The Revolution in France of 1789 provoked a major 'pamphlet war' in Britain as writers debated what exactly had happened, why it had happened, and where events were now headed. Jane Hodson's book explores the relationship between political persuasion, literary style, and linguistic theory in this war of words, focusing on four key texts: Edmund Burke's Reflections on the Revolution in France, Mary Wollstonecraft's A Vindication of the Rights of Men, Thomas Paine's Rights of Man, and William Godwin's Enquiry Concerning Political Justice. While these texts form the core of Hodson's project, she ranges far beyond them to survey other works by the same authors; more than 50 contemporaneous books on language; and pamphlets, novels, and letters by other writers. The scope of her study permits her to challenge earlier accounts of the relationship between language and politics that lack historical nuance. Rather than seeing the Revolution debate as a straightforward conflict between radical and conservative linguistic practices, Hodson argues that there is no direct correlation between a particular style or linguistic concept and the political affiliation of the writer. Instead, she shows how each writer attempts to mobilize contemporary linguistic ideas to lend their texts greater authority. Her book will appeal to literature scholars and to historians of language and linguistics working in the Enlightenment and Romantic eras.
Completely updated, with current examples and new coverage of digital media, this popular handbook provides a range of qualitative approaches that enable students to effectively decipher information conveyed through the channels of mass communication - photography, film, radio, television, and interactive media. It aim is to help students develop critical thinking skills and strategies with regard to what media to use and how to interpret the information that they receive. The techniques include ideological, autobiographical, nonverbal, and mythic approaches. An Instructor's Manual is available to professors who adopt this new edition.
This beautiful historical romance was written by Miss Jane Porter (1776-1850) and first published in 1810 to immense acclaim. It covers the exploits of Sir William Wallace, the renowned Scottish warrior and patriot, during the epochal years 1296 to 1305. Miss Porter augments the historical record with the patina of romance as she details the intimate lives of her protagonists. It is a warm, passionate portrayal, highly praised by contemporaries such as Sir Walter Scott. In the year of Scotland Homecoming 2009, this wonderful romance represents all that is fine and fair in Scottish History and Literature.
Given the popular and scholarly interest in the First World War it is surprising how little contemporary literary work is available. This five-volume reset edition aims to redress this balance, making available an extensive collection of newly-edited short stories, novels and plays from 1914–19.
Kansas City's premier restaurateur, Heaven Lee, accidentally finds the upended body of champion barbeque cooker and giant pain Pigpen Hopkins sticking out of a potent pot of his extra-special secret barbeque sauce. Unfortunately, Heaven has had problems with the law before, and even though she came out clean, this is one sticky mess that's hard to explain.
In Lou Jane Temple's fourth Heaven Lee Culinary Mystery, Bread on Arrival, when murder strikes at a bread-making convention, Heaven Lee must rise to the occasion... Having overcome a series of failed careers, sassy sometime-sleuth Heaven Lee has found her own slice of paradise as a pre-eminent Kansas City chef. When the ARTOS (Greek for bread) convention comes to town, Heaven looks forward to nothing more than gathering some bread-making tips, but things start to heat up when one of her colleagues falls to his death from a grain elevator and another is found murdered in a pan of bread dough. Add to this recipe the startling fact that someone has tainted some of the convention's dough, causing its eaters to go temporarily insane, and Heaven's got more on her plate than most cooks can handle...
A New York Times Notable Book • Finalist for the PEN/Martha Albrand Award for First Nonfiction “Highly readable biography . . . The woman who emerges from these pages is a complex figure—heroic, driven . . . and entirely human.”—Richard Bernstein, The New York Times Passionate Nomad captures the momentous life and times of Freya Stark with precision, compassion, and marvelous detail. Hailed by The Times of London as “the last of the Romantic Travellers” upon her death in 1993, Freya Stark combined unflappable bravery, formidable charm, fearsome intellect, and ferocious ambition to become the twentieth century’s best-known woman traveler. Digging beneath the mythology, Geniesse uncovers a complex, controversial, and quixotic woman whose indomitable spirit was forged by contradictions: a child of privilege, Stark grew up in near poverty; yearning for formal education, she was largely self-taught; longing for love, she consistently focused on the wrong men. Despite these hardships, Stark’s astonishing career spanned more than sixty years, during which she produced twenty-two books that sealed her reputation as a consummate woman of letters. This edition includes a new Epilogue by the author that, citing newly discovered evidence, calls into question the circumstances of Stark’s birth and adds new insight into this adventurous and lively personality. Praise for Passionate Nomad “Passionate Nomad is a work of nonfiction that reads and sings with the drama and lilt of a fine novel. The story of Freya Stark is stunning, inspiring, sad, funny, unique, and moving. Jane Fletcher Geniesse tells it straight, but with a care for delicious detail and a sympathy for the characters that make this a truly special book.”—Jim Lehrer “Passionate Nomad supplies a fascinating individual thread in the tapestry of twentiethcentury Middle Eastern history. . . . [Geniesse] has achieved, in the end, an admirable focus, at once critical and sympathetic. . . . For all Stark’s unresolved contradictions, . . . her distinction as a latter-day woman of letters survives.”—The New York Times Book Review “Compulsively readable . . . [Geniesse] has done a thorough job re-creating the life of a woman many consider to be the last of the great romantic travelers.”—The Plain Dealer (Cleveland)
This four-volume collection of primarily newly transcribed manuscript material brings together sources from both sides of the Atlantic and from a wide variety of regional archives. It is the first collection of its kind, allowing comparisons between the development of the family in England and America during a time of significant change. Volume 3: Managing Families, I The sources included here document the economics of running a household, the experience of being a sibling and information on family inheritance and genealogy. Specifics on home economics include information on food and cooking, washing laundry, insurance inventories and plantation accounts.
