Cities and Photography discusses the relationship between people and the city, visualized in photographs. It explores how photographs display attitudes, agency and vision in the way a city is documented and imagined. It provides a visually focused examination of the city and urbanism for a range of different disciplines - across the social sciences and humanities, photography and fine art. This book offers different perspectives from which to view social, political and cultural ideas about the city. It provides introductions to the theories useful to photographers addressing issues relating to urbanism, and to key photographic themes that inform cultural issues central to a discussion of urbanism (e.g. the street, the everyday, social conditions). A series of case studies, featuring international and contemporary photographic projects, provides a means with which to examine a range of issues, for example: regeneration and displacement, power and the institution, visions of modernity and post-modernity, psycho-geographical space. Cities and Photography interprets the city as a space that we inhabit on different conceptual and physical levels, and gives emphasis to how people operate within, relate to, and activate the city via construction, habitation and disruption.
This accessible book explores the creative uses of photography with political purpose, both in terms of subject matter and of the political perspectives that have driven attitudes to viewing photographs. The shorter Part I reviews twentieth-century thinking that has influenced attitudes to photography and the political. Part II identifies the political ideas that drive practical strategies in the twenty-first century. It considers the politics of photography by looking at what affects people’s lives and agency: attitudes to difference and identity; power relations between institutions, individuals, and communities; the impact of trauma and global change. With a focus on the exchange of ideas between visual practice and theories, a selection of projects are examined from a range of perspectives, such as post-colonial and feminist thinking, post-humanism, and cultural and social theory, with references ranging from Michel Foucault and Judith Butler to Achille Mbembe, Bruno Latour, and Chantal Mouffe. The pursuit of ‘political aesthetics’ borrows from Jacques Rancière’s ideas about cultural production. Photography and Political Aesthetics identifies photography as politically productive when positioned within political movements, and champions practices that perform, investigate, or give attention to presentation and public dissemination. This book is ideally suited to students studying photography, art and aesthetics, visual politics, and cultural studies, and researchers across the fields of photography, media, art, and politics.
Ward’s book focuses on the work of the Hungarian philosopher Agnes Heller; prominent member of the Budapest School, a group of students who studied under the Marxist social theorist György Lukács. For both Marx and Heller (albeit in different ways) dissatisfaction emerges as the inevitable result of the expansion of need(s) within modernity and as a catalyst for the development of anthropological wealth (what Marx refers to as the 'human being rich in need'). Ward argues that dissatisfaction and the corresponding category of human wealth–as both motif and method–is central to grasping Heller’s seemingly disparate writings. While Marx postulates a radical overcoming of dissatisfaction, Heller argues dissatisfaction is integral not only to the on-going survival of modernity but also to the dynamics of both freedom and individual life. In this way Heller’s work remains committed to a position that both continually returns and departs, is both with and against, the philosophy of Marx. This book will be of interest to scholars of political philosophy, social theory, critical theory, and sociology.
This introductory social psychology text addresses the core knowledge domains of the subject, with key chapters on understanding identities, attribution theory, attitudinal research, social influence, racism and prejudice, class and exclusions, methodologies of social psychology and discursive psychology. It provides concise and focused coverage of the central concepts, research and debates in this key area, while developing students′ higher level skills. Activities help readers build the underpinning generic critical thinking and transferable skills they need in order to become independent learners, and to meet the relevant requirements of their programme of study.
Planning is a critical stage of radiotherapy. Careful consideration of the complex variables involved and critical assessment of the techniques available are fundamental to good and effective practice. First published in 1985, Practical Radiotherapy Planning has, over three editions, established itself as the popular choice for the trainee raditation oncologist and radiographer, providing the 'nuts and bolts' of planning in a practical and accessible manner. This fourth edition encompasses a wealth of new material, reflecting the radical change in the practice of radiotherapy in recent years. The information contained within the introductory chapters has been expanded and brought up to date, and a new chapter on patient management has been added. CT stimulators, MLC shieldings and dose profiles, principles of IMRT, and use of MRI, PET and ultrasound are all included, amongst other new developments in this field. The aim of the book remains unchanged. Complexity of treatment planning has increased greatly, but the fourth edition continues to emphasise underlying principles of treatment that can be applied for conventional, conformal and novel treatments, taking into account advances in imaging and treatment delivery.
