Ward’s book focuses on the work of the Hungarian philosopher Agnes Heller; prominent member of the Budapest School, a group of students who studied under the Marxist social theorist György Lukács. For both Marx and Heller (albeit in different ways) dissatisfaction emerges as the inevitable result of the expansion of need(s) within modernity and as a catalyst for the development of anthropological wealth (what Marx refers to as the 'human being rich in need'). Ward argues that dissatisfaction and the corresponding category of human wealth–as both motif and method–is central to grasping Heller’s seemingly disparate writings. While Marx postulates a radical overcoming of dissatisfaction, Heller argues dissatisfaction is integral not only to the on-going survival of modernity but also to the dynamics of both freedom and individual life. In this way Heller’s work remains committed to a position that both continually returns and departs, is both with and against, the philosophy of Marx. This book will be of interest to scholars of political philosophy, social theory, critical theory, and sociology.
The literature found in the Classics for Students series provides a sequenced course of progression for the pianist who wants to play music of substantial quality. The wide variety of moods, technical features, and colors included in this collection will aid in the development of technique and musicianship and provide hours of personal enjoyment. Titles: * Angels' Voices, Op. 100, No. 21 (Burgmüller) * Arabesque, Op. 100, No. 2 (Burgmüller) * Autumn Song, Op. 47, No. 3 (Heller) * The Avalanche, Op. 45, No. 2 (Heller) * Ballade, Op. 100, No. 15 (Burgmüller) * Berceuse, Op. 45, No. 19 (Heller) * The Clear Stream, Op. 100, No. 7 (Burgmüller) * First Loss, Op. 68, No. 16 (Schumann) * Melody, Op. 68, No. 1 (Schumann) * Sicilienne, Op. 68, No. 11 (Schumann) * Sincerity, Op. 100, No. 1 (Burgmüller) * Soldiers' March, Op. 68, No. 2 (Schumann) * The Stream, Op. 47, No. 2 (Heller) * Wild Rider, Op. 68, No. 8 (Schumann)
This tale of murder and mistaken identity in a Manhattan apartment building is “a rollicking and delectable read” by a New York Times–bestselling author (People). A teacher at a fancy Manhattan preschool, Nancy Stern spends her days cleaning spills, moderating bathroom breaks, and preventing that one kid in the back of the room from eating glue. With America’s precious future in her hands, Nancy rises to the occasion—but sometimes she yearns for something a little more glamorous. Meanwhile, another woman by the name of Nancy Stern has moved into her apartment building—and as if the constant mail mix-ups aren’t annoying enough, every mistaken delivery and misdirected message reminds her that the other Nancy Stern is outshining her by far. That pile of exclusive party invitations spilling out of her mailbox? Not for her. The stunning coat that’s arrived straight from the cleaners? Not a chance. And that smooth voice on the other end of the line calling to ask Nancy out on a blind date? Now that is something the penthouse-floor Nancy Stern doesn’t have to find out about . . . But while her night out with the hunk stirs up a romance, The other Nancy gets murdered. And suddenly the real identity of not just the killer, but the intended victim, is a mystery in desperate need of solving . . . “Very funny . . . When teacher Nancy accepts a blind date meant for the other Nancy, things rapidly spiral out of control. Murder and mayhem follow, all in Heller’s trademark witty and entertaining style.” —Library Journal “A charmingly improbable love story.” —USA Today
Thirty-year-old Celebrity journalist Ann Roth has one last chance to prove herself. She is different from the other reporters at Famous, the L.A. magazine, where she has her dream job interviewing stars like Britney Spears and Angelina Jolie. She values her ethics—she doesn't pick through people's garbage, doesn't print rumor and gossip, doesn't try to pervert the truth. But when her editor tells her she's too nice, that what he needs is a killer journalist who'll do whatever it takes to get a story, she realizes that she must do something drastic. Of course, her plan backfires. Not only does she fail to score an interview with the notoriously media-averse actor Malcolm Goddard (he'll only do the interview while piloting his Cessna and she has a terrible fear of flying), she gets fired. Her disappointment turns to rage when she learns that Malcolm knew about her phobia all along. He insisted on doing the interview on his plane just to get her off his back. Hurt, disappointed, not to mention unemployed, she trudges to her tiny hometown in Missouri to try to regroup, vowing to cure herself of her fears and reclaim her career. And suddenly her life takes a surprising twist: Ann hears that the great Malcolm himself is in Middletown as a patient at the local hospital—under an alias. Opportunity knocks. Ann sees a chance for payback and her ticket out of Missouri. She volunteers at the hospital with the sole intention of pretending to befriend Malcolm in order to worm the story of a lifetime out of him without his knowledge. If she writes it, she'll have her job back and prove she's the killer journalist her editor had wanted her to be. But after facing her fear of falling in love, how much is she willing to risk for her career?
