Electronic Inspection Copy available here "The best simply got better. The first edition of this book was already quite simply the best introduction to psychoanalysis ever written and has been appropriately extremely popular with teachers and students alike. The thoroughly updated second edition retains all the powerful features of the first including its remarkable clarity and accessibility. The field will be greatly indebted to these authors for many years." - Professor Peter Fonagy, University College London A Short Introduction to Psychoanalysis offers a user-friendly introduction to arguably the most misunderstood of all the psychological therapies. This fully updated and revised second edition explains what psychoanalysis really is and provides the reader with an overview of its basic concepts, historical development, critiques and research base. Demonstrating the far reaching influence of psychoanalysis, the authors - all practicing psychoanalysts - describe how its concepts have been applied beyond the consulting room and examine its place within the spectrum of other psychological theories. The text is enlivened by numerous clinical examples. New to this edition, the book o discusses parent infant psychotherapy and mentalization-based therapy (MBT) o further investigates psychotherapy in the NHS and the IAPT programme, with more on the debate between CBT and analytic approaches o includes more on dreaming and attachment theory, with added examples o includes new research studies and addresses the new field of psychosocial studies. This down-to-earth guide provides the ideal `way-in' to the subject for new trainees. For anyone thinking of becoming a psychoanalyst, the book also provides information on the training process and the structure of the profession.
Every Assistance and Protection is the first book presenting an in-depth history of the Australian passport. In charting the development of the passport from its early beginnings to its present form, the book traverses changes in government policy and social history from the early 19th century to the modern era. It shows how the Australian passport evolved from a signifier of British nationality into a badge of membership of one of the most multicultural countries in the world. The book explores the landmark events in this history:the great 19th century diasporas, resulting from relaxation of official controls on the movement of people; the early passport regime regulating the movement of "ticket-of-leave" convicts; the establishment of the centralised passport system during World War I; the enactment of the first passport legislation for the Commonwealth, The Passports Act 1920, and the reaction of some Australians who felt the new law infringed the liberties of the British subject; changes to the laws in 1938 such that possession of a passport was no longer mandatory for an Australian to travel, though still a practical necessity; the use of the government's discretionary power to cancel or withhold passports to inhibit the movement of individual communists; the establishment of Australian citizenship in 1948 - the basis for possession of an Australian passport; the removal of the word "British" from the cover in 1967; the effects of globalisation and heightened security in the late 20th and early 21st century. It also touches on the lives of individuals: boxer Les Darcy, journalist Wilfred Burchett, and General Sir Thomas Blamey, are among the many Australians featuring in these pages. The book is based on an exhaustive examination of hitherto unexamined primary sources of many government departments, including the Departments of External Affairs, the Prime Minister's, the Attorney-General's, Defence, Home and Territories, Immigration and Foreign Affairs. Sponsored by Department of Foreign Affairs and Trade
Production Design: Architects of the Screen explores the role of the production designer through a historical overview that maps out landmark film and television designs. From the familiar environs of television soap operas to the elaborate and disorientating Velvet Goldmine. Jane Barnwell considers how themes. motifs and colours offer clues to unravel plot. character and underlying concepts. In addressing the importance of physical space in film and TV, the book investigates questions of authenticity in detail. props. colours and materials. The design codes of period drama. more playful representations of the past and distinctive contemporary looks are discussed through the use of key examples ranging from musicals of the 1930s to cult films of the 1990s. The book also includes interviews with leading production designers and studies of Trainspotting, The English Patient and Caravaggio.
Government and Politics in Australia 10e is the comprehensive and scholarly political science text that provides thorough and accessible content written by authorities in the field. Now in its 10th edition, Government and Politics in Australia continues to provide students with a research-based, in-depth contemporary introduction to the Australian political system. A strengthened focus on government and politics ensures that this classic text remains the most comprehensive and authoritative guide to the structure and institutions of Australian government, as well as political parties, representation, interest groups and the role of the media in Australian politics. The 10th edition has been thoroughly revised and updated by experts in the field led by a new editor team and includes a completely new chapter on Australia in the world.
Between 1946 and 1958, the U.S. conducted some 66 nuclear bomb tests in the Marshall Islands. In 1959, this scattering of coral atolls was again chosen as the testing site for a new generation of weapons—long-range missiles fired in the U.S. Then in 1984 a missile fired from California was intercepted by one from Kwajalein atoll: SDI, or Star Wars, was declared a realizable dream. As military researcher Owen Wilkes has noted: "If we could shut down the Pacific Missile Range, we could cut off half the momentum of the nuclear race." This is the story of the preparations for war which every day impinge on tire lives of Pacific Islanders caught on the cutting edge of the nuclear arms race. It is the story of a displaced people contaminated by nuclear fallout, forcibly resettled as their own islands become uninhabitable, and reduced to lives of poverty, ill-health, and dependence. It is also a stirring account of the Marshall Islanders themselves, of their resilience and protest, and of their attempts to seek redress in the courts. It is a shocking and timely study.
