A century of landscape art inspired by the Mount Assiniboine area of the Canadian Rockies from 1899 to 2006. Jane Lytton Gooch's Mount Assiniboine: Images in Art is a stunning collection of 42 colour plates, only seven of which have been previously published. They represent a wide variety of styles and media from 23 artists, including: A.P. Coleman Carl Rungius James Simpson Belmore Browne Barbara and A.C. Leighton Catharine and Peter Whyte W.J. Phillips A.Y. Jackson Colour plates are divided into three sections: approaching Assiniboine from the northwest; east of Assiniboine; and Mount Assiniboine itself. Each section is introduced with a black-and-white archival photograph and a quotation. In addition, four black-and-white archival photographs, along with five colour reproductions of Mary Vaux Walcott's stunning watercolours of wildflowers sketched in the Assiniboine area, complement Gooch's introduction. Gooch also discusses the history of exploration of the region, early ascents of Mount Assiniboine , the development of tourism and the significant artistic activity this majestic peak has inspired.
Bow Lake in the Canadian Rockies has inspired artists for almost a century. An early explorer who recognized the beauty of this alpine landscape was Jimmy Simpson, a legendary guide and outfitter who also collected art and painted in watercolours. He welcomed artists such as Carl Rungius, Belmore Browne and Peter and Catharine Whyte to his camp beside Bow Lake, which eventually became the storied Num-Ti-Jah Lodge. A.C. Leighton and his wife, Barbara, along with Walter J. Phillips were among the early artists at Bow Lake. This artistic tradition has been carried on with the current artist-in-residence program at Num-Ti-Jah, attracting many contemporary artists to paint the spectacular landscape. This volume includes an introduction describing the history of exploration and the early artistic activity generated by Jimmy Simpson, followed by brief biographies of 18 contemporary artists whose works are also included in the 47 colour plates, all documented and described, of which only 6 have ever been published before.
When Jane Gooch first camped at Lake O'Hara in 1975, she could not have foreseen how important the Rockies would become in her life. She travelled from her home in Vancouver many times during the summer months to hike in the mountains, and her love of the alpine landscape eventually inspired her to study the artists who have painted in the Rockies. Her great enjoyment of the outdoors and a lifelong interest in art were combined with her academic background in writing and research. Mount Robson: Spiral Road of Art celebrates the centennial of Mount Robson Provincial Park with over a century of remarkable landscape paintings inspired by the Robson region in the Canadian Rockies. This volume includes an extensive Introduction with historical and cultural background to the 50 colour plates, all documented and described, illustrating artists' works in a variety of styles and media from 1907-2012. Early artists include A.P. Coleman, the first explorer, and Group of Seven members A.Y. Jackson and Lawren Harris. In addition, the works of 17 contemporary artists show that the Mount Robson area continues to stimulate landscape art up to the present. Only 10 of the images have been published before.
A century of landscape art inspired by the Mount Assiniboine area of the Canadian Rockies from 1899 to 2006. Jane Lytton Gooch's Mount Assiniboine: Images in Art is a stunning collection of 42 colour plates, only seven of which have been previously published. They represent a wide variety of styles and media from 23 artists, including: A.P. Coleman Carl Rungius James Simpson Belmore Browne Barbara and A.C. Leighton Catharine and Peter Whyte W.J. Phillips A.Y. Jackson Colour plates are divided into three sections: approaching Assiniboine from the northwest; east of Assiniboine; and Mount Assiniboine itself. Each section is introduced with a black-and-white archival photograph and a quotation. In addition, four black-and-white archival photographs, along with five colour reproductions of Mary Vaux Walcott's stunning watercolours of wildflowers sketched in the Assiniboine area, complement Gooch's introduction. Gooch also discusses the history of exploration of the region, early ascents of Mount Assiniboine , the development of tourism and the significant artistic activity this majestic peak has inspired.
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