There is a growing interest in understanding how early years care and education is organised and experienced internationally and many early years courses - from foundation degree and beyond - include an 'International Perspectives' module.
Jane Stabler offers the first full-scale examination of Byron's poetic form in relation to historical debates of his time. Responding to recent studies of publishing and audiences in the Romantic period, Stabler argues that Byron's poetics developed in response to contemporary cultural history and his reception by the English reading public. Drawing on extensive new archive research into Byron's correspondence and reading, Stabler traces the complexity of the intertextual dialogues that run through his work. For example, Stabler analyses Don Juan alongside Galignani's Messenger - Byron's principal source of news about British politics while in Italy - and refers to hitherto unpublished letters between Byron's publishers and his friends to reveal a powerful impulse among his contemporaries to direct his controversial poetic style to their own conflicting political ends. This fascinating study will be of interest to Byronists and, more broadly, to scholars of Romanticism in general.
Jane Austen's Emma (1816) tells the story of the coming of age of Emma Woodhouse, "handsome, clever, and rich," who "had lived nearly twenty-one years in the world with very little to distress or vex her." Typical for the novel's time, Emma's transition to womanhood is accomplished through courtship—both of those around her and, ultimately, her own. As in other Austen works, education and courtship go hand in hand, and Emma's process of learning to relinquish the power of having her own way is also a process of falling in love. However, in Emma this classic plot is both complicated by and reflective of a collection of contemporary issues, assumptions, and anxieties that highlight just how "political" even the most conventional of courtship plots can be. This Broadview edition includes a critical introduction and an extensive collection of historical documents relating to the composition and reception of the novel, the social implications of England's shift from a rural agrarian to an urban industrial economy, the role of women in provincial society, and the contemporary preoccupation with health and the treatment of illness.
The knives are out! Heaven Lee-- proprietress extraordinaire of Kansas City's celebrated Cafe Heaven-- knew she had to watch her back at Aspen's gossipy Real Dish Food Festival. But it wasn't until the saucy cook stumbled across the battered body of one of the Best Chef contestants that she realized how deadly the competition could be. Every June, five thousand gourmands from across the globe gather in the chic resort town of Aspen, sipping wine in the pristine mountain air as five celebrity chefs battle for the Best Chef title. When the competitors start to drop, there's a bountiful supply of suspects. The intrepid Heaven discovers scores to settle, Hollywood ambitions, and outright malice before making sure a vicious killer gets their just deserts!
Chef and restaurateur Heaven Lee has gotten into plenty of scrapes in her hometown of Kansas City, Missouri. This time around, she's cooking up trouble in New Orleans while visiting to help the Sisters of the Holy Trinity hold their annual benefit dinner. The convent is having financial problems and only Heaven Lee's culinary creativity can offer hope. Unfortunately, before she can really get cooking, Heaven's old friend Mary's husband, HeavelkjTruely Whitten, coffee importer and native New Orleanian, is found murdered with Heaven's own knife. To make matters worse, the convent's sacred cross simultaneously turns up missing. When she becomes the prime suspect, Heaven has no choice but to put her pots and pans aside and pursue the villain in order to both clear her own name and get dinner on the table in time for the big benefit. Heaven's smart, saucy attitude spurs her on in the search for the vicious murderer as well as for the perfect New Orleans dish to serve the Sisters. When all else fails, she finds the answers to both puzzles right under her own nose, saving the day and serving up a new signature Heaven Lee dish, Nola Pie. The delectable dessert is guaranteed to tantalize readers' taste buds and the satisfying mystery will leave them begging for seconds.
In 1710, England’s first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays. Owning Performance follows the careers of some of the 18th century’s most influential playwrights, actors, and theater managers as they vied for control over the period’s most popular shows. Without protection for dramatic literary property, these figures developed creative extra-legal strategies for controlling the performance of drama—quite literally performing their ownership. Their various strategies resulted in a culture of ephemerality, with many of the period’s most popular works existing only in performance and manuscript copies. Author Jane Wessel explores how playwrights and actors developed strategies for owning their works and how, in turn, theater managers appropriated these strategies, putting constant pressure on artists to innovate. Owning Performance reveals the wide-reaching effects of property law on theatrical culture, tracing a turn away from print that affected the circulation, preservation, and legacy of 18th century drama.
