Focusing on francophone writing from North Africa as it has developed since the 1980s, Writing After Postcolonialism explores the extent to which the notion of 'postcolonialism' is still resonant for literary writers a generation or more after independence, and examines the troubled status of literature in society and politics during this period. Whilst analysing the ways in which writers from Algeria, Morocco and Tunisia have reacted to political unrest and social dissatisfaction, Jane Hiddleston offers a compelling reflection on literature's ability to interrogate the postcolonial nation as well as on its own uncertain role in the current context. The book sets out both to situate the recent generation of francophone writers in North Africa in relation to contemporary politics, to postcolonial theory, and evolving notions of 'world literature, and to probe the ways in which a new and highly sophisticated set of writers reflect on the very notion of 'the literary' during this period of transition.
Postcolonialism offers challenging and provocative ways of thinking about colonial and neocolonial power, about self and other, and about the discourses that perpetuate postcolonial inequality and violence. Much of the seminal work in postcolonialism has been shaped by currents in philosophy, notably Marxism and ethics. "Understanding Postcolonialism" examines the philosophy of postcolonialism in order to reveal the often conflicting systems of thought which underpin it. In so doing, the book presents a reappraisal of the major postcolonial thinkers of the twentieth century.Ranging beyond the narrow selection of theorists to which the field is often restricted, the book explores the work of Fanon and Sartre, Gandhi, Nandy, and the Subaltern Studies Group, Foucault and Said, Derrida and Bhabha, Khatibi and Glissant, and Spivak, Mbembe and Mudimbe. A clear and accessible introduction to the subject, "Understanding Postcolonialism" reveals how, almost half a century after decolonisation, the complex relation between politics and ethics continues to shape postcolonial thought.
For more than fifty years, Assia Djebar has used the tools of poetry, fiction, drama, and film to vividly portray the complex world of Muslim women. In the process, she has become one of the most important figures in North African literature. In Assia Djebar, Jane Hiddleston traces Djebar’s development as a writer against the backdrop of North Africa’s tumultuous history. Djebar’s early writings were largely an attempt to delineate the experience of being a woman, an intellectual, and an Algerian, but her more recent work evinces a growing sense that the influence of French culture on Algerian letters may make such a project impossible. The first book-length study of this indispensable writer, Assia Djebar will interest scholars of post-colonial literature, women’s studies, or Francophone culture.
During recent years critics have increasingly expressed their loss of faith in existing cultural and political collective frameworks, drawing attention instead to irreducible singularity and to radical incommensurability between diverse positions or groups. Hiddleston analyses and challenges this trend, bringing together political, theoretical and literary analysis and juxtaposing the works of critical theorists such as Derrida, Lyotard and Nancy with literature by writers of North African immigrant origin. She presents a critique of those writers who underline the absence of communal identification, proposes a new emphasis on relational networks interconnecting diverse cultural groups, and argues for a more subtle understanding of the complex interplay of the singular and the collective in contemporary French writing.
A funny, warm-hearted read, filled with characters you'll love.' Matt Dunn Welcome to the idyllic country retreat of Christmas Steepleton, and let Jane Lovering whisk you away with the most heart-warming, romantic and comforting read of the year. Leaving London and her ex-husband Luc behind, Katie and her 14-year-old daughter Poppy move into their very own, very ramshackle cottage near the village of Christmas Steepleton on the Dorset coast. Harvest Cottage has been unloved for many years, so the job of bringing it back to life is a slow and expensive one. So, with funds running low, Katie jumps at the chance when a film company asks to use the cottage as a location. But even as things are looking up, as harvest time passes and autumn chill starts to bite, the prospect of a cold winter in the country is daunting. Some light relief comes from new friend Gabriel, so different from Katie’s exuberant but arrogant ex Luc. Will their friendship blossom into something more romantic, or will the reality of a tough country winter send her and Poppy scurrying back to the comforts of town? Let Jane Lovering spirit you away to the perfect country escape, far away from the bustle of the city. Just right for fans of Emma Burstall, Fern Britton and Kate Forster. What readers are saying about Jane Lovering: ‘Jane Lovering has that ability to choose exactly the right words and images to make you laugh, with a wonderful touch of the ridiculous, then moving seamlessly to a scene of such poignancy that it catches your breath.’ ‘It is very difficult to explain just how wonderful this book is. The power of her words and her descriptive prowess to put it bluntly is amazing... the emotional impact it has had on me will be long lasting.’ ‘Fall in love with reading all over again with this cracking tale from Jane Lovering. An excellent reminder, if one is needed, of the absolute pleasure of losing yourself in a good book.
This book explores the relation between poststructuralist thought and postcoloniality, and identifies in that interaction the expression of a particular anxiety concerning the form of theoretical writing.Many so-called poststructuralist thinkers, such as Derrida, Cixous, Lyotard, Barthes, Kristeva and Spivak, have turned their attention at some point in their career towards questions either of postcolonialism, or of cultural domination and difference. For all these thinkers, however, a reflection on such questions has generated a sense of unease concerning the assumed neutrality of theoretical discourse, and the inevitable subjective or autobiographical investments of the writing self.The book argues that this anxiety betrays an unprecedented lucidity concerning the particular challenges of writing about ourselves and others at a time of postcolonial upheaval.
