NATIONAL BESTSELLER • From the Pulitzer Prize-winning and best-selling author: a captivating, brilliantly imaginative story of three extraordinary animals—and a young boy—whose lives intersect in Paris in this "feel-good escape” (The New York Times). Paras, short for "Perestroika," is a spirited racehorse at a racetrack west of Paris. One afternoon at dusk, she finds the door of her stall open and—she's a curious filly—wanders all the way to the City of Light. She's dazzled and often mystified by the sights, sounds, and smells around her, but she isn't afraid. Soon she meets an elegant dog, a German shorthaired pointer named Frida, who knows how to get by without attracting the attention of suspicious Parisians. Paras and Frida coexist for a time in the city's lush green spaces, nourished by Frida's strategic trips to the vegetable market. They keep company with two irrepressible ducks and an opinionated raven. But then Paras meets a human boy, Etienne, and discovers a new, otherworldly part of Paris: the ivy-walled house where the boy and his nearly-one-hundred-year-old great-grandmother live in seclusion. As the cold weather nears, the unlikeliest of friendships bloom. But how long can a runaway horse stay undiscovered in Paris? How long can a boy keep her hidden and all to himself? Jane Smiley's beguiling new novel is itself an adventure that celebrates curiosity, ingenuity, and the desire of all creatures for true love and freedom.
Pack up with Maris and her chat, Mishi, as they climb the Eiffel Tower, walk the Champs Elysees, ride the Ferris wheel at the Place de la Concorde, and, of course, have tea with Gigi! ... a magnifique adventure for young and old alike."--Page 4 of cover.
They have nothing in common…but their passion for each other! An American Witch in Paris Tired of his desk job, Ethan Pierce decides it’s time for a more exciting occupation. This straitlaced vampire may be ready for demons and blood magic, but nothing can prepare him for Tuesday Knightsbridge. She’s brash, she’s bold and she’s the sexiest woman he’s ever met. She also happens to be a witch…and the key to saving the world. Awakening the Shifter Rock star Khan hides his shifter status behind his bad-boy reputation. But the weretiger is floored by the combined beauty and talent of singer Sarange Tsedev…who doesn’t know she’s a wolf! Their chemistry is potent, but tigers and wolves don’t mix. Still, Khan’s and Sarange’s past and present are linked; it will take their combined magical abilities to create a future together.
Paris, France, is the fanciest city in the world. When Ms. Glass tells the class that the new student is from Paris, Nancy cannot believe her luck. Nancy brushes up on her fanciest French words. She is ready to make a new ami. (In French that means friend.) But Robert would rather talk about horses than the Eiffel Tower. Robert may not be as fancy as Nancy, but that doesn't mean they can't have fun!
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. The field of medieval francophone literary culture outside France was for many years a minor and peripheral sub-field of medieval French literary studies (or, in the case of Anglo-Norman, of English studies). The past two decades, however, have seen a major reassessment of the use of French in England, in the Low Countries, in Italy, and in the eastern Mediterranean, and this impacts significantly upon the history of literature in French more generally. This book is the first to look at the question overall, rather than just at one region. It also takes a more sustained theorised approach than other studies, drawing particularly on Derrida and on Actor-Network Theory. It discusses a wide range of texts, some of which have hitherto been regarded as marginal to French literary history, and makes the case for this material being more central to the literary history of French than was allowed in more traditional approaches focused narrowly on 'France'. Many of the arguments in Medieval French Literary Culture Abroad are grounded in readings of texts in manuscript (rather than in modern critical editions), and sustained attention is paid throughout to manuscripts that were produced or travelled outside the kingdom of France.
Intersections represents a newly emergent approach to the history of architecture that addresses both the relevance of critical theories to an historical understanding of architecture and the development of those theories.
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