During recent years critics have increasingly expressed their loss of faith in existing cultural and political collective frameworks, drawing attention instead to irreducible singularity and to radical incommensurability between diverse positions or groups. Hiddleston analyses and challenges this trend, bringing together political, theoretical and literary analysis and juxtaposing the works of critical theorists such as Derrida, Lyotard and Nancy with literature by writers of North African immigrant origin. She presents a critique of those writers who underline the absence of communal identification, proposes a new emphasis on relational networks interconnecting diverse cultural groups, and argues for a more subtle understanding of the complex interplay of the singular and the collective in contemporary French writing.
They strip her naked, of everythingundo her whalebone corset, hook by hook. Locked away in Wildthorn Halla madhousethey take her identity. She is now called Lucy Childs. She has no one; she has nothing. But, she is still seventeenstill Louisa Cosgrove, isn't she? Who has done this unthinkable deed? Louisa must free herself, in more ways than one, and muster up the courage to be her true self, all the while solving her own twisted mystery and falling into an unconventional love . . .Originally published in the UK, this well-paced, provocative romance pushes on boundariesboth literal and figurativeand, do beware: it will bind you, too.
For more than fifty years, Assia Djebar has used the tools of poetry, fiction, drama, and film to vividly portray the complex world of Muslim women. In the process, she has become one of the most important figures in North African literature. In Assia Djebar, Jane Hiddleston traces Djebar’s development as a writer against the backdrop of North Africa’s tumultuous history. Djebar’s early writings were largely an attempt to delineate the experience of being a woman, an intellectual, and an Algerian, but her more recent work evinces a growing sense that the influence of French culture on Algerian letters may make such a project impossible. The first book-length study of this indispensable writer, Assia Djebar will interest scholars of post-colonial literature, women’s studies, or Francophone culture.
This fascinating collection of Jane Carlyle's letters are arranged in sections corresponding to the main themes in her life. This is a book to read right through with riveted enjoyment. It is one of the most fascinating correspondences in the English language.
During recent years critics have increasingly expressed their loss of faith in existing cultural and political collective frameworks, drawing attention instead to irreducible singularity and to radical incommensurability between diverse positions or groups. Hiddleston analyses and challenges this trend, bringing together political, theoretical and literary analysis and juxtaposing the works of critical theorists such as Derrida, Lyotard and Nancy with literature by writers of North African immigrant origin. She presents a critique of those writers who underline the absence of communal identification, proposes a new emphasis on relational networks interconnecting diverse cultural groups, and argues for a more subtle understanding of the complex interplay of the singular and the collective in contemporary French writing.
In any 17th century English society, a woman like the celebrated Elizabeth Bennet is easily noticed and quick to be admired for her witty tongue and sparkling personality. Yet there are as many of the same sex who have a soft-spoken, humble temper; always looking to please though never explicitly expressing how they feelmuch like Elizabeths sister, Jane Bennet. Ann Ashton is one of such character and disposition, who, on the brink of adulthood, has suddenly been brought into contact again with her childhood friend, Mr. Hampton, whom she had loved in her youth. But the circumstances of their previous parting has made Ann weary of the gentleman, and it will take time and great patience on Hamptons part if he wishes her to open her heart to him once more.
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