The New York Times-bestselling author of Princess Charming returns with “a hilarious culinary comedy dripping with both romance and suspense” (Ciji Ware, New York Times bestselling author of That Winter in Venice). Elaine Zimmerman and her best friends, Jackie and Pat, are venturing to a farm in Litchfield, Connecticut. It’s been over a year since their last trip together, a Caribbean cruise aboard the Princess Charming—and after dealing with a murderous ex and his hit man, they’re yearning for a no-drama vacation. During their Cultivate Our Bounty Week, they and eight other guests will learn how to cook farm-to-table meals with artisan-in-residence Chef Jason Hill. But amid milking a cow, making cheese, and managing the surprise appearance of an ex-boyfriend, Elaine discovers that one of their classmates is a little too keen on practicing knife technique. Is the killer one of the freakishly fit Manhattan couple who take their devotion to organic, hormone-free, non-GMO food to the point of obsession? The grandmother from Wisconsin who’s a groupie of the celebrity chef and follows him to every event? The mother and son from Palm Beach who bicker over whether he should give up his law practice to open his own restaurant? Three Blonde Mice serves up a crackling romance, a twisty whodunit involving a screwball cast of suspects, and a satire of food fads and the chefs who perpetuate them. “A real treat.”—Eileen Goudge, New York Times-bestselling author of The Diary “A hilarious send-up of foodies and the farm-to-table movement…a delicious read―and there are no calories.”―Elaine Viets, author of the Dead-End Job Mysteries
Reunited, and it feels so bad…“A flat-out funny read” about a friendship gone off the rails from the New York Times-bestselling author (Cosmopolitan). Amy Sherman has a two-bedroom Manhattan apartment, a job as a publicity director at a major publishing house, and a romantic life that’s…well, two out of three isn’t bad. She's come a long way from playing second fiddle to spotlight-hogging blond bombshell Tara Messer, her former best friend. In fact, she's even recovered from walking in on her fiancé and her frenemy in the bedroom, just before her wedding. Or so she thought. Tara, now married to the man who broke Amy's heart, has made a career put of being positively perfect. And she's waltzing back into Amy's life on mile-long legs, with a life so Simply Beautiful it got its own book deal—and Amy gets tapped to be its publicist. Unable to swallow it all, Amy spits out a tiny little lie. She's engaged. To a handsome, famous mystery writer. Who hates her. If Amy could just get him to play along with the farce, she may survive publishing Tara’s book. But let's not feel so sorry for Amy yet. A dual perspective, laugh-out-loud funny tale of betrayal, forgiveness, and finding new love, Best Enemies proves that no one knows you quite like a best friend. “Smart-alecky…outrageous.” —Houston Chronicle “Highly entertaining.”—Booklist “Fabulous fun.”—Publishers Weekly
This reference book is an invaluable resource for teachers, students and performers for evaluating and selecting piano solo literature. Concise and thoroughly researched, thousands of works, from the Baroque through the Contemporary periods, have been graded and evaluated in detail. Includes an alphabetical list of composers, explanations of works and much more.
A tale of rivalry in Florida between two sisters who fall for the same man. When he is murdered sister Deborah, a writer of soap operas turns sleuth and discovers the killer is having an affair with sister Sharon.
Pre-school teacher Nancy Stern is in a personal and professional rut. But what really puts a dent in her self-esteem is the realization that another woman named Nancy Stern has just moved into her building... a Nancy Stern who lives in the penthouse... A Nancy Stern who interviews celebrities for glossy magazines... a Nancy Stern who's chummy with Kevin Costner. Nancy's loss of her own specialness deepens as she keeps getting the other, more glamorous Nancy's mail, phone calls and party invitations by mistake. It's all too much to bear--until a man calls one night, intending to ask the other Nancy out on a blind date. What follows is a raucous and romantic involving mix-ups, mistaken identity, and murder ...
Stacey Reiser left Cleveland for Hollywood to pursue an acting career—and to escape her lovable but meddlesome mother, Helen. But her plan backfires when the widowed Helen sells her house and follows Stacey to tinsel town, invades every aspect of her daughter’s world and drives her crazy. As in eye twitch crazy. Insomnia crazy. Acid reflux crazy. “If only Mom would get a life,” Stacey wishes after her mother has called for the zillionth time that day to nag her about her clothes, her hair, her lack of a wedding ring. “If only she’d get a life and stay out of mine.” How could Stacey ever imagine that Helen would get a life – the very life Stacey craves? Just as Stacey's career takes a dive, a twist of fate lands Helen in a television commercial that catapults her to stardom. Now it’s Helen who’s the media darling and Stacey who’s the meddler. And while Stacey is hoping for a commitment from her boyfriend, it’s Helen who snares the catch of the century. Or does she? Helen’s new beau isn’t what he seems, and it’s up to Stacey to expose his shady past before it's too late. But it’ll take the acting job of a lifetime to do it, not to mention a whole lot of heart. Lucky Stars is a novel that’s as keenly observed as it is entertaining, and it will have mothers and daughters laughing out loud and nodding in recognition.
What If A Secret Potion... Meet Elizabeth Baskin, who falls in love, gets married, and discovers six years into her union that the magic is gone-or, rather, fading. Her husband Roger has grown a paunch, lost interest in sex, and seems allergic to conversation. What's a disgruntled wife to do? Could Turn The Dullest Dud... After taking her sister's advice, and consulting with a celebrity doctor, whose practice is a bit unconventional, Elizabeth is convinced that she's found the secret ingredient to saving her marriage. All she has to do is slip the prescribed packet of miracle herbs into Roger's orange juice and then-presto! She'll have him back the way he was before he started coming home from work and falling asleep in front of the TV! Into A Stimulating Stud? But her plan goes dramatically awry, and instead of rekindling her romance with Roger, she finds herself stuck with a man she hardly recognizes and doesn't even like. Suddenly, Elizabeth is breaking into the doctor's office, running from the law, and teaming up with a transplanted southern belle-all in a desperate attempt to restore Roger to his old, imperfect self. What she learns is that perfection, especially when it comes to husbands, is highly overrated. The question is: does her revelation come too late? "The supremely talented Ms. Heller delivers snappy wit, lush romance, and plenty of surprises...just the thing to spark a romantic adventure of your own." -Dallas Morning News "Riotous... hilarious, but also ruefully dead-on in depicting the dangers of not appreciating