Coalescence of Styles provides an important comparative analysis of material heritage, showing how regional furniture embodied the lifestyles of diverse groups of settlers."--BOOK JACKET.
Joining the crowds at abandoned storage units being sold at auction a week before Valentine's Day, antiques dealer Josie Prescott is compelled to use her unique skills to solve the murder of a friend who is killed immediately after the auction.
The text of Pride and Prejudice is the 1813 first edition text. "Backgrounds and Sources" includes biographical portraits of Austen by members of her family and by acclaimed biographers Claire Tomalin and David Nokes. Seventeen of Austen’s letters--eight of them new to the Third Edition--allow readers to glimpse the close-knit society that was Austen’s world, both in life and in her writing. Samples of Austen’s early writing allow readers to trace her growth as a writer as well as to read her fiction comparatively. "Criticism" features nineteen assessments of the novel, seven of them new to the Third Edition. Among them is an interview with Colin Firth on the recent BBC television adaptation of the novel. Also included are pieces by Richard Whately, Margaret Oliphant, Richard Simpson, D. W. Harding, Dorothy Van Ghent, Alistair Duckworth, Stuart Tave, Marilyn Butler, Nina Auerbach, Susan Morgan, Claudia L. Johnson, Susan Fraiman, Deborah Kaplan, Tara Goshal Wallace, Cheryl L. Nixon, David Spring, Edward Ahearn, and Donald Gray. A Chronology-new to the Third Edition-and a Selected Bibliography are also included.
Leaside is a most comprehensive look at the people, significant events and built heritage, all of which contributed to the creation of this distinctive community. Named after John Lea, a successful farmer, whose house, built in 1829, is believed to be the first brick house in York County, Leaside grew from a railway settlement into a prosperous urban town. With its roots embedded in the history of three railways, Leaside has a unique industrial heritage that played a key role in the war effort during both World Wars, including its being the site of munitions plants, a wooden plane factory, and a base for the Royal Flying Corps. Leaside was also home to the Durant Motors of Canada, and later the Nash cars, Canada Wire and Cable, and the popular Thorncliffe Race Track. Did you know that Canada’s first airmail delivery touched down in Leaside and that an Olympic calibre ski jump once operated in the Don Valley? Jane Pitfield’s Leaside represent a nostalgic journey into the heritage of a most remarkable neighbourhood, still proudly retaining its identity as part of Toronto.
I wonder what will become of her!' So speculate the friends and neighbours of Emma Woodhouse, the lovely, lively, wilful,and fallible heroine of Jane Austen's fourth published novel. Confident that she knows best, Emma schemes to find a suitable husband for her pliant friend Harriet, only to discover that she understands the feelings of others as little as she does her own heart. As Emma puzzles and blunders her way through the mysteries of her social world, Austen evokes for her readers a cast of unforgettable characters and a detailed portrait of a small town undergoing historical transition. Written with matchless wit and irony, judged by many to be her finest novel, Emma has been adapted many times for film and television. This new edition emphasises the novel's extraordinary technical audacity. While apparently conservative in its choice of setting and range of characters, it was - and is - a formally revolutionary work.
The 'Greatest Black Briton in History' triumphed over the Crimea and Victorian England. "The Times" called her a heroine, Florence Nightingale called her a brothel-keeping quack, and Queen Victoria's nephew called her, simply, 'Mammy' - Mary Seacole was one of the most eccentric and charismatic women of her era. Born at her mother's hotel in Jamaica in 1805, she became an independent 'doctress' combining the herbal remedies of her African ancestry with sound surgical techniques. On the outbreak of the Crimean War, she arrived in London desperate to join Florence Nightingale at the Front, but the authorities refused to see her. Being black, nearly 50, rather stout, and gloriously loud in every way, she was obviously unsuitable. Undaunted, Mary travelled to Balaklava under her own steam to build the 'British Hotel', just behind the lines. It was an outrageous venture, and a huge success - she became known and loved by everyone from the rank and file to the royal family. For more than a century after her death this remarkable woman was all but forgotten. This, the first full-length biography of a Victorian celebrity recently voted the greatest black Briton in history, brings Mary Seacole centre stage at last.
Race and Redemption is the latest volume in the Studies in the History of Christian Missions series, which explores the significant, yet sometimes controversial, impact of Christian missions around the world. In this historical examination of the encounter between British missionaries and people in the Pacific Islands, Jane Samson reveals the paradoxical yet symbiotic nature of the two stances that the missionaries adopted--"othering" and "brothering." She shows how good and bad intentions were tangled up together and how some blind spots remained even as others were overcome. Arguing that gender was as important a category in the story as race, Samson paints a complex picture of the interactions between missionaries and native peoples--and the ways in which perspectives shaped by those encounters have endured.
