, with special emphasis on the tools of the outlaw trade.” —American Rifleman From colonial-era rifles carried on the “Owlhoot Trail” to John Dillinger’s Colt pistols, the history of the American outlaw is told in guns—weapons that became each man’s personal signature. Authors Gerry and Janet Souter peer into these criminals’ choices of derringers, revolvers, shotguns, rifles, machine guns, and curious hybrids, giving us a glimpse into the minds behind the trigger fingers. With over 200 illustrations, Guns of Outlaws gives a unique look at the lives and the hardware of the most infamous outlaws in American history, and of the law enforcement officers who hunted them. As settlers moved further west, away from authority and soft city life into the Great Plains, the push for survival through the endless prairies and jagged isolating mountain ranges bred ruthless men. Most outlaws were technology freaks who seized upon the latest weapon innovations developed in the industrious East to provide an edge in the life-and-death cosmos of the Wild West. By the late 1930s and early 1940s, outlaws on horseback had given way to marauding bank robbers. Using fast cars and faster guns, they became folk heroes of the Great Depression, even as the law was hard on their tails. “Historians Gerry and Janet Souter take the reader back to a time between 1840 and 1940 when . . . outlaws and man hunters lived bold and died hard . . . [The] book show[s] actual tools of the trade wielded during a violent century, bound up in a mix of hard truths and mythology.” —Ammoland.com
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours.
Daring to Care God’s Way follows the adventures and misadventures of Janet Barr Bayman throughout a long and fulfilling life of service to the kingdom through caring for people of every race and culture. It was Janet’s faith in God, zest for life, and passion for people that worked together to enable her to overcome obstacles encountered along life’s journey. Her stories will lead readers to personally enter into her tragedies and moments of redemption with surprising joy through every plight in a deep and meaningful way. A brilliant writer with a passion for creating vivid images, and amazing ability to capture stories with imaginative words will grab your heart. Her trust in God through every quandary, giving Him credit for victories, will benefit every reader and leave them inspired to also pursue great things for God with God. Long after you’ve finished this book, you will still be thinking about Janet’s exploits and left wondering if God is challenging you to begin a similar adventure with Him yourself.
Our story is about the genesis and evolution of these phantoms and men-who-never-were, these artists and magicians at the front line who operated in stealth and secrecy. Throughout the course of World War II, Allied forces engaged in elaborate deceptions to fool Hitler's armies. A ragtag group of Bohemian artists and creatives were assembled to devise these strategies, including rubber dummy tanks, faux railway lines and falsified wireless intelligence. They made armies appear out of thin air, baffling German forces and ensuring Allied success in battle. For fifty years, information on the Ghost Army strategies was classified. It is only recently that details of their heroic actions have come to light. This book includes details of SHAEF command centre who organised many of the deceptions, the First US Army Group (the so-called 'Ghost Army'), the 23rd Camouflage Engineers, and accounts of the double cross agents who risked their lives and freedom to mislead Nazi High Command. Featuring never-before-seen information from veteran interviews, The Ghost Army brings to life the fascinating story of the men and women who conned Adolf Hitler.
Knowing how to write a good report is very important. Using the Internet to make your reports even better is easy and exciting. You can display your report online and add graphics, colors, charts, and other tools to make it more interesting. Producing an informative and eye-catching report is fun when you use the Internet. In Creating E-Reports and Online Presentations, authors Gerry, Janet, and Allison Souter clearly explain the process of creating and laying out a report on the Internet. The authors discuss the steps involved in producing a good report and show you how to add interest through various elements. Carefully explained examples help to illustrate the ideas. Book jacket.
This chronological history of the toy train celebrates the wares of all prominent American toy train manufacturers from the turn of the century to the present, with special focus on: Lionel, American Flyer, and Marx.
When 11-year-old Marley's grandfather moves from Massachusetts to California to live with her family, Marley resents the new arrangement because she has to share her room with her beautiful, extroverted younger sister--until she becomes captivated by the her grandfather's "Woodwards", New England landscape paintings by Robert Strong Woodward. A special relationship develops between Marley and Grandpa as he tells her of the artist's tragic and inspiring life.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours.
A slip-cased collectible volume containing removable facsimiles of memorabilia that records the birth of the United States includes a selection of maps, diaries, letters, military orders, newspapers, and posters, along with an audio CD containing readings of firsthand accounts based on period journals, diary excerpts, and letters. 35,000 first printing.
This brilliant showcase looks at the evolution of the toy train industry and its miniature products from 1970 to today. Presented are the O- and G-gauge offerings of Williams, MTH, Weaver, Marx, RailKing, Lionel and others. Collectors of these toy trains will delight in the contributions of major industry players as they examine the modern technologies incorporated by the manufacturers and the market trends that dictate their products. In the populr Enthusiast Color Series.