Be proud to be a lazy radical! This textbook makes the case for a radical approach to social work that can be embraced by everyone. It's an approach based on real empathy and an understanding of oppression, of managerialism, of the moral heart of social work, of humanism and of the effects of neoliberal hegemony. Jane Fenton provides a model of radical practice for students and social workers who are committed to 'doing the right thing', and who want to develop their own framework for practice. This book will appeal to students who are activists, but want to frame their individual-level practice in a meaningful way, and to those who are non-activist and non-political but simply want to be good social workers. It will give a political and moral understanding of social work practice and lead to confident, value-based and enjoyable social work.
This Pickering edition of Adam Ferguson's correspondence contains over 400 letters, most of which have never before been published. The correspondence includes letters between Ferguson and Adam Smith, David Hume and Alexander Carlyle and many other central figures of the Scottish Enlightenment.
Focusing on the archaeological investigation of a Moravian mission in southeastern Australia, the traditional country of the Wergaia-language speakers,Fantastic Dreaming examines how spatial organization, the consumption of Western goods, and the practices required by domesticity were used to transform Aboriginal people.
The collection, interpretation and display of art from the People’s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of ’Chineseness’ and their style, content and the means of their production question accepted notions of how we perceive art. This book links art history, museology and visual culture studies to examine how museums have attempted to reveal, discuss and resolve some of these issues. Amy Jane Barnes addresses a series of related issues associated with collection and display: how museums deal with difficult and controversial subjects; the role they play in mediating between the object and the audience; the role of the Other in the creation of Self and national identities; the nature, role and function of art in society; the museum as image-maker; the impact of communism (and Maoism) on the cultural history of the twentieth-century; and the appropriation of communist visual iconography. This book will be of interest to researchers and students of museology, visual and cultural studies as well as scholars of Chinese and revolutionary art.
The Pegasus, a pioneering ship whose voyages helped promote Victorian enterprise, carried people and cargo between Leith and Hull. Goods included oil for the chemical industry, mail coaches, menageries, and racehorses. She was involved in daring sea rescues, smuggling, and several accidents. Her wreck, off Holy Island, in 1843, was the worst merchant shipping disaster in British waters, with some 70 lives lost. It was also a mystery. Why had she struck a rock on a calm, clear night? A parliamentary inquiry followed. Two of the first deep sea divers worked on recovering the dead and salvaging the wreck. Help for the victims and their families came from many sources, including the author, Charles Dickens. The stories of those lost form the appendix to this fascinating book.
Based on recently declassified documents, this book provides the first examination of the Truman Administration’s decision to employ covert operations in the Cold War. Although covert operations were an integral part of America’s arsenal during the late 1940s and early 1950s, the majority of these operations were ill conceived, unrealistic and ultimately doomed to failure. In this volume, the author looks at three central questions: Why were these types of operations adopted? Why were they conducted in such a haphazard manner? And, why, once it became clear that they were not working, did the administration fail to abandon them? The book argues that the Truman Administration was unable to reconcile policy, strategy and operations successfully, and to agree on a consistent course of action for waging the Cold War. This ensured that they wasted time and effort, money and manpower on covert operations designed to challenge Soviet hegemony, which had little or no real chance of success. US Covert Operations and Cold War Strategy will be of great interest to students of US foreign policy, Cold War history, intelligence and international history in general.
Christianity centers on the life and death of Jesus as Christ. Often Christians focus on the importance of Christ's Sacrifice as the means of human salvation, and the faithful are encouraged to imitate this suffering through self-sacrifice and self-denial. More than a few Christians, particularly women, have found such encouragement to self-sacrifice to be a means for continuing oppression--men over women, colonizers over the colonized, the powerful over the powerless. In The Satisfied Life, Jane McAvoy constructs a feminist theology of atonement--or satisfaction for sin--that draws on the insights of six medieval women mystics: Julian of Norwich, Mechthild of Magdeburg, Hildegard of Bingen, Margery Kempe, Hadewijch of Brabant, and Catherine of Siena. These Christian writers reveal alternatives to a theology of oppression. Salvation, for them, means experiencing the death and resurrection of Christ not as life-denying, but as a life-affirming celebration of God's love for us through the sustaining love of Jesus.
The parks that surround England's Windsor Castle were established in the Middle Ages for the protection of the royal deer. With the assistance of documents in the Public Record Office and the Royal Archives, and works of art in the Royal Collection, Jane Roberts has created an extensive and beautifully illustrated history of this royal acreage. 200 color & 300 b&w illustrations.