What is 'performance drawing'? When does a drawing turn into a performance? Is the act of drawing in itself a performative process, whether a viewer is present or not? Through conversation, interviews and essays, the authors illuminate these questions, and what it might mean to perform, and what it might mean to draw, in a diverse and expressive contemporary practice since 1945. The term 'performance drawing' first appeared in the subtitle of Catherine de Zegher's Drawing Papers 20: Performance Drawings, in particular with reference to Alison Knowles and Elena del Rivero. In this book, it is used as a trope, and a thread of thinking, to describe a process dedicated to broadening the field of drawing through resourceful practices and cross-disciplinary influence. Featuring a wide range of international artists, this book presents pioneering practitioners, alongside current and emerging artists. The combination of experiences and disciplines in the expanded field has established a vibrant art movement that has been progressively burgeoning in the last few years. The Introduction contextualises the background and identifies contemporary approaches to performance drawing. As a way to embrace the different voices and various lenses in producing this book, the authors combine individual perspectives and critical methodology in the five chapters. While embedded in ephemerality and immediacy, the themes encompass body and energy, time and motion, light and space, imagined and observed, demonstrating how drawing can act as a performative tool. The dynamic interaction leads to a collective understanding of the term, performance drawing, and addresses the key developments and future directions of this applied drawing process.
This easy-to-read, practical guide distils and compiles all the disparate literature on cancer into one succinct volume. It includes the essential, evidence-based clinical guidelines needed for the safe and effective management of patients with cancer, and has a clear layout to allow for quick reference whilst on the ward. All aspects of cancer and its management are covered, including prevention, screening, diagnosis, and treatment. The text begins by outlining the clinical approach to suspected cancer and the principles of multidisciplinary prevention and management. It then progresses through site-specific cancer management, including head and neck, CNS, thoracic, breast, gastrointestinal system, genitourinary system, female genital system, skin, musculoskeletal system, haemopoietic system, and endocrine. Later chapters cover oncological emergencies and acute oncology, and special situations such as cancer in younger and older people, and pregnancy and fertility. The guide also offers information about coping with the lifestyle and social issues that may arise with a diagnosis of cancer, such as insurance, travel and support, and includes a chapter dedicated to palliative care for the cancer patient. A unique appendix of clinical management flowcharts assists fast, appropriate decision-making.
Cover -- Title -- Copyright -- Contents -- Acknowledgements -- Introduction -- Part I Situating radical democracy -- 1 The idea of democracy -- 2 Theories of radical democracy -- Part II Radical democracy in action -- 3 Subjects and agency: Who is the radical democrat? -- 4 Communities in question: Where is the radical democrat? -- 5 Radical deliberations: The radical democrat in action -- Part III Radical democracy in a globalized world -- 6 Radical cosmopolitanism -- 7 Greening democracy as radical democracy -- Conclusion -- Index
Marine Mammal Observer and Passive Acoustic Monitoring Handbook is the ultimate instruction manual for mitigation measures to minimise man-made acoustical and physical disturbances to marine mammals from industrial and defence activities. Based on more than two decades of offshore experience, and a decade of supplying MMO and PAM services (commercial and scientific), the Handbook is a long-overdue reference guide that seeks to improve standards worldwide for marine operations such as seismic and drilling exploration, wind farm and civil engineering piling, dredging, trenching, rock-dumping, hydrographical surveys, and military/defence exercises. By popular request, this manual will also form an accompaniment to MMO and PAM courses. The Handbook consolidates all aspects of this discipline into one easily accessible resource, to educate all stakeholders (e.g. MMOs, PAM operators, suppliers, recruitment agencies, clients, contractors, regulators, NGOs, consultants, scientists, academia and media), regardless of experience. Topics include worldwide legislation, compliance, anthropogenic noise sources and potential effects, training, offshore life, visual and acoustic monitoring (theory and practice), marine mammal distribution, hearing and vocalisations, and report writing. Advice is provided on implementing sensible and practical mitigation techniques, appropriate technologies, data collection, client and regulator liaison, and project kick-off meetings. "The Handbook is an indispensable How To guide to the growing and increasingly important occupation of marine mammal monitoring, written with clarity and humor by scientists who have extensive experience in this field." —Dr Phillip J. Clapham, world-renowned cetologist and Director of the Cetacean Assessment and Ecology Program at the National Marine Mammal Laboratory in Seattle.
This groundbreaking work of both theoretical and experiential thought by two leading ecological philosophers and animal liberation scientists ventures into a new frontier of applied ethical anthrozoological studies. Through lean and elegant text, readers will learn that human interconnections with other species and ecosystems are severely endangered precisely because we lack - by our evolutionary self-confidence - the very coherence that is everywhere around us abundantly demonstrated. What our species has deemed to be superior is, according to Tobias and Morrison, the cumulative result of a tragically tenuous argument predicated on the brink of our species’ self-destruction, giving rise to a most unique proposition: We either recognize the miracle of other sentient intelligence, sophistication, and genius, or risk enshrining the shortest lived epitaph of any known vertebrate in earth’s 4.1 billion years of life. Tobias and Morrison draw on 45 years of research in fields ranging from ecological anthropology, animal protection and comparative ethics to literature and spirituality - and beyond. They deploy research in animal and plant behavior, biocultural heritage contexts from every continent and they bring to bear a deeply metaphysical array of perspectives that set this book apart from any other. The book departs from most work in such fields as animal rights, ecological aesthetics, comparative ethology or traditional animal and plant behaviorist work, and yet it speaks to readers with an interest in those fields. A deeply provocative book of philosophical premises and hypotheses from two of the world’s most influential ecological philosophers, this text is likely to stir uneasiness and debate for many decades to come.
