In 1710, England’s first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays. Owning Performance follows the careers of some of the 18th century’s most influential playwrights, actors, and theater managers as they vied for control over the period’s most popular shows. Without protection for dramatic literary property, these figures developed creative extra-legal strategies for controlling the performance of drama—quite literally performing their ownership. Their various strategies resulted in a culture of ephemerality, with many of the period’s most popular works existing only in performance and manuscript copies. Author Jane Wessel explores how playwrights and actors developed strategies for owning their works and how, in turn, theater managers appropriated these strategies, putting constant pressure on artists to innovate. Owning Performance reveals the wide-reaching effects of property law on theatrical culture, tracing a turn away from print that affected the circulation, preservation, and legacy of 18th century drama.
Looking for heart-racing romance and breathless suspense? Want stories filled with life-and-death situations that cause sparks to fly between adventurous, strong women and brave, powerful men? Harlequin® Romantic Suspense brings you all that and more with four new full-length titles in one collection! COLTON UNDERCOVER The Coltons of Shadow Creek by Marie Ferrarella Betrayed by her ex-lover, Leonor Colton, the daughter of a notorious escaped serial killer, returns home to Shadow Creek to lick her wounds. She catches the eye of Josh Howard, an undercover FBI agent investgating her mother’s jailbreak by keeping tabs on her children. But a hit man may force Josh to reveal himself—if Leonor doesn’t end up a victim first! THE TEXAN’S RETURN by Karen Whiddon Mac Morrison returns to his small hometown in Texas determined to clear his ill father’s name of murder and reconnect with Hailey Green, his high school sweetheart. When evidence begins to implicate him, will he be able to save the woman he loves from a vicious killer and convince her they belong together? SECRET AGENT UNDER FIRE Silver Valley P.D. by Geri Krotow The True Believers are still wreaking havoc in Silver Valley when a string of fires are found to be linked to the cult. Fire chief Keith Paruso is mesmerized by Trail Hiker secret agent Abi Redland, but with an arsonist on the loose and Abi’s own secrets between them, their love might turn to ash before it can even catch fire… COVERT KISSES Sons of Stillwater by Jane Godman Undercover cop Laurie Carter discovers two things when she starts investigating Cameron Delaney: that he is very attractive and that his girlfriend was murdered—by a serial killer! Cut off from the FBI, Laurie must turn to Cameron—a man she’s not sure she can trust—to uncover the killer before he makes her his next victim.
Sons of Stillwater: Jane Godman's heart-stopping new miniseries where no one is who they seem… Coincidence? The beauty who washes up on Mayor Cameron Delaney's private beach eerily resembles his dead girlfriend, Carla. But Laurie Carter, Carla's lookalike cousin, is actually an undercover detective. She's on the job, investigating Cameron's connection to a human-trafficking ring. Laurie knows she must keep her cover—but she's struggling to deceive the man she finds irresistible… When Cameron discovers why Laurie is in town, he's furious to realize he's being framed—and stunned at his sudden feelings for the lovely agent. But as they uncover the traffickers, a savage serial killer targets Laurie. Can Cameron save the life of the woman he's come to care for…and unmask the threat haunting his family and Stillwater?
Teachers and school leaders are confronted by various issues pertaining to social justice every day. This volume will help school leaders to handle these issues ethically, and is intended to be used by administrators for the professional development of teachers, teacher leaders, and aspiring principals. This volume includes cases pertaining to race, class, gender, sexual orientation, discrimination and harassment, culturally responsive pedagogy, intersectionality, et cetera. Plucked out of the news, from our own memories, or current lives, the cases contained in this volume represent the lived experiences of real students, teachers, and administrators. Each case requires the reader to look beyond the facts, by providing guidance on current research and policy guidelines. Each case provides the reader with additional information that will assist them in making informed decisions. Additionally, each case provides facilitators with guiding questions to assist them in their pedagogy and for subsequent class discussion. We struggle with issues of social justice, as we invite you to do, and with how to create and maintain equitable environments for all of our students in all of our schools.
Theatre has always been a site for selling outrage and sensation, a place where public reputations are made and destroyed in spectacular ways. This is the first book to investigate the construction and production of celebrity in the British theatre. These exciting essays explore aspects of fame, notoriety and transgression in a wide range of performers and playwrights including David Garrick, Oscar Wilde, Ellen Terry, Laurence Olivier and Sarah Kane. This pioneering volume examines the ingenious ways in which these stars have negotiated their own fame. The essays also analyze the complex relationships between discourses of celebrity and questions of gender, spectatorship and the operation of cultural markets.
Aaron Burr--Revolutionary War hero, third vice president of the United States and a controversial figure of the early republic--was tried and acquitted of treason charges in 1807, and thereafter departed for self-imposed exile in Europe, his political career in ruins. Adrift in Paris for 15 months, he led a marginal existence on the run from creditors and the courts, getting by on handouts. While other Americans in Paris enjoyed official status that insulated them from life in the capital, Burr dreamed up fruitless schemes and pawned his possessions, yet remained in high spirits, enjoying Parisian theater and cafes. He shopped, flirted, paid for sex and associated with friends old and new while gathering the resolve to return to America. Burr's Paris journal is a rare item, with only 250 unexpurgated copies printed in 1903. In it he relates his fascinating stories and describes Parisian life at the height of Napoleon's power. Drawing on Burr's journal and other sources, this book provides a self-portrait of the down-and-out Founding Father abroad.
A lively, in-depth and sometimes surprising exploration of the why, the how and the where of the most exciting wine producing country in the world today. 'The best example of this kind of book ever written.' Wine Communicator Award judges 'Exhaustive and intoxicating.' Jill Dupleix, Good Weekend 'If there is one book that anyone wanting to learn more about Australian wine should have, this is it.' Huon Hooke, The Real Review There has never been a more exciting time to drink Australian wine. Centuries of innovation and determination have led to an era of exceptional achievement in Australia, yet it is a country whose output is not matched by its scholarship. Until now. How to Drink Australian brings together global experts to answer its namesake question, offering sweeping, practical, and compelling insight to all aspects of Australian wine: exhaustive analysis of every significant region, stunning and detailed maps, bespoke illustrations and artwork, individual wine recommendations, hundreds of producer profiles, a fold-out region-by-region grape table and more, all curated with a reverence for Australia's first custodians. How to Drink Australian is the modern wine book that Australia (and a world of wine drinkers) has been waiting for. Jane Lopes and Jonathan Ross lead this important book, with contributions from Mike Bennie, Kavita Faiella, and Hannah Day, and original maps by Martin von Wyss.
Leaside is a most comprehensive look at the people, significant events and built heritage, all of which contributed to the creation of this distinctive community. Named after John Lea, a successful farmer, whose house, built in 1829, is believed to be the first brick house in York County, Leaside grew from a railway settlement into a prosperous urban town. With its roots embedded in the history of three railways, Leaside has a unique industrial heritage that played a key role in the war effort during both World Wars, including its being the site of munitions plants, a wooden plane factory, and a base for the Royal Flying Corps. Leaside was also home to the Durant Motors of Canada, and later the Nash cars, Canada Wire and Cable, and the popular Thorncliffe Race Track. Did you know that Canada’s first airmail delivery touched down in Leaside and that an Olympic calibre ski jump once operated in the Don Valley? Jane Pitfield’s Leaside represent a nostalgic journey into the heritage of a most remarkable neighbourhood, still proudly retaining its identity as part of Toronto.
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