Jane Kramer came into this world as a free spirited Irish Gemini. Her Celtic background nurtured her intuition and outlook on life. Her desire to help teenagers led her into the field of guidance counseling. Here as with most things, she followed her heart rather than rules. It was the same way she lived her life. An uncle once told Jane she was an example of what the Irish called having The Sight. She believes extraordinary and unbelievable life events occurred in her life to teach her the most profound of lifes lessons. Her hope is that her story may encourage others to connect with their inner knowing, empowerment, and inner peace. Jane extends her deepest gratitude to her co-author, Stefanie Angstadt, who helped to bring her story to life. Jane has reinforced my belief in healing oneself, losing fear (the worst of the lot), and allowing the body to know the right thing to do when an illness strikes, whether it be physical, emotional, or mental. Janet Malone
Whose Art Is It? is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the most urgent questions of our time: How do we live in a society we share with people who are, often by their own definitions, "different?" Ahearn's subjects were "not the best of the neighborhood." They were a junkie, a hustler, and a street kid. Their images sparked a controversy throughout the community--and New York itself--over issues of white representations of people of color and the appropriateness of particular images as civic art. The sculptures, cast in bronze and painted, were up for only five days before Ahearn removed them. This compelling narrative raises questions about community and public art policies, about stereotypes and multiculturalism. With wit, drama, sympathy, and circumspection, Kramer draws the reader into the multicultural debate, challenging our assumptions about art, image, and their relation to community. Her portrait of the South Bronx takes the argument to its grass roots--provocative, surprising in its contradictions and complexities and not at all easy to resolve. Accompanied by an introduction by Catharine R. Stimpson exploring the issues of artistic freedom, "political correctness," and multiculturalism, Whose Art Is It? is a lively and accessible introduction to the ongoing debate on representation and private expression in the public sphere.
For the first time, Jane's beloved food pieces from The New Yorker, where she has been a staff writer since 1964, are arranged in one place. A collection of definitive chef profiles, personal essays, and gastronomic history that is at once deeply personal and humane
In the mid 1990s self-styled Patriot John Pitner gathered around him a ragtag band of discontents, all eager to avenge themselves against America’s enemies, both foreign and domestic. Fervently believing that a New World Order threatened their liberty and way of life, Pitner and his recruits prepared for confrontation until an FBI sting led to their arrests on conspiracy charges in 1997. In Lone Patriot, acclaimed New Yorker correspondent Jane Kramer delivers an intimate look into the life and mind of a militia leader and his followers, exploring the volatile mix of personalities and politics that shapes their extreme worldview. Through a series of exclusive interviews with them both before and after, Kramer paints an incredible portrait of a rural America that is rarely glimpsed but strikingly relevant.
The West that Henry mourned belonged to the Western movie, where the land and the cattle went to their proper guardians and brought a fortune in respect and power. It was a West where the best cowboy got to shoot the meanest outlaw, woo the prettiest schoolteacher, bed her briefly to produce sons, and then ignore her for the finer company of other cowboys - a West as sentimental and as brutal as the people who made a virtue of that curious combination of qualities and called it the American experience. ' From the Introduction Henry Blanton is the 'last cowboy' of Jane Kramer's classic portrait, the failed hero of his own mythology, the man who ends an era for him-self. His story - his flawed, funny, and in the end tragic efforts to be a proper cowboy, 'expressin' right' in a world where the range is a feed yard and college boys run ranches from air-conditioned Buicks -is the story of a country coming of age in great promise and greater disappointment. A hundred and fifty miles up the highway from agri-business Amarillo, Henry claimed the extravagant prerogatives of a free man on a horse. He rode his own frontier, decked out in his vigilance and his honour, until the shocking moment when in the person of Henry Blanton the West and the Western had a showdown.
Detailed and sensitive accounts of the people of France, Germany, Austria, England, Italy, Switzerland, Portugal, and Hungary and their struggles and joys are presented in a collection of essays
Customers who place a standing order for the Tests in Print series or the Mental Measurements Yearbook series will receive a 10% discount on every volume. To place your standing order, please call 800-755-1105 (in the U.S.) or 402-472-3584 (outside the U.S.). The "Supplement to the Tenth Mental Measurements Yearbook "contains original reviews of tests published or revised since the1989 edition of the "Tenth Mental Measurements Yearbook. "The "Supplement" provides timely access to reviews of recently available tests. It also includes a helpful indexing system that integrates referencing across Buros Institute publications. Indexes of titles, classified subjects, names, and scores, as well as a publisher's directory and index, are included. The "Yearbook" includes detailed descriptive information and reviews for each test and extensive references on specific tests. The tests are listed in alphabetical order for easy reference. The biennial publication schedule for "Yearbooks "and "Supplements" began in 1988 with the "Supplement to the Ninth Mental Measurements Yearbook. "The publication of the "Supplement to the Tenth Mental Measurements Yearbook" continues this publication schedule which facilitates timely access to text evaluation information and better meets the needs of test consumers. The "Mental Measurements Yearbooks "are widely regarded as an essential reference for users and developers of tests. Each "Yearbook" contains reviews of commercially available tests published or revised since the previous "Yearbook." "The Buros Institute of Mental Measurements, founded in 1938 by the late Oscar Krisen Buros, is located in the Department of Educational Psychology at the University of Nebraska.
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