On October 8, 1930, Charles "Cap" Sauers, general superintendent of the Cook County Forest Preserve District, wrote a letter to Alfred M. Bailey, director of the Chicago Academy of Sciences, about an idea he had. He proposed developing several nature study museums with the support of Bailey and the Academy of Sciences. Bailey eagerly wrote to Sauers that he had the Academy's full cooperation. By 1932, the Trailside Museum of Natural History was opened in River Forest, Illinois, the first of its kind in the Midwest. Several curators would come and go, but one in particular, Virginia Moe, dedicated more than 50 years of her life to the museum, animals, and people of Cook County. This is truly her story.
Jane Grigson?s Fruit Book includes a wealth of recipes, plain and fancy, ranging from apple strudel to watermelon sherbet. Jane Grigson is at her literate and entertaining best in this fascinating compendium of recipes for forty-six different fruits. Some, like pears, will probably seem homely and familiar until you've tried them ¾ la chinoise. Others, such as the carambola, described by the author as looking ?like a small banana gone mad,? will no doubt be happy discoveries. ø You will find new ways to use all manner of fruits, alone or in combination with other foods, including meats, fish, and fowl, in all phases of cooking from appetizers to desserts. And, as always, in her brief introductions Grigson will both educate and amuse you with her pithy comments on the histories and varieties of all the included fruits. ø All ingredients are given in American as well as metric measures, and this edition includes an extensive glossary, compiled by Judith Hill, which not only translates unfamiliar terminology but also suggests American equivalents for British and Continental varieties where appropriate.
This perfect indifference, and your pointed dislike, make it so delightfully absurd!' Pride and Prejudice has delighted generations of readers with its unforgettable cast of characters, carefully choreographed plot, and a hugely entertaining view of the world and its absurdities. With the arrival of eligible young men in their neighbourhood, the lives of Mr and Mrs Bennet and their five daughters are turned inside out and menide down. Pride encounters prejudice, upward-mobility confronts social disdain, and quick-wittedness challenges sagacity, as misconceptions and hasty judgements lead to heartache and scandal, but eventually to true understanding, self-knowledge, and love. In this supremely satisfying story, Jane Austen balances comedy with seriousness, and witty observation with profound insight. If Elizabeth Bennet returns again and again to her letter from Mr Darcy, readers of the novel are drawn even more irresistibly by its captivating wisdom. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The story of poor relation Fanny Price's loyal love for the son of the family is presented here with a new introduction by Marilyn Butler. - ;Mansfield Park is a study of three families - the Bertrams, the Crawfords, and the Prices - with the isolated figure of the heroine, Fanny Price, at its centre. Fanny's quiet passivity, her steadfast loyalty and love for the son of the family who regard her as the poor relation, are among the qualities whose true worth is not appreciated until they are tried against the brilliant and witty Mary and Henry Crawford, the unfortunate consequences of whose influence are felt by everyone. Jane Austen uses Fanny's emotional involvement with the people around her to explore the social and moral values by which she and they try to order their lives. First published in 1814, the text of this edition is taken from R. W. Chapman's Oxford edition. -
Pray, pray be composed," cried Elinor, "and do not betray what you feel to every body present. Perhaps he has not observed you yet."' For Elinor Dashwood, sensible and sensitive, and her romantic, impetuous younger sister Marianne, the prospect of marrying the men they love appears remote. In a world ruled by money and self-interest, the Dashwood sisters have neither fortune nor connections. Concerned for others and for social proprieties, Elinor is ill-equipped to compete with self-centred fortune-hunters like Lucy Steele, whilst Marianne's unswerving belief in the truth of her own feelings makes her more dangerously susceptible to the designs of unscrupulous men. Through her heroines' parallel experiences of love, loss, and hope, Jane Austen offers a powerful analysis of the ways in which women's lives were shaped by the claustrophobic society in which they had to survive.
In one of her personal letters, Jane Austen wrote "Little Matters they are to be sure, but highly important." In fact, letter-writing was something of an addiction for young women of Jane Austen's time and in her social position, and Austen's letters have a freedom and familiarity that only intimate writing can convey. Wiser than her critics, who were disappointed that her correspondence dwelt on gossip and the minutiae of everyday living, Austen understood the importance of "Little Matters," of the emotional and material details of individual lives shared with friends and family through the medium of the letter. Ironic, acerbic, always entertaining, Jane Austen's letters are a fascinating record not only of her own day-to-day existence, but of the pleasures and frustrations experienced by women of her social class which are so central to her novels. Vivien Jones's selection includes nearly two-thirds of Austen's surviving correspondence, and her lively introduction and notes set the novelist's most private writings in their wider cultural context.
