Thomas Hardy's The Dynasts and Leo Tolstoy's War and Peace are both works which defy attempts to assign them to a particular genre but might seem to have little else in common apart from being set in the same period of history. This study argues that there are important similarities between these two works and examines the close correspondence between Hardy's and Tolstoy's thinking on themes relating to war, ideas of the heroic and the concept of free will. Although coming from very different backgrounds, both writers were influenced by their experiences of war, Tolstoy directly, by involvement in the wars in the Caucasus and the Crimea, and Hardy indirectly, by the events of the Anglo-Boer Wars. Their reaction to these experiences found expression in their descriptions of the wars fought against Napoleon at the beginning of the century. Hegel saw Napoleon as the great world-historical man of his time, and this work considers the ways in which Hardy and Tolstoy undermine this view, portraying Napoleon's physical and mental decline and questioning the role he played in determining the outcomes of military actions. Both writers were deeply interested in the question of free will and determinism and their writings reveal their attempts to understand the nature of the force which lies behind men's actions. Their differing views on the nature of consciousness are considered in the light of modern research on the development of the conscious brain.
Unlike many of his contemporaries, Thomas Hardy is not generally recognized as an imperial writer, even though he wrote during a period of major expansion of the British Empire and in spite of the many allusions to the Roman Empire and Napoleonic Wars in his writing. Jane L. Bownas examines the context of these references, proposing that Hardy was a writer who not only posed a challenge to the whole of established society, but one whose writings bring into question the very notion of empire. Bownas argues that Hardy takes up ideas of the primitive and civilized that were central to Western thought in the nineteenth century, contesting this opposition and highlighting the effect outsiders have on so-called 'primitive' communities. In her discussion of the oppressions of imperialism, she analyzes the debate surrounding the use of gender as an articulated category, together with race and class, and shows how, in exposing the power structures operating within Britain, Hardy produces a critique of all forms of ideological oppression.
Thomas Hardy's The Dynasts and Leo Tolstoy's War and Peace are both works which defy attempts to assign them to a particular genre but might seem to have little else in common apart from being set in the same period of history. This study argues that there are important similarities between these two works and examines the close correspondence between Hardy's and Tolstoy's thinking on themes relating to war, ideas of the heroic and the concept of free will. Although coming from very different backgrounds, both writers were influenced by their experiences of war, Tolstoy directly, by involvement in the wars in the Caucasus and the Crimea, and Hardy indirectly, by the events of the Anglo-Boer Wars. Their reaction to these experiences found expression in their descriptions of the wars fought against Napoleon at the beginning of the century. Hegel saw Napoleon as the great world-historical man of his time, and this work considers the ways in which Hardy and Tolstoy undermine this view, portraying Napoleon's physical and mental decline and questioning the role he played in determining the outcomes of military actions. Both writers were deeply interested in the question of free will and determinism and their writings reveal their attempts to understand the nature of the force which lies behind men's actions. Their differing views on the nature of consciousness are considered in the light of modern research on the development of the conscious brain.
A Story of Two Birminghams examines the roles played by two cities and the areas in which they are situated in the long history of people of African origin and their ancestors who were taken into slavery, experienced a phoney freedom and subsequently experienced racism, segregation and violence. From the eighteenth century the industrial city of Birmingham in England was involved in the manufacture of guns used in the African slave trade and then later, in the production and export of the steam engines used on the sugar plantations in the West Indies. In northern Alabama, on land where another industrial city of the same name would later develop, African slaves worked on cotton plantations owned by planters who would later make their fortunes by selling the mineral rich land. Abolitionists in Birmingham UK, and in the Southern States fought against much opposition to achieve freedom for the slaves. But this was often a phoney freedom: for example, under an apprenticeship system in Jamaica people endured conditions often worse than under slavery, and in Alabama they endured hard labour in the development of the new industrial city and under the Convict Lease system. Slavery, Freedom and Conflict follows the life path of descendants of slaves into the twentieth century, the difficulties experienced by West Indian immigrants in Birmingham UK, the segregation laws imposed in Birmingham, Alabama and the US Civil Rights movement which followed. Later in the century, riots occurring in Handsworth (Birmingham UK), the election of a far-right, racist politician in nearby Smethwick and the infamous speech of Enoch Powell indicated that, as in Birmingham, Alabama many black people were still suffering from the iniquities of the slave trade inflicted upon their ancestors more than two hundred years previously. This book is essential reading for all those with an interest in the history of slavery, and in the local history of the West Midlands of England and the Northern counties of Alabama.
Unlike many of his contemporaries, Thomas Hardy is not generally recognized as an imperial writer, even though he wrote during a period of major expansion of the British Empire and in spite of the many allusions to the Roman Empire and Napoleonic Wars in his writing. Jane L. Bownas examines the context of these references, proposing that Hardy was a writer who not only posed a challenge to the whole of established society, but one whose writings bring into question the very notion of empire. Bownas argues that Hardy takes up ideas of the primitive and civilized that were central to Western thought in the nineteenth century, contesting this opposition and highlighting the effect outsiders have on so-called 'primitive' communities. In her discussion of the oppressions of imperialism, she analyzes the debate surrounding the use of gender as an articulated category, together with race and class, and shows how, in exposing the power structures operating within Britain, Hardy produces a critique of all forms of ideological oppression.
The idea of the hero originates in myths from the distant past and has been applied to many different concepts in different societies, cultures and historical time periods. As a mythical signifier the meaning of the word hero changes according to the intentions of the user, and this study examines some of the ways in which heroic myths have been created, either to justify the actions of those in power or to produce an imaginary ideal to which the majority can aspire. The warrior heroes of Greek legend fighting for individual glory and honour have little in common with the soldiers fighting in the wars of the twentieth century, resulting in the creation of a new hero myth, that of the patriotic, dutiful and obedient soldier. As a result of wars and the emergence of new states there is a need for new myths depicting heroes who fight and if necessary die in order to defend their nation. Heroic myths are important for those seeking power and this study considers the extent to which Germanic myths played a part in the emergence of Hitler as a heroic leader. In recent times the idea of the hero with which people most readily identify is the extreme altruist -- someone who is ready to risk their own life to save the life of another person. The possible origins of and reasons for such behaviour are examined. All humans possess the potential to act in ways which might be considered to be heroic, even when this involves living an ordinary life with courage and endurance.
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