A daughter of freed African American slaves, Daisy Turner became a living repository of history. The family narrative entrusted to her--"a well-polished artifact, an heirloom that had been carefully preserved"--began among the Yoruba in West Africa and continued with her own century and more of life. In 1983, folklorist Jane Beck began a series of interviews with Turner, then one hundred years old and still relating four generations of oral history. Beck uses Turner's storytelling to build the Turner family saga, using at its foundation the oft-repeated touchstone stories at the heart of their experiences: the abduction into slavery of Turner's African ancestors; Daisy's father Alec Turner learning to read; his return as a soldier to his former plantation to kill his former overseer; and Daisy's childhood stand against racism. Other stories re-create enslavement and her father's life in Vermont--in short, the range of life events large and small, transmitted by means so alive as to include voice inflections. Beck, at the same time, weaves in historical research and offers a folklorist's perspective on oral history and the hazards--and uses--of memory. Publication of this book is supported by grants from the Andrew W. Mellon Foundation and the L. J. and Mary C. Skaggs Folklore Fund.
In Where Cultures Meet, editors Weber and Rausch have collected twenty essays that explore how the frontier experience has helped create Latin American national identities and institutions. Using 'frontier' to mean more than 'border, ' Weber and Rausch regard frontiers as the geographic zones of interaction between distinct cultures. Each essay in the volume illuminates the recipro-cal influences of the 'pioneer' culture and the 'frontier' culture, as they contend with each other and their physical environment. The transformative power of frontiers gives them special interest for historians and anthropologists. Delving into the frontier experience below the Rio Grande, Where Cultures Meet is an important collection for anyone seeking to understand fully Latin American history and culture
The formal gardens of Elizabethan England were among the glories of their age. Complementing the great houses of the day, they reflected the aspirations of their owners, whose greatest desire was to achieve success at Court and to delight the Queen. No leading courtier would be without his great house, no great house was complete without its garden. In this richly illustrated work, Jane Whitaker explores these gems of Elizabethan England, focusing on the gardens of the Queen and her leading courtiers. Drawing on the cultural and horticultural sources of the day, as well as evidence surviving on the ground, she recreates these lost gardens, revealing both the rich and Renaissance culture that underlay them and the sumptuous world of the Elizabethan aristocracy. The result is an evocation of one of the most opulent reigns in English history and an entertaining and informative study of one of the most interesting periods of garden history.
The Toronto Neighbourhoods bundle presents a collection of titles that provide fascinating insight into the history and development of Canada’s largest and most diverse city. Beginning with histories of Canada’s longest street and the early days of what was once called York (The Yonge Street Story, 1793-1860; A City in the Making; Opportunity Road), the titles in the bundle go on to examine the development of particular unique neighbourhoods that help give the city its character (Willowdale, Leaside). Finally, Mark Osbaldeston’s acclaimed, award-winning Unbuilt Toronto and Unbuilt Toronto 2 go beyond history and into the arena of speculation as the author details ambitious and possibly city-changing plans that never came to fruition. For lovers of Toronto, this collection is a bonanza of insights and facts. Includes A City in the Making Leaside Opportunity Road Unbuilt Toronto Unbuilt Toronto 2 Willowdale The Yonge Street Story, 1793-1860
This new edition of the classic reference British Planemakers from 1700 has been completely rewritten, with over 200 pages of new information. Online research tools haven enabled much greater insight into family connections of planemakers, family and business continuities, and the discovery of previously unknown planemakers. Confirmation that planemakers were working in the late 1600s, in fact, inspired the new edition’s title, Goodman’s British Planemakers. The biographic directory covers more than 2400 planemakers and includes 2250 maker's mark illustrations. Like its predecessors, the new edition traces the development of British planemaking, but far more extensively, now confirming that planemakers moved around the country to a much greater extent than previously realized, and identifying several new family planemaking dynasties. The book includes chapters on the planemaking trade and its practices, descriptions and illustrations of the many types of planes and their evolution, and provincial planemaking, as well as sections on apprentice records, trade marks, and a complete index. An absolutely invaluable reference.
Here's a new and stimulating look at the actions of Venus and Mars in the birth chart and in our lives. Through over eighty color art reproductions and over a hundred celebrity chart references, Venus and Mars show their true colors and their full potential throughout the twelve zodiacal signs. A rare chance to experience their power close-up!