In Pier Angeli, a nineteen-year-old Italian girl, Hollywood has found an actress who eludes the town's traditional classifications and whose unvarnished beauty and instinctive talent have already caused her to be called 'Little Garbo'"--Theodore Strauss in Collier's, April 1952. This work is the first full-length biography of actress Anna Maria Pierangeli, from her early life in Italy to her death at the age of 39. She was discovered by Vittorio De Sica and soon after starred in her first film, Domani e troppo tardi (Tomorrow Is Too Late), which began her meteoric rise to fame in Italy. She arrived in Hollywood in 1950 at the age of 18, and the first thing MGM did was change her name to Pier Angeli and predict great things for its newest actress. The book covers her seven year career with MGM, her two unhappy marriages to Vic Damone and Armando Trovajoli, her love for her children Perry and Andrew, her brief and stormy relationship with James Dean, her dependent relationships with her mother and such stars as Kirk Douglas, Richard Attenborough and Debbie Reynolds, and the mystery surrounding her death.
...in suspecting General Tilney of either murdering or shutting up his wife, she had scarcely sinned against his character, or magnified his cruelty.' Northanger Abbey is about the misadventures of Catherine Morland, young, ingenuous, and mettlesome, and an indefatigable reader of gothic novels. Their romantic excess and dark overstatement feed her imagination, as tyrannical fathers and diabolical villains work their evil on forlorn heroines in isolated settings. What could be more remote from the uneventful securities of life in the midland counties of England? Yet as Austen brilliantly contrasts fiction with reality, ordinary life takes a more sinister turn, and edginess and circumspection are reaffirmed alongside comedy and literary burlesque. Also including Austen's other short fictions, Lady Susan, The Watsons, and Sanditon, this valuable new edition examines the ambitious and innovative works with which she inaugurated as well as closed her career. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Anne Elliot, persuaded by family and friends that the charming and handsome Frederick Wentworth is not worthy of her regard, questions her decision to send him away until he returns seven years later, his circumstances much improved.
No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine.' Northanger Abbey is a comedy about reading and misreading-of books and the world-and about different kinds of peril, both imagined and real. In it, Austen's youngest heroine, Catherine Morland, must navigate financial disadvantage, social constraint, and sometimes quite ruthless manipulation. The absurdities of fashion and conspicuous consumption, voguish ostentation and social competition are seen first in shark-infested Bath, (the premier health resort and marriage market of the day) and then in a more tranquil pocket of rural Gloucestershire that turns out to be a hotbed of materialism and greed. Jane Austen combines making fun of the excesses of the Gothic novel with larger moral issues: the folly of letting literature get in the way of life, and the inexcusability (especially for women) of not thinking for oneself. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Looking for heart-racing romance and breathless suspense? Want stories filled with life-and-death situations that cause sparks to fly between adventurous, strong women and brave, powerful men? Harlequin® Romantic Suspense brings you all that and more with four new full-length titles in one collection! IN COLTON’S CUSTODY The Coltons of Mustang Valley by Dana Nussio After receiving a message that his daughter may have been switched at birth, Asher Colton immediately goes to the mother of the other baby to get to the bottom of things. Willow Merrill has already had her childhood ruined by the Coltons, but she reluctantly agrees to help Asher. However, neither of them expected threats to both of their lives and families! COLTON MANHUNT The Coltons of Mustang Valley by Jane Godman K-9 cop Spencer Colton blames himself for the death of his girlfriend and he’ll never take another chance on love. But when dog trainer Katrina Perry is endangered while looking for her missing sister, he’s forced to confront the emotional connection between them while keeping her safe. THE RANGER’S REUNION THREAT Rangers of Big Bend by Lara Lacombe Isabel Cruz has been avoiding Wyatt Spalding ever since his betrayal—after they spent one passionate night together. But someone is threatening her family and their ranch, and Wyatt is the only person who can help. Can they put their mistrust behind them long enough to stop a killer? DEADLY TEXAS SUMMER by Colleen Thompson After a suspicious death on her team, environmentalist Emma Copley knows someone needs to investigate. When the authorities won’t, she decides to do it herself, despite Beau Kingston’s warnings. He may have a financial incentive to stop her investigation, but he certainly doesn’t want her hurt. Can they trust each other long enough to find the real culprit?
She’ll do anything to find her missing sister. Only a Colton cop can crack this case. The last thing K-9 Sergeant Spencer Colton needs is another routine missing-persons case. But Katrina Perry is insistent on finding her twin sister—at all costs. And as things become anything but routine, so do Spencer’s feelings for Katrina. Someone will stop at nothing to get Katrina out of the way, though. And only Spencer has a chance of keeping her safe…
Jane Austen practising' Virginia Woolf Three notebooks of Jane Austen's teenage writings survive. The earliest pieces probably date from 1786 or 1787, around the time that Jane, aged 11 or 12, and her older sister and collaborator Cassandra left school. By this point Austen was already an indiscriminate and precocious reader, devouring pulp fiction and classic literature alike; what she read, she soon began to imitate and parody. Unlike many teenage writings then and now, these are not secret or agonized confessions entrusted to a private journal and for the writer's eyes alone. Rather, they are stories to be shared and admired by a named audience of family and friends. Devices and themes which appear subtly in Austen's later fiction run riot openly and exuberantly across the teenage page. Drunkenness, brawling, sexual misdemeanour, theft, and even murder prevail.
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