Christmas by the sea – that sounds romantic, right? Tansy Merriweather is down on her luck. She’s lost her business and her relationship, and instead of a glamorous London apartment, her home is now a campervan on a Dorset beach. And as if things couldn’t get any worse, a scruffy dog called Brian with a taste for sardines has adopted her. When Tansy’s new-found friends at the cafe in the bay help her find a job as a location scout for a new TV show, things start looking up. However, when she finds herself babysitting the show's grouchy star, Davin O'Riordan, she's not sure she wants to stay around. But when Brian forges a touching romance with Davin’s elegant whippet Seelie, Tansy begins to see another side to Davin. As Christmas approaches, secrets emerge and Tansy and Davin discover a bond between them. But how will they cope with the storms headed their way – and can they save the cafe from closing? What readers are saying about the series: “Jane Lovering has that ability to choose exactly the right words and images to make you laugh, with a wonderful touch of the ridiculous, then moving seamlessly to a scene of such poignancy that it catches your breath.” “Excellent characterisation (people and dogs!), well worked plot, great descriptive passages, and of course, Jane’s hilarious signature one-liners.” “It’s a wonderful story, fully of whimsy and gentle humour, a terrific story and wonderful characters, all wrapped up in a very satisfying ending.” “...total sense of place, unforced humour, slow-burning romance. Jane Lovering’s writing is very strong” “It is very difficult to explain just how wonderful this book is. The power of her words and her descriptive prowess to put it bluntly is amazing... the emotional impact it has had on me will be long lasting.” “I enjoyed every word in this novel, once again Jane didn’t disappoint with her unique, inimitable writing. Warm, witty, funny characters with interesting histories, set against a beautifully descriptive narrative of a wintery beach landscape. A lot of laugh-out-loud one-liners, it's a book I have to read again, only slower this time so I can absorb every word.” “What a heart-warming and emotional ride this book was! I loved it! The cast of characters were so enjoyable and realistic.”
Ensure your students are prepared for every aspect of their assessment with the only textbook that offers comprehensive coverage of the new syllabus requirements. - Written by a highly experienced bestselling author - Covers the new specification with all the new topics in the SQA examinations - Provides thorough exam preparation, with graded Practice Exercises - Organised to make it easy to plan, manage and monitor student progress
Understanding Feminism" provides an accessible guide to one of the most important and contested movements in progressive modern thought. Presenting feminism as a dynamic, multi-faceted and adaptive movement that has evolved in response to the changing practical and theoretical problems faced by women, the authors take a problem-oriented approach that maps the complex strands of feminist thinking in relation to women's struggles for equal recognition and rights, and freedom from oppressive constraints of sex, self-expression and autonomy. Each chapter focuses on a different cluster of concerns, demonstrating key moves in second-wave feminist thought, as well as some of the diversity in response-strategies that encompass both socio-economic and cultural-symbolic concerns. This approach not only shows how central feminist insights, theories and strategies emerge and re-emerge across different contexts, but makes clear that far from being 'over', feminism remains a vital response to the diverse issues that women (and men) find pressing and socially important.
Beautifully written and both heartbreaking and heartwarming' Jessica Redland When Seren’s brother Andrew signs her up to Yorkshire Dating, only for them to recommend that she ‘gets a life’ before they find her a match, Seren has to admit that they may have a point. She loves her job cooking at an elder day centre and her little flat, but it’s fair to say her life is a little short of hobbies and friends. Since she was young Seren has felt safer close to home, but now she’s a thirty-something divorcee, it’s time for a change. Change arrives in the shape of alarmingly clever collie Kez, who Seren offers to take in ‘temporarily’, and kind but mysterious new colleague Ned. But as Ned and Kez tempt Seren out of her shell, it means facing her fears. And when Andrew finally reveals the secrets of their childhood, Seren’s need for safety suddenly makes sense. A problem shared is a problem halved, and with friends by her side, Seren might be able to get a life that she loves at last. Praise for Jane Lovering: 'I adored the dual timeline aspect of this gorgeous story and discovering the secrets from the past. Beautifully written and both heartbreaking and heartwarming' Jessica Redland 'A funny, warm-hearted read, filled with characters you'll love.' Matt Dunn on A Country Escape What readers are saying about Jane Lovering: 'A heart-warming, entertaining and uplifting book about the importance of human connection, self-acceptance and making the most of any opportunities that come your way! I absolutely loved it and could not fault it.' 'I am a big fan of Jane Lovering’s books. She has a real knack for creating great characters and writing the perfect blend of romance and humour often with some more serious issues included. Her books will make you smile for sure but are also often rather emotional.' 'It wouldn’t be a book by Jane Lovering without that great balance between the ever-present humour – the set pieces and the wonderful one-liners – and the sensitively handled issues and emotional moments.' 'A compulsively readable, highly recommended book.
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