Can digital games help us understand real life religion? With World Youth Day: Religious Interaction at a Catholic Festival, Skjoldli suggests that they can. The change is particularly visible from Skjoldli's new theoretical framework religious interaction, which draws on digital game studies. The framework centers on three key terms—interaction, interface, and immersion. Interaction constitutes the core of the stipulative definition of religion operative in this framework: interaction with culturally postulated superhuman persons. Interface represents the means by which interaction takes place. When interaction becomes emotionally charged, immersion takes place—whether it happens in religious contexts, gaming contexts, or other human activities like watching sports, reading books, playing instruments, listening and/or dancing to music. Religious immersion, Skjoldli suggests, is helpful for understanding—and making intelligible—the emotional charge of human-superhuman relationships, the power and vulnerability of the religious interfaces that enable them, the significance of emotionally charged experiences they afford, and the vexation expressed when interactions are frustrated by distraction, distortion, or destruction. In this book, Skjoldli employs her religious interaction framework in an analysis of how the Catholic festival World Youth Day (WYD) changed the meaning of pilgrimage in Catholicism. WYD emerged from a ritual, historical, and cultural context abundant associations to pilgrimage as the term is conventionally understood by scholars. WYDs are also consistently called pilgrimages, even when the host locations are not officially sanctioned as such. A substantive investment for the Catholic Church centrally, locally, and for the local event organizers, each WYD draws hundreds of thousands to millions of young Catholics from around the world. The pope always participates by giving speeches and leading some of the ceremonies. WYD is persistently referred to as a pilgrimage, and Skjoldli analyzes what pilgrimage has meant, what it means now, and how it changed in the context of WYD.
How did the Impressionists get their name? Who were the most famous Impressionists? Did the Impressionist style have a lasting impact? 'Impressionism' answers all these questions. It also discusses how and why the Impressionist movement began, looks at how the Impressionists captured the changing effects of light and color in nature, and examines the different subjects Impressionist artists chose for their paintings. 'Art on the Wall' is an exciting and informative series that explores a range of art movements and styles. Each title in the series looks at the history behind the movement and discusses the techniques used by its artists. The text is supported with stunning paintings and other artworks that illustrate each art style. The titles also include biographies of well-known artists and try-it-yourself activities that encourage readers to create their works of art using the techniques of the movement.
#1 NEW YORK TIMES BESTSELLER • Discover Jane Fonda, in her own words—and now experience the story of her life in the HBO documentary Jane Fonda in Five Acts. “To hold this book in your hands is to be astonished by how much living can be packed into sixty-plus years.”—Los Angeles Times America knows Jane Fonda as actress and activist, feminist and wife, workout guru and role model. In this extraordinary memoir, Fonda shows that she is much more. From her youth among Hollywood’s elite to her film career and her activism today, Fonda reveals intimate details and personal truths she hopes “can provide a lens through which others can see their lives and how they can live them a little differently.” Surprising, candid, and wonderfully written, My Life So Far is filled with insights into the personal struggles of a woman living a remarkable life. “In the process of writing this book I discovered there were clear, broad, even universal themes that ran through my life, a coherent arc to my journey that, if I could be truthful in the telling, might provide a road map for other women as they face the challenges of relationships, self-image, and forgiveness. What I did not anticipate was how my journey would also resonate with men.”—From the Introduction This eBook includes the full text of the book plus the following additional content: • 50 new photos from Jane Fonda’s personal and family archives, many often never seen in public • A free chapter from Jane Fonda’s Prime Time Praise for My Life So Far “[A] sisterly, enveloping memoir . . . an intimate, haunting book that might as well be catnip from its ever controversial author.”—Janet Maslin, The New York Times “Terrific . . . rich . . . unexpectedly quite moving.”—San Francisco Chronicle “Fiercely intelligent, detailed, probing, rigorously revealing.”—O: The Oprah Magazine “Fonda possesses a raw and affecting candor. . . . Her honesty [is] a force.”—The Philadelphia Inquirer “A fearless book . . . fascinating.”—Chicago Sun-Times “Truly compelling.”—The Atlanta Journal-Constitution “Riveting.”—Seattle Post-Intelligencer
