The scarecrow, tin man, and lion have all surrendered to the forces of evil—that is until Dorothy comes along. Dorothy is a teenager whose life has been thrown into turmoil by betrayal, loss, and one calamity after another. After a tornado transports her into a strange land, she is encouraged by Princess Holly Sprite to follow the narrow path through the wilderness of an unfamiliar world with the hope of discovering a bedrock of peace and courage. Along the way, she encounters three famous Oz characters who have each abandoned their goal of following the narrow path. With the help of Dorothy and two munchkins, Harry and Pipken, an intrepid little group is formed, united in their desire to reach the heavenly kingdom on Earth. As distractions, obstacles, endless questions, and evil befall the travelers, the group must battle temptations and destructive urges before they can ever find their way to an amazing realization that changes everything. No Place Like Home is the inspiring tale of a teenager’s journey into an unfamiliar world where she and a band of characters embark.
Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. In the first full-length study of its kind, she reveals a golden age of convent music in Vienna and the convents' surprising engagement with contemporary politics.
Contributions to female economic thought have come from prolific scholars, leading social reformers, economic journalists and government officials along with many other women who contributed only one or two works to the field. It is perhaps for this reason that a comprehensive bibliographic collection has failed to appear, until now. This innovative book brings together the most comprehensive collection to date of references to women’s economic writing from the 1770s to 1940. It includes thousands of contributions from more than 1,700 women from the UK, the US and many other countries. This bibliography is an important reference work for systematic inquiry into questions of gender and the history of economic thought. This volume is a valuable resource and will interest researchers on women's contributions to economic thought, the sociology of economics, and the lives of female social scientists and activist-authors. With a comprehensive editorial introduction, it fills a long-standing gap and will be greeted warmly by scholars of the history of economic thought and those involved in feminist economics.
In Husserl on Ethics and Intersubjectivity, Janet Donohoe offers a compelling look into Husserl’s shift from a "static" to a "genetic" approach in his analysis of consciousness. Rather than view consciousness as an abstract unity, Husserl began investigating consciousness by taking into account the individual’s lived experiences. Engaging critics from contemporary analytic schools to third-generation phenomenologists, Donohoe shows that they often do not do justice to the breadth of Husserl’s thoughts. In separate chapters Donohoe elucidates the relevance of Husserl’s later genetic phenomenology to his work on time consciousness, intersubjectivity, and ethical issues. This much-needed synthesis of Husserl’s methodologies will be of interest to Husserl scholars, phenomenologists, and philosophers from both Continental and analytic schools.
The true story of Shannen Koostachin and the people of Attawapiskat First Nation, a native Cree community in Northern Ontario, who have been fighting for a new school since 1979 when a fuel spill contaminated their original school building. Shannen's fight took her all the way to Parliament Hill and was taken up by children around the world. Shannen’s dream continues today with the work of the Shannen's Dream organization and those everywhere who are fighting for the rights of Aboriginal children.
In Media, Modernity and Dynamic Plants, Janet Janzen traces the motif of the “dynamic plant” through film and literature in early 20th century German culture. Often discussed solely as symbols or metaphors of the human experience, plants become here the primary focus and their role in literature and film is extended beyond their symbolic function. Plants have been (and still are) seen as closer to static objects than to living, moving beings. Making use of examples from film and literature, Janet Janzen demonstrates a shift in the perception of plants-as-objects to plants-as-living-beings that can be attributed to new technology and also to the return of Romantic and Vitalistic discourses on nature.
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's ground-breaking account of the development of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and their listeners, and when music itself-in particular, instrumental music-became a topic for renewed philosophical investigation. Precedents for Adorno's and Dahlhaus's concept of form as process arise in the Athenäum Fragments of Friedrich Schlegel and in the Encyclopaedia Logic of Hegel. The metaphor common to all these sources is the notion of becoming; it is the idea of form coming into being that this study explores in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms-ones that encourage listening "both forward and backward," as Adorno has recommended. Thanks to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. The author's analytic method strives to capture the dynamic, quasi-narrative nature of such transformations, rather than only their end results. This experiential approach to the perception of form invites listeners and especially performers to participate in the interpretation of processes by which, for example, a brooding introduction-like opening must inevitably become the essential main theme in Schubert's Sonata, Op. 42, or in which tremendous formal expansions in movements by Mendelssohn offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.
Billie's mom gives her bean sprout sandwiches for lunch. She is so embarrassed she eats under the gym bleachers, until she is found by the one and only Tim Kurtz.
Bonnie Jean Tyler never thought that having two boyfriends who adore her would be a problem, until each starts pressuring her to date him exclusively! She confides her problem to kind, level-headed Brian Macklin, and the answer to her problem is right before her eyes--if she can see it in time.
When underwear start showing up all over the house in weird places, Kelly thinks it is the dumb tricks of her brother. But all she knows for sure it what she sees.
When Tiffany steps onto the stage and hears the crowd cheering, the goofy and sometimes gross things she did in her plan to get there will all have been worth it.
Mikey, Jesse's five-year-old brother, is a real pest. She can't do anything without him bothering her. Then, he spills her bath powder and breaks her favorite doll, Nicole. Jesse and Mikey try to get along, but something always happens. When her dad brings Mikey a pet, the Andrews' household goes crazy. Find out what Mikey's up to now."--Page 4 of cover
Jesse Andrews can't believe how lucky she is to be considered for a part in a television commercial. Her only problem is her brother Mikey who does embarrassing things during auditions.
The most comprehensive single volume ever assembled for the environmental professional--a one-stop, all-under-one-roof overview of environmental engineering subject areas, and a task-simplifying toolkit designed to simplify day-to-day decisions. Covers the varied topics of interest for today's environmental scientist: mathematical modeling, statistics, plant pathology, as well as engineering problem-solving, management decision-making, and public communication. The perfect resource for biologists, hydrologists, geologists, engineers, chemists, and toxicologists. Packed with numerous tables, charts, illustrations, sampling methods, monitoring methods, testing methods, control techniques, equipment maintenance procedures, and calculation methods. Includes lesson-filled editorial commentary by many of the nearly 100 environmental scientists who have contributed to this book.
The scarecrow, tin man, and lion have all surrendered to the forces of evil—that is until Dorothy comes along. Dorothy is a teenager whose life has been thrown into turmoil by betrayal, loss, and one calamity after another. After a tornado transports her into a strange land, she is encouraged by Princess Holly Sprite to follow the narrow path through the wilderness of an unfamiliar world with the hope of discovering a bedrock of peace and courage. Along the way, she encounters three famous Oz characters who have each abandoned their goal of following the narrow path. With the help of Dorothy and two munchkins, Harry and Pipken, an intrepid little group is formed, united in their desire to reach the heavenly kingdom on Earth. As distractions, obstacles, endless questions, and evil befall the travelers, the group must battle temptations and destructive urges before they can ever find their way to an amazing realization that changes everything. No Place Like Home is the inspiring tale of a teenager’s journey into an unfamiliar world where she and a band of characters embark.
At first, Hilary's move from Philadelphia to small-town Suffington was scary. She didn't know anyone. But things happened so quickly. Almost overnight she became the most popular girl in school. Then she started dating the captain of the football team. Now it all seems too good to be true. But Hilary's biggest wish is simple. If only love could last.
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