Unintended Consequences is a story of survival for one small child plagued by the actions of others. The authors perilous journey through experiences speaks to her resilience and shows where joy was felt in the shadows. As a child, Janet would turn to drugs and alcohol. As an adult, filled with guilt and shame, Janet would find herself tied to her alcoholism and addiction and unable to see any way out. A mother at 16 and again at 18, she worked to be the best mother she could. Getting to her bottom, she would go from being a professional working woman, with a nice house and set financially, to jail, and ultimately to homeless and alone. It started when she was young. Those things that should not happen. Sexually abused by her grandfather and other male characters, beaten and berated by her grandmother, Janet endured. There were relatives who knew things about Janets life, but with hands tied, metered out small amounts of kindness. Men took advantage of her inability to tell right from wrong. Janet became a runner. Trying to escape all the bad things and the feelings they brought her. She never got far, being pulled back into the darkness of her mind. Grandmother, being the main caregiver, provided little in the way of affection or guidance. Grandmother was haunted by her own childhood. She was forced to take in two of her grandchildren when no one else wanted them. Janets brother was born sickly and would need constant care in infancy and childhood. Caring for her brother, Grandmother had little time left for Janet, the healthy child. Grandmothers resentments and her own pain boiled over onto Janet. Grandpa, although sexually abusing, was kind, if not understanding of how Grandmother treated her. As the father figure, Grandpas actions further confused and fractured an already fragile mind. An older man would abduct Janet from her home when she was fifteen. Keeping her hostage for nearly two years. On the run, facing prison, he took Janet across the country and back. He would deal out beatings and abuses. Janet would become brainwashed, living in fear every day, believing the things he told her about herself. It would be a harrowing escape for her and her infant son from this madman. Unintended Consequences concludes with a way out and the people who were there to help her. The story sets up how change began and how the ability to change grew inside. The book brings readers into the world of recovery from the traumas, abuses, and addictions.
The largest such spectacle in the world, the Chicago Air and Water Show draws over three million people to the lakeshore for a weekend of low-key beach leisure and high-powered entertainment. Gerry and Janet Souter climb into the cockpit (and occasionally lean precariously out of it) to log the extravaganza's fascinating history. Even before the event became a beloved annual tradition half a century ago, visitors to the lakeshore had been treated to sights like the International Aviation Meet, attended by the Wright brothers and their daring competitors; World War II training maneuvers executed by pilots like President George H.W. Bush; and an ascension to world seaport status graced by a visit from the royal yacht Britannia. This book is for anyone who has ever participated in the show's glorious tradition and for those who haven't but who still would like to get a glimpse of the gut-thrumming majesty of the planes and learn what convinced comedian Bill Murray to jump out of one of them.
The village of Arlington Heights--beginning with the diligence and fortitude of William Dunton--is replete with stories of bitter hardship and exalting triumph. Originally named Dunton after its founder, the village's success was sealed by canny deal-making that brought a railroad through the middle of town. As the state of Illinois boomed, the village on the tracks flourished with agriculture, industry, transportation and an expanding population. From the influx of immigrants and industry to the resurrection of the Arlington Park Racetrack, read the compelling history of a small agricultural village's transformation into a thriving commercial district and the unique way in which its small-town charm and industrious spirit coexist.
Daring to Care God’s Way follows the adventures and misadventures of Janet Barr Bayman throughout a long and fulfilling life of service to the kingdom through caring for people of every race and culture. It was Janet’s faith in God, zest for life, and passion for people that worked together to enable her to overcome obstacles encountered along life’s journey. Her stories will lead readers to personally enter into her tragedies and moments of redemption with surprising joy through every plight in a deep and meaningful way. A brilliant writer with a passion for creating vivid images, and amazing ability to capture stories with imaginative words will grab your heart. Her trust in God through every quandary, giving Him credit for victories, will benefit every reader and leave them inspired to also pursue great things for God with God. Long after you’ve finished this book, you will still be thinking about Janet’s exploits and left wondering if God is challenging you to begin a similar adventure with Him yourself.
From 1900 through the late-1950s, Lionel went from a wooden cheese box on wheels to expensive toy trains that flew off shelves at the height of the Great Depression to one of the world's most recognizable brand names. In the 1960s, the company found itself in a fight for its life; only a buyout from General Mills would save the name from relegation to the dust heap of time. More than 80 modern color photographs help break Lionel's "classic" rags-to-riches-to-rags period into five distinct eras, and a fascinating history examines the design and marketing of the company's most significant -- and dubious -- products, placing them in the context of contemporary competition, real-life railroads, and world affairs.
Martin Johnson Heade was one of the most significant American painters of the nineteenth century, creator of portraits, history and genre pictures, still lifes, ornithological studies, landscapes, and marines, and his own unique orchid and hummingbird compositions. This book brings a perspective to Heade and his works, presenting him as one of the most original and productive painters of his time. Theodore Stebbins builds on his acclaimed 1975 study of Heade, drawing on several newly discovered collections of Heade's letters and the painter's own Brazilian journal. Stebbins tells of Heade's training and early career as an itinerant portraitist and discusses his move to New York, where, under the influence of Frederic E. Church, he began painting landscapes and seascapes. He examines Heade's relationships with patrons and dealers, writers and scientists, and he sheds new light on Heade’s trips to Brazil, to the Central American tropics, and to London. And he describes Heade's move to Florida in 1883, which marked not his retirement but a final period of creativity that lasted until his death in 1904. The book includes not only an examination of Heade's life and works but also reproductions of all his 620 known paintings, including nearly 250 that have been discovered since 1975.
The world's first televised war through the eyes of those who fought in it, both the generals commanding the war and the ordinary soldiers on the ground and in the air. Features memorabilia from key US archives.
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