Dr. Michael Charles Tobias and Jane Gray Morrison are world-renowned ecological philosophers and activists, interdisciplinary social and environmental scientists and broad-ranging, deeply committed humanists. This collection of fifty essays and interviews comprises an invigorating, outspoken, provocative and eloquent overview of the ecological humanities in one highly accessible volume. The components of this collection were published in the authors’ "Green Conversations" blog series, and pieces in the Eco News Network from 2011 to 2013 and feature luminaries from Jane Goodall to Ted Turner to the Secretary of the Smithsonian Institution to the former head of the UN Convention on Biological Diversity. Stunning color photographs captured by the authors and contributors make Why Life Matters: Fifty Ecosystems of the Heart and Mind a feast for the eyes as well as the mind and soul. Ethics, science, technology, ecological literacy, grass-roots renaissance thinkers, conservation innovation from the U.S. to the U.K.; from India to Ecuador; from Bhutan to Haiti; from across Africa, the Neo-Tropics, Central Asia and Japan, to Rio, Shanghai and Manhattan – this humanistic ode to the future of life on earth is a relevant and resonating read. Michael Tobias and Jane Gray Morrison, partners who between them have authored some 50 books and written, directed and produced some 170 films, a prolific body of work that has been read, translated and/or broadcast around the world, have been married for more than a quarter-of-a-century. Their field research across the disciplines of comparative literature, anthropology, the history of science and philosophy, ecology and ethics, in over 80 countries, has served as a telling example of what two people – deeply in love with one another – can accomplish in spreading that same unconditional love to others – of all species.
Innovative Catholicism and the Human Condition gives an anthropological account of a progressive religious movement in the Roman Catholic Church that is attempting to reconcile religious conviction and reason, and, ergo, modify the human condition. Investigation is given to a representative group of this movement, "Innovative Catholics," who are endeavouring to maintain the momentum for change which began in the 1960s and 1970s. They now find themselves caught between traditional notions of religion and a secularised society, while trying to reconcile these polarising forces to find a pathway forward. While ethnographic fieldwork for this research was conducted in Australia, this movement is to be found across the Western world. The research is framed by the question posed by Jürgen Habermas, who asks whether the democratic constitutional state is able to renew itself, and recognises a benefit in learning from religion. Cardinal Joseph Ratzinger, subsequently Pope Benedict XVI, responds by asserting the need for a common ethical basis and limits on reason. This latter position, however, remains problematic for Innovative Catholics who are conscious of history and culture. The research explores how Innovative Catholics, who in taking the middle position, inform this dialectic on secularization through their ideas and practices about the human condition.
Leaside is a most comprehensive look at the people, significant events and built heritage, all of which contributed to the creation of this distinctive community. Named after John Lea, a successful farmer, whose house, built in 1829, is believed to be the first brick house in York County, Leaside grew from a railway settlement into a prosperous urban town. With its roots embedded in the history of three railways, Leaside has a unique industrial heritage that played a key role in the war effort during both World Wars, including its being the site of munitions plants, a wooden plane factory, and a base for the Royal Flying Corps. Leaside was also home to the Durant Motors of Canada, and later the Nash cars, Canada Wire and Cable, and the popular Thorncliffe Race Track. Did you know that Canada’s first airmail delivery touched down in Leaside and that an Olympic calibre ski jump once operated in the Don Valley? Jane Pitfield’s Leaside represent a nostalgic journey into the heritage of a most remarkable neighbourhood, still proudly retaining its identity as part of Toronto.
The Revolution in France of 1789 provoked a major 'pamphlet war' in Britain as writers debated what exactly had happened, why it had happened, and where events were now headed. Jane Hodson's book explores the relationship between political persuasion, literary style, and linguistic theory in this war of words, focusing on four key texts: Edmund Burke's Reflections on the Revolution in France, Mary Wollstonecraft's A Vindication of the Rights of Men, Thomas Paine's Rights of Man, and William Godwin's Enquiry Concerning Political Justice. While these texts form the core of Hodson's project, she ranges far beyond them to survey other works by the same authors; more than 50 contemporaneous books on language; and pamphlets, novels, and letters by other writers. The scope of her study permits her to challenge earlier accounts of the relationship between language and politics that lack historical nuance. Rather than seeing the Revolution debate as a straightforward conflict between radical and conservative linguistic practices, Hodson argues that there is no direct correlation between a particular style or linguistic concept and the political affiliation of the writer. Instead, she shows how each writer attempts to mobilize contemporary linguistic ideas to lend their texts greater authority. Her book will appeal to literature scholars and to historians of language and linguistics working in the Enlightenment and Romantic eras.