Collects War of the Realms: The Punisher #1-3 and material from War of the Realms: War Scrolls #3. Frank Castle: Avenger of Midgard! The War of the Realms has brought monsters and mayhem to the streets of New York City, but New York has a homegrown nightmare all its own: the Punisher! And he'll be damned to Hel if he's going to let a bunch of tin-pot tyrants from the Ten Realms terrorize his town. But given that he's just one man against an army of elves, giants, creatures and more, Hel might soon have him despite his best efforts! Swords and steel meet bullets, bombs, grit and guts as Marvel's one-man army joins the War of Realms! Expect all-out war. Expect punishment! Plus: Bonus war stories starring She-Hulk and Doctor Doom!
Publisher's Note: Products purchased from 3rd Party sellers are not guaranteed by the Publisher for quality, authenticity, or access to any online entitlements included with the product. This exhaustively comprehensive edition of the classic Bonica’s Management of Pain, first published 65 years ago, expertly combines the scientific underpinnings of pain with clinical management. Completely revised, it discusses a wide variety of pain conditions—including neuropathic pain, pain due to cancer, and acute pain situations—for adults as well as children. An international group of the foremost experts provides comprehensive, current, clinically oriented coverage of the entire field. The contributors describe contemporary clinical practice and summarize the evidence that guides clinical practice.
Offering a systematic description of the main respiratory diseases found in adults, the Handbook covers the assessment, diagnosis, and nursing management of each condition. The Oxford Handbook of Respiratory Nursing second edition is a unique and invaluable companion for all healthcare professionals working within the specialty.
This textbook in palliative care nursing draws together the principles and evidence that underpins practice to support nurses working in specialist palliative care settings and those whose work involves end-of-life care.
He was nobody's hero until he landed in the wrong bed … Armed with a golden retriever and a concealed weapons permit, Lena Clark is fighting for normal. She served her country, but the experience left her emotionally numb and estranged from her career-military family. Staying in Independence Falls seems like the first step to reclaiming her life until the town playboy stumbles into her bed … Chad Summers is living his dream—helicopter logging by day and slipping between the sheets with Mrs. Right Now by night. Until his wild nights threaten his day job, leaving Chad with a choice: prove he can settle down or kiss his dream goodbye. But when he ends up in the wrong bed, the one woman in Independence Falls he can't touch offers a tempting proposition. Chad is ready and willing to give in to the primal desire to make Lena his at night—on one condition. By day, they pretend their relationship is real. But their connection extends beyond the bedroom, threatening to turn their sham into reality if Chad can prove he's the hero Lena needs night and day … forever.
Discusses uses of photography in the context of art practice, and relates them to wider cultural debates. Focusing on conceptual and political projects between 1970 and the turn of the century, it draws parallels between issues discussed in theory and those displayed visually in practice.
Photographs display attitudes, agency and vision in the way cities are documented and imagined. Cities and Photography explores the relationship between people and the city, visualized in photographs. It provides a visually focused examination of the city and urbanism for a range of different disciplines: across the social sciences and humanities, photography and fine art. This text offers different perspectives from which to view social, political and cultural ideas about the city and urbanism, through both verbal discussion and photographic representation. It provides introductions to theoretical conceptions of the city that are useful to photographers addressing urban issues, as well as discussing themes that have preoccupied photographers and informed cultural issues central to a discussion of city. This text interprets the city as a spatial network that we inhabit on different conceptual, psychological and physical levels, and gives emphasis to how people operate within, relate to, and activate the city via construction, habitation and disruption. Cities and Photography aims to demonstrate the potential of photography as a contributor to commentary and analytical frameworks: what does photography as a medium provide for a vision of 'city' and what can photographs tell us about cities, histories, attitudes and ideas? This introductory text is richly illustrated with case studies and over 50 photographs, summarizing complex theory and analysis with application to specific examples. Emphasis is given to international, contemporary photographic projects to provide provide focus for the discussion of theoretical conceptions of the city through the analysis of photographic interpretation and commentary. This text will be of great appeal to those interested in Photography, Urban Studies and Human Geography.
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