Pastoral Australiatells the story of the expansion of Australia's pastoral industry, how it drove European settlement and involved Aboriginal people in the new settler society. The rural life that once saw Australia "ride on the sheep's back" is no longer what defines Australians, yet it is largely their history as a pastoral nation that has endured in heritage places and which is embedded in their self-image as Australians. The challenges of sustaining a pastoral industry in Australia make a compelling story of their own. Developing livestock breeds able to prosper in the Australian environment was an ongoing challenge, as was getting wool and meat to market. Many stock routes, wool stores, abattoirs, wharf facilities, railways, roads, and river and ocean transport systems that were developed to link the pastoral interior with the urban and market infrastructure still survive. Windmills, fences, homesteads, shearing sheds, bores, stock yards, traveling stock routes, bush roads and railheads all changed the look of the country. These features of the landscape are symbols of a pastoral Australia, and of the foundations of a national identity, which will endure long into the future. Key features * Outlines the history of pastoralism from 1788 to 1967 in an accessible way * Links the history to the many and varied surviving sites and landscape features created by it, which are now part of the heritage * Tells the story of involvement of Aboriginal people in pastoralism, particularly in northern Australia * Puts pastoralism into the context of Australia's development as a nation
Errington explores evidence of a distinctive women's culture and shows that the work women did constituted a common experience shared by Upper Canadian women. Most of them not only experienced the uncertainties of marriage and the potential dangers of childbirth but also took part in making sure that the needs of their families were met. How women actually fulfilled their numerous responsibilities differed, however. Age, location, marital status, class, and society's changing expectations of women all had a direct impact on what was expected of them, what they did, and how they did it. Considering "women's work" within the social and historical context, Errington shows that the complexity of colonial society cannot be understood unless the roles and work of women in Upper Canada are taken into account.
This is an innovative biography about an adventurous, game-changing traveller in Africa during the West’s ‘Enlightenment’ period (when the American and French Revolutions occurred). James Bruce was not what he seemed to be. I can now reveal that although he was notorious in his own day for a variety of interesting reasons (including his alleged theft of his assistant’s art-work), he was basically an espionage agent working with a clique of powerful, mostly British, persons whose secret agenda was: to eradicate slaving. Bruce undertook a ‘subversive’ mission to investigate slave trafficking across the Mediterranean and Red Seas as well as the Atlantic in order to support his friends’ drive to destroy the principal source of their own country’s wealth. This was achieved in 1807. Like Bruce himself, in my book I address neglected aspects of the ancient habit of slavery and the related abuse of —particularly —women. Bruce’s Travels (1790) is a delightful —although massive —read. Therefore I sketch the geo-historical and faith background to Bruce’s work, convey the ‘feel’ of his book, and add to the known facts of his life a great deal of newly discovered material. This includes the international range of Bruce’s friends and collaborators, from Rome to Cairo to Bethlehem in the newly constituted U.S.A. Change is agonisingly slow to take hold. It was possibly because Bruce ‘only’ wrote about Africa that he has been trivialised, and his biography has never previously been fully responsibly researched.
Women held more positions of power in the silent film era than at any other time in American motion picture history. Marion Leonard broke from acting to cofound a feature film company. Gene Gauntier, the face of Kalem Films, also wrote the first script of Ben-Hur. Helen Holmes choreographed her own breathtaking on-camera stunt work. Yet they and the other pioneering filmmaking women vanished from memory. Using individual careers as a point of departure, Jane M. Gaines charts how women first fell out of the limelight and then out of the film history itself. A more perplexing event cemented their obscurity: the failure of 1970s feminist historiography to rediscover them. Gaines examines how it happened against a backdrop of feminist theory and her own meditation on the limits that historiography imposes on scholars. Pondering how silent era women have become absent in the abstract while present in reality, Gaines sees a need for a theory of these artists' pasts that relates their aspirations to those of contemporary women. A bold journey through history and memory, Pink-Slipped pursues the still-elusive fate of the influential women in the early years of film.
Pagan Studies is maturing and moving beyond the context of new religious movements to situate itself in within of the study of world religions. Introduction to Pagan Studies is the first and only text designed to introduce the study of contemporary Paganism as a world religion. It examines the intellectual, religious, and social spheres of Paganism through common categories in the study of religion, which includes beliefs, practices, theology, ritual, history, and role of texts and scriptures. The text is accessible to readers of all backgrounds and religions and assumes no prior knowledge of Paganism. This text will also serve as a general introduction to Pagan Studies for non-specialist scholars of religion, as well as be of interest to scholars in the related disciplines of Anthropology, Sociology and Cultural Studies, and to students taking courses in Religious Studies, Pagan Studies, Nature Religion, New Religious Movements, and Religion in America. The book will also be useful to non-academic practitioners of Paganism interested in current scholarship.
The top-selling novel by prolific Southern writer Augusta J. Evans, St. Elmo was more widely read in its day than Uncle Tom's Cabin. The novel traces the relationship between a charming and charismatic lothario, St. Elmo, and the beautiful and chaste Edna Earl.
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