This book examines struggles over urban space in 3 contemporary first world cities, in an attempt to map the real geographies of colonialism and postcolonialism as manifest in modern society. The cities looked at are London, Perth and Brisbane.
Aboriginal claims for sacredness in modern Australia may seem like minor events, but they have radically disturbed the nation's image of itself. Minorities appear to have too much influence; majorities suddenly feel embattled. What once seemed familiar can now seem disconcertingly unfamiliar, a condition Ken Gelder and Jane M. Jacobs diagnose as 'uncanny'. In Uncanny Australia Gelder and Jacobs show how Aboriginal claims for sacredness radiate out to affect the fortunes, and misfortunes, of the modern nation. They look at Coronation Hill, Hindmarsh Island, Uluru and the repatriation of sacred objects; they examine secret business in public places, promiscuous sacred sites, ghosts and bunyips, cartographic nostalgia, reconciliation and democracy, postcolonial racism and New Age enchantments. Uncanny Australia is a challenging and thought-provoking work that offers a new way of understanding how the Aboriginal sacred inhabits the modern nation.
This book examines struggles over urban space in 3 contemporary first world cities, in an attempt to map the real geographies of colonialism and postcolonialism as manifest in modern society. The cities looked at are London, Perth and Brisbane.
Aboriginal claims for sacredness in modern Australia may seem like minor events, but they have radically disturbed the nation's image of itself. Minorities appear to have too much influence; majorities suddenly feel embattled. What once seemed familiar can now seem disconcertingly unfamiliar, a condition Ken Gelder and Jane M. Jacobs diagnose as 'uncanny'. In Uncanny Australia Gelder and Jacobs show how Aboriginal claims for sacredness radiate out to affect the fortunes, and misfortunes, of the modern nation. They look at Coronation Hill, Hindmarsh Island, Uluru and the repatriation of sacred objects; they examine secret business in public places, promiscuous sacred sites, ghosts and bunyips, cartographic nostalgia, reconciliation and democracy, postcolonial racism and New Age enchantments. Uncanny Australia is a challenging and thought-provoking work that offers a new way of understanding how the Aboriginal sacred inhabits the modern nation.
This book argues that French musical meanings and values in the years from 1898 to 1914 are best explained not in terms of contemporary artistic movements, but rather in terms of the political culture, which was undergoing subtle but profound transformation as nationalist leagues enlarged the arena of political action. Applying recent insights from French history, sociology, political anthropology, and literary theory, the book reveals how nationalists used critics, educational institutions, concert series and lectures to disseminate their values through a discourse on French music; and it demonstrates how the Republic and Left responded to this challenge through their own discourses on French musical values. Against this background Fulcher traces the impact of this politicized musical culture on composers such as d'Indy, Charpentier, Magnard, Debussy, and Satie.
Colonial New Englanders would have found our modern notions of free speech very strange indeed. Children today shrug off harsh words by chanting "sticks and stones may break my bones but names will never hurt me," but in the seventeenth century people felt differently. "A soft tongue breaketh the bone," they often said. Governing the Tongue explains why the spoken word assumed such importance in the culture of early New England. Author Jane Kamensky re-examines such famous Puritan events as the Salem witch trials and the banishment of Anne Hutchinson to expose the ever-present fear of what the puritans called "sins of the tongue." But even while dangerous or deviant speech was restricted, Kamensky points out, godly speech was continuously praised and promoted. Congregations were told that one should ones voice "like a trumpet" to God and "cry out and cease not." By placing speech at the heart of familiar stories of Puritan New England, Kamensky develops new ideas about the relationship between speech and power both in Puritan New England and, by extension, in our world today.
When dealing with Indigenous women’s history we are conditioned to think about women as private-sphere figures, circumscribed by the home, the reserve, and the community. Moreover, in many ways Indigenous men and women have been cast in static, pre-modern, and one-dimensional identities, and their twentieth century experiences reduced to a singular story of decline and loss. In Indigenous Women, Work, and History, historian Mary Jane Logan McCallum rejects both of these long-standing conventions by presenting case studies of Indigenous domestic servants, hairdressers, community health representatives, and nurses working in “modern Native ways” between 1940 and 1980. Based on a range of sources, including the records of the Departments of Indian Affairs and National Health and Welfare, interviews, and print and audio-visual media, McCallum shows how state-run education and placement programs were part of Canada’s larger vision of assimilation and extinguishment of treaty obligations. Conversely, she also shows how Indigenous women link these same programs to their social and cultural responsibilities of community building and state resistance. By placing the history of these modern workers within a broader historical context of Aboriginal education and health, federal labour programs, post-war Aboriginal economic and political developments, and Aboriginal professional organizations, McCallum challenges us to think about Indigenous women’s history in entirely new ways.
Brief, accessible, and value-priced, The Little, Brown Essential Handbook, 3rd Canadian Edition answers the common and not-so-common questions about usage, grammar, research writing and documentation. Thoroughly adapted to reflect Canadian spelling, culture, geography, and history, this pocket-sized member of the Little, Brown family is an indispensable tool for Canadian writers across the disciplines and beyond their academic careers.
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