This book documents the history of four ecclesiastical frescoes completed by artist Benjamin F. Long IV in Ashe County, North Carolina, in the 1970s and 1980s. The story of the Ashe County frescoes celebrates their setting in the Blue Ridge Mountains and testifies to Long's intensity, precision and stamina. Commissioned by the Ashe County Frescoes Foundation, the authors contextualize the artistic and the spiritual aspects of the frescoes by connecting the figures in the scenes with their sources in the Bible. Drawn from extensive interviews with the artist, this book explores the frescoes' uniqueness. Interviews with people used as models, assistants, volunteers and observers focus on the frescoes' impact on the community, and the role of the Ashe County Frescoes Foundation in the protection and preservation of these artworks.
When Ashe County Memorial Hospital opened in November 1941, it was the realization of a dream for the poor, sparsely populated county in the mountains of northwestern North Carolina. Building a hospital is a major undertaking for any community at any time. Accomplishing this in the waning days of the Great Depression and on the brink of World War II, while scant local resources were taxed by catastrophic floods and severe snows, was a remarkable feat of community organization. This is the story of the generations of supporters, doctors, nurses, emergency personnel and others whose lives are interwoven with regional health care and the planning, building and operation of (the "new") Ashe Memorial Hospital. This legacy, brought to life through 114 photographs and personal interviews with 97 individuals, traces the development of health care in a remote Appalachian community, from the days of folk remedies and midwives, to horseback doctors and early infirmaries, to the technological advances and outreach efforts of today's Ashe Memorial Hospital.
North Carolina artist Stephen Shoemaker and writer Janet Pittard have teamed up to present a selection of Shoemaker's paintings and drawings and the stories behind them. Known for his dramatic railroad paintings and scenes of life in the Blue Ridge mountains, Shoemaker shares the thought processes involved in creating his artwork, reveals his sources of inspiration (which often include events in local history or personal experiences) and points out clues and symbols appearing in his art. Together with 48 images, several of which were created especially for this publication, and occasional short poems by Pittard, the lively storytelling sheds light on an artist's development as well as the unique culture and history of the mountain region served by the train called the Virginia Creeper, which ran from Abingdon, Virginia, to Elkland, North Carolina (now Todd), from the early 1900s through the mid-1970s.
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