From ancient to modern times, as scientific and technological discoveries have been made, artists have responded to them. Science has allowed them to work in different media, from oil paint, to printing or film. From the first anatomy lessons to computer animation, science and technology have had a huge impact on art. This book explains how art styles have developed through time, and how artists' techniques add to our understanding of their work. Art is captured in a wide range of media, including photography, painting, sculpture, posters, textiles, and film. The information to help interpret works of art and understand the time in history in which they were created are included in this book.
In Sarah Anna Glover: Nineteenth Century Music Education Pioneer, Jane Southcott explores the life and pedagogy of Sarah Anna Glover, the female music education pioneer of congregational singing (psalmody) and singing in nineteenth-century schools. Glover devoted her life to the creation and propagation of a way of teaching class music that was meticulously devised, musically rigorous, and successfully promulgated. Southcott analyzes Glover’s methods, history, and memory, and works to correct inaccuracies and misrepresentations that have emerged since Glover’s death.
I assure you that the most winning woman I ever knew was hanged for poisoning three little children for their insurance money." Sherlock Holmes to Dr. Watson in The Sign of Four. Early 1902 - On the eve of Newgate Prison's demolition, Watson spies Holmes leaving a public sale of the prison's miscellany in the company of a beautiful stranger and in possession of an unusual trophy: the death mask of a woman who, more than twenty years earlier, had been executed for the murder of her three children. Holmes agrees to satisfy Watson's curiosity about the memento by recounting the decades-old history of its subject. Late December, 1878. A young Sherlock Holmes is living in a modest room at Montague Street, dividing his time between the lecture halls and the laboratories, "...studying all those branches of science which might make me more efficient". At the shop of the eccentric, old bookseller, Brodie, Holmes is introduced to the beautiful Violet Rose Turner, the young mistress and protégé of Professor James Moriarty, and the mother of his three children. When a house fire takes the lives of Moriarty's children, it is presumed to be accidental until Miss Turner's suspicious conduct prompts a further investigation, which reveals that the children had been poisoned before the fire was deliberately set. Miss Turner is charged with the murders; as her trial proceeds, Holmes sets out to prove her innocence, yet each of his discoveries seems only to confirm her guilt even as the court-room testimony assures her conviction. Not until the sentence is carried out does Holmes happen upon a scrap of evidence that sets off "...that mixture of imagination and reality which is the basis of my art" and leads to the exposure of a brilliant and sinister deception. Hidden Fires is equal parts complex puzzle, Victorian era thriller, and an "origin story" that explains familiar elements of Holmes' background and character: a distrust of women that exempts the "Violets" who are always treated chivalrously; an acquaintance with the "street urchin" Wiggins; the acquisition of a priceless Stradivarius; and the real inspiration for that bullet-marked V. R. above his sitting room mantle. Join Watson as Holmes recounts "...one of the most extraordinary narratives of my friend's career - indeed, one which may have shaped what he was to become.
Unlike many of his contemporaries, Thomas Hardy is not generally recognized as an imperial writer, even though he wrote during a period of major expansion of the British Empire and in spite of the many allusions to the Roman Empire and Napoleonic Wars in his writing. Jane L. Bownas examines the context of these references, proposing that Hardy was a writer who not only posed a challenge to the whole of established society, but one whose writings bring into question the very notion of empire. Bownas argues that Hardy takes up ideas of the primitive and civilized that were central to Western thought in the nineteenth century, contesting this opposition and highlighting the effect outsiders have on so-called 'primitive' communities. In her discussion of the oppressions of imperialism, she analyzes the debate surrounding the use of gender as an articulated category, together with race and class, and shows how, in exposing the power structures operating within Britain, Hardy produces a critique of all forms of ideological oppression.