Out of Australia’s total population of around nine million, an estimated seven million people turned out to catch a glimpse of the newly crowned Queen Elizabeth II in 1954. Sixty years later, in April 2014, television news bulletins, newspapers and social media were awash with stories of the royal visit of Prince William, his wife Catherine and their baby son George. The frequent, whirlwind royal tours of today are a far cry from those to Australia between 1867 and 1954. These stretched over months, bursting with events such as civic receptions, state banquets, military reviews, cricket matches, agricultural shows, processions, schoolchildren’s pageants and the laying of foundation stones. Occasionally shambolic, quarrelsome and raucous affairs, they were always intensely patriotic. While most of the visits described in this book are from the British Royal Family, royals from other countries appear too, including ‘Our Mary’ of the Danish Royal Family, proudly claimed by Australians as their own. Royal Visits to Australia provides a fascinating glimpse into the evolving Australian psyche and cultural identity. Although our enthusiasm for the Royal Family has waxed and waned over the decades, it is tempting to attribute the fervour of today’s young people to modern celebrity culture. Royal Visits to Australia uncovers an affection that runs much deeper than a passing crush. The book is richly illustrated with stunning full page and double-page black-and-white photos from the early years to magnificent colour photos of more recent years. Also included is a vast array of drawings, lithographs, illuminated addresses, magazine articles, programs, menus and invitation cards and other souvenirs. Royal Visits to Australia is packed with fascinating stories and firsthand accounts. Read about an assassination attempt on Prince Alfred, the first royal visitor, in 1867; the weeping and hysteria of hundreds of thousands of people at Fremantle at the departure of the Duke and Duchess of Cornwall and York, in 1901; the unprecedented scenes of wild welcome at the 1954 visit of Queen Elizabeth II, the first reigning monarch to visit Australia; allegations of the Irish Republican Army (IRA) attempting to assassinate Prince Philip in Sydney in 1973; media obsession with discerning romantic gestures and stories of cracks in the marriage of Prince Charles and Princess Diana, in the 1980s; and, in 2014, William and Kate’s visit, with baby George in tow, the first royal tour since the social media revolution.
Do you ever really know your family? In the 1880s a sixth daughter learns not to ask for much, even if she’s the daughter of an earl. Even if she married the richest man in her corner of Sussex. Even if she’s now a widow with a splendid Georgian mansion. Lady Helena Whitcombe is still trying to adjust to widowhood and reconcile her family loyalties with her desires when her artist sister Odelia makes a startling suggestion. Why not make her mark on the house that’s now all hers, by commissioning a magnificent work of art from one of London’s most celebrated painters? Lady Odelia invites Helena into the seductive world of medieval fantasies and fairy tales she has inhabited since Helena was a child. But when a shocking series of events exposes the destructive reality of a great artist’s unusual lifestyle, Helena and her lady’s maid Guttridge are called on to help—or is it to interfere? Looming danger, the risk of scandal, and competing loyalties force Helena to re-evaluate her relationship with the sister she’s always loved the most. What is Lady Odelia’s secret? Find out in this gripping continuation of the Scott-De Quincy Mysteries, a story that blends mystery and historical detail with Downton Abbey-style saga as the truths about Helena’s aristocratic family unfold. Read it now before the secret gets out!
Long overlooked in standard reference works, pioneering women medievalists finally receive their due in Women Medievalists and the Academy. This comprehensive edited volume brings to life a diverse collection of inspiring figures through memoirs, biographical essays, and interviews. Covering many different nationalities and academic disciplines—including literature, philology, history, archaeology, art history, theology or religious studies, and philosophy—each essay delves into one woman’s life, intellectual contributions, and efforts to succeed in a male-dominated field. Together, these extraordinary personal histories constitute a new standard reference that speaks to a growing interest in women’s roles in the development of scholarship and the academy. The collection begins in the eighteenth century with Elizabeth Elstob and continues to the present, and includes—among more than seventy profiles—such important figures as Anna Jameson, Lina Eckenstein, Georgiana Goddard King, Eileen Power, Dorothy L. Sayers, Dorothy Whitelock, Susan Mosher Stuard, Marcia Colish, and Caroline Walker Bynum, among others.
The second edition of this successful book is about understanding, valuing, managing and developing yourself as a professional. The text leads from basic self-awareness, via examples and exercises, to the importance of building a personal philosophy. The final chapter, on developing yourself and choosing a career path, has been completely revised in line with the UKCC's current emphasis on the importance of lifelong learning. Readers will find the tone of the book warm and motivating.
This book uses in-depth case studies to explore the significance of the design of the home on screen. The chapters draw widely upon the production designer’s professional perspective and particular creative point of view. The case studies employ a methodology Barnwell has pioneered for the analysis of production design called Visual Concept Analysis, which can be used as a key to decode the design of any given film. Through the nurturing warmth of the Browns’ home in Paddington, the ambiguous boundaries of secret service agent homes in Tinker Tailor Soldier Spy and the ‘singleton’ space occupied by Bridget Jones, Barnwell demonstrates that the domestic interior consistently plays a key role. Whether used as a transition space, an ideal, a catalyst for change or a place to return to, these case studies examine the pivotal nature of the home in storytelling and the production designers’ significance in its creation. The book benefits from interviews with production designers and artwork that provides insight on the creative process.
A clever blend of fiction and history brings Australia's past to life in this time-travelling adventure series that celebrates the courage and contribution of some of the world's most inspiring pioneering women! London! When Simone invites Carly and Dora to stay with her parents in England on holiday, they're looking forward to an adventure - but they're not expecting to go back to the past, let alone face discrimination, disease and danger! Thrust back into London of over a hundred years ago, when women were not allowed to have real careers, they meet one woman who is about to change it all: Florence Nightingale. Through war and peace, Carly and her friends learn that courage sometimes means owning up to your mistakes.
What are the classic works of Australian literature? And what can they tell us about ourselves and the land we live in? Providing a selected overview of Australia's greatest literature, Australian Classics is an accessible companion to our literature and a story of writing in Australia from the nineteenth century to the present. Australian Class...
Nominated for the 2012 Distinguished Publication Award of the Association for Women in Psychology! Why are women more likely to be positioned or diagnosed as mad than men? If madness is a social construction, a gendered label, as many feminist critics would argue, how can we understand and explain women's prolonged misery and distress? In turn, can we prevent or treat women’s distress, in a non-pathologising women centred way? The Madness of Women addresses these questions through a rigorous exploration of the myths and realities of women's madness. Drawing on academic and clinical experience, including case studies and in-depth interviews, as well as on the now extensive critical literature in the field of mental health, Jane Ussher presents a critical multifactorial analysis of women's madness that both addresses the notion that madness is a myth, and yet acknowledges the reality and multiple causes of women's distress. Topics include: The genealogy of women’s madness – incarceration of difficult or deviant women Regulation through treatment Deconstrucing depression, PMS and borderline personality disorder Madness as a reasonable response to objectification and sexual violence Women’s narratives of resistance This book will be of great interest to students and scholars of psychology, gender studies, sociology, women's studies, cultural studies, counselling and nursing.
More than 200 years of volcano watching in Hawaii is captured in this pictorial history by three contemporary volcano watchers. The illustrated summary of eruptions and earthquakes on the island of Hawaii includes early maps, paintings, drawings, and photographs. The authors describe the conditions under which the early observers worked, the methods available to them, and the insights they gained through observation. The book also traces the development of volcanology in Hawaii and the history of the Hawaiian Volcano Observatory.
Packed with colour film stills, exclusive pre-production artwork and behind-the-scenes production images, this landmark book celebrates the production designer's contribution to visual storytelling on screen. It illuminates the visual concepts behind familiar screen spaces and unpicks how and why they are so effective in conveying character and story. Seven case studies, developed from exclusive interviews with world-renowned designers, reveal the concepts behind some of the most engaging imagery on screen and establish a dialogue around the shared language of visual storytelling. Jane Barnwell offers a new methodology for evaluating the designer's work on screen through five categories of analysis: space, interiors and exteriors, light, colour and set decorating. All of which combine to create the visual concept evident in the final screen image and together provide a model for the analysis of production design. Practical exercises and examples of real world projects walk you through the design process from breaking down the script and developing initial ideas to identifying a coherent conceptual vision. If you are a filmmaker, Production Design for Screen will inspire and guide you in your own work.
From the death of James III to the execution of Mary, Queen of Scots, Jane Dawson tells story of Scotland from the perspective of its regions and of individual Scots, as well as incorporating the view from the royal court. Scotland Re-formed shows how the country was re-formed as the relationship between church and crown changed, with these two institutions converging, merging and diverging, thereby permanently altering the nature of Scottish governance. Society was also transformed, especially by the feuars, new landholders who became the backbone of rural Scotland. The Reformation Crisis of 1559-60 brought the establishment of a Protestant Kirk, an institution influencing the lives of Scots for many centuries, and a diplomatic revolution that discarded the 'auld alliance' and locked Scotland's future into the British Isles.Although the disappearance of the pre-Reformation church left a patronage deficit with disastrous effects for Scottish music and art, new forms of cultural expression arose that
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