This book offers a tour of a collection of paintings of the American West still in private hands. The Anschutz Collection covers all the ground expected in a wide-ranging, major survey, yet still has plenty of room for surprises. Every phase in the history of American art since the 182Os is included. There are pictures of impressive quality by lesser-known artists and examples from all the major painters who have depicted the West. You'll discover works by artists such as Marsden Hartley, Childe Hassam, Jan Matulka, and John Henry Twachtman, who painted western subjects only rarely, and pictures by those whose subjects were predominantly western. The collection is particularly rich in paintings made in Taos and Santa Fe during the first half of the twentieth century, when major American artists often found inspiration and stylistic renewal in the Southwest. Among the American masters represented here are George Bellows, Albert Bierstadt, George Caleb Bingham, Ernest Blumenschein, George Catlin, Stuart Davis, Asher B. Durand, George Inness, John Marin, Alfred Jacob Miller, Thomas Moran, Georgia O'Keeffe, Frederic Remington, Charles Marion Russell, and Walter Ufer."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Living Through History" is a complete Key Stage 3 course which brings out the exciting events in history. The course is available in two different editions, Core and Foundation. Every Core title in the series has a parallel Foundation edition, and both are supported by teachers' packs.
A police inspector is drawn outside of his jurisdiction into the puzzling cold case of a missing girl, in this crime thriller by the author of Dead Cold. When DCI Liam Bennet receives an unexpected message from Lorraine, his ex-partner, he hopes that she wants to reconnect with Joe, their ten-year-old son. But all she wants is his help. She’s part of a small film crew investigating a cold case in her home village of Lampton and she wants Bennet to access police files. He wants no part of it. But when Joe learns his mother has been back in touch, he orders his father to find her. Bennet takes time off work for what he thinks will be a quick trip to a tiny Peak District village. He’s got no idea that he’s about to be drawn into an obsessive hunt. In Lampton, the locals think he’s investigating the missing girl cold case and want him gone. It looks like the film crew also hit the same wall of silence. But why is there no evidence they ever left the village? Did something happen to the film crew? Is it connected to a missing young girl? And just how many of the locals know more than they’re saying? When a grim discovery is made in a local lake, Bennet finds himself in a race against time. It’s not his case, not his jurisdiction, but he’s determined to uncover the truth . . . Cold Blood is the perfect read for fans of authors like K.L. Slater, Robert Bryndza and Angela Marsons.
The American Television Industry offers a concise and accessible introduction to TV production, programming, advertising, and distribution in the United States. The authors outline how programs are made and marketed, and furthermore provide an insightful overview of key players, practices, and future trends.
Three gritty police procedurals following determined detectives in the north of England, now in one volume. The hard-hitting crime thrillers in this collection include: Dead Cold When an anonymous call sends police to a house in Sheffield, two corpses are discovered, their bodies battered beyond recognition. DI Liz Miller is thrilled to be assigned the high-profile case—and insists on sticking with it even after it’s taken away from her and she’s warned to leave it alone. When it turns out the victims aren’t who the police think they are, the mystery is blown wide open. Will Miller be able to solve the case and save her career, or is this investigation going to be her undoing? Cold Blood DCI Liam Bennet’s ex is part of a film crew looking into a cold case in her home village of Lampton, and she requests that Bennet access police files. He wants no part of it. But then their son asks that he track her down, and Bennet finds that the Lampton locals want him gone—while the film crew are nowhere to be found. Soon, a grim discovery in a nearby lake plunges him into a race against time . . . Cold Heart Liam Bennet has just quit the force to become a private detective, and to his frustration, his first case is a weird petty crime. Meanwhile, his old colleague is working on two murders with pictures of dice found at the scenes. When the detective is attacked on the job, it soon becomes clear that there’s an odd connection between their cases, even though they appear utterly random. Will they be able to identify a pattern—or is their luck about to run out?
Provides a time line of the civil rights history of Alabama and shares the stories of significant events in the movement that occurred in the cities, towns, and regions of the state.
The city, once a beacon of prosperity and hope, now lay shrouded in the shadows of corruption. The streets whispered with secrets, and power resided in the hands of those who thrived on deceit and manipulation. For years, the puppeteer had operated from the shadows, their presence elusive and their influence far-reaching. Detective Mark Turner, a relentless seeker of truth and justice, had long suspected that something sinister lurked beneath the surface of the city's glossy facade. He had witnessed the impact of corruption firsthand-the lives destroyed, the innocent silenced, and the system manipulated for personal gain. Haunted by a personal tragedy fueled by corruption, Turner had dedicated his life to unmasking the puppeteer. The puppeteer, with their invisible strings and puppet politicians, had woven a web of power that extended into every aspect of the city's institutions. They had nurtured a culture of fear and silence, ensuring their grip remained unchallenged. But Turner refused to be swayed by the puppeteer's influence. He delved into the shadows, navigating a treacherous world where loyalties shifted like sand and danger lurked at every turn. His pursuit of truth took him to the darkest corners of the city, where he uncovered a network of complicit individuals, their hands stained by corruption. As the puppeteer's web tightened, Turner found solace in the whispers of those who dared to speak against the prevailing darkness. Journalists, activists, and ordinary citizens became his allies, their collective voices a beacon of hope in a city overshadowed by despair. With each step forward, Turner's determination grew stronger, fueled by a deep-seated belief that no one should be above the law. He vowed to expose the puppeteer's true identity, to tear down the facade they had carefully constructed and reveal the depths of their corruption.
Extraordinarily wealthy and influential, Stephen Duncan (1787–1867) was a landowner, slaveholder, and financier with a remarkable array of social, economic, and political contacts in pre-Civil War America. In this, the first biography of Duncan, Martha Jane Brazy offers a compelling new portrait of antebellum life through exploration of Duncan's multifaceted personal networks in both the South and the North. Duncan grew up in an elite Pennsylvania family with strong business ties in Philadelphia. There was little indication, though, that he would become a cosmopolitan entrepreneur who would own over fifteen plantations in Mississippi and Louisiana, collectively owning more than two thousand slaves. With style and substance, Martha Jane Brazy describes both the development of Duncan's businesses and the lives of the slaves on whose labor his empire was constructed. According to Brazy, Duncan was a hybrid, not fully a southerner or a northerner. He was also, Brazy shows, a paradox. Although he put down deep roots in Natchez, his sphere of influence was national in scope. Although his wealth was greatly dependent on the slaves he owned, he predicted a clash over the issue of slave ownership nearly three decades before the onset of the Civil War. Perhaps more than any other planter studied, Duncan contradicts historians' definition of the southern slaveholding aristocracy. By connecting and contrasting the networks of this elite planter and those he enslaved, Brazy provides new insights into the slaveocracy of antebellum America.
How do social scientists create facts? What strategies do they use to construct knowledge? How does social science make sense of the individual? Critical studies of both medical and scientific knowledge have been conducted but social science knowledge remains relatively unquestioned. Addressing this question, Health and the Construction of the Individual, originally published in 2002, is a social study of social science. Jane Ogden focuses particularly on constructions of the individual in health-related psychology and sociology. She explores how social science texts construct social science facts using the strategies of theory, methodology, measurement, and rhetorical boundaries and argues that the individual is not only constructed through the dissemination of social science knowledge but through the mechanics of its production. The results provide a unique insight into the transformation of the individual as an ever-changing self, from both a historical and social constructionist perspective. This title will make fascinating reading for health psychologists, medical sociologists, social constructionists and all students and researchers interested in gaining a greater understanding of the premises underlying social science.
This wide-ranging volume explores the technical and physical aspects of voice as a craft, questioning its definitions, its historical presence, training practices and its publications. Drawing on a wealth of experience, Jane Boston presents a selection of readings that demonstrate and contextualize some of the defining moments of voice throughout history. This clear and accessible text examines the relationship between voice and aesthetics and poetics, against the backdrop of class, race and gender politics, demonstrating how vocal training has been and still is inevitably connected to such issues. Underpinned by theory, voice practitioner accounts, and cultural and historical contextualization, this comprehensive resource will be invaluable for practitioners, researchers and students of voice studies, physical theatre and theatre history.
This remarkable book is an alphabetical listing of nearly the entire adult male (and some of the female) population of Monmouth County during the American Revolution--some 6,000 Monmouth Countians between 1776 and 1783. For roughly half of the persons listed, we find one or two identifying pieces of information, and in an equal number of cases we are presented with enough information to trace the allegiance or comings and goings of a Monmouth County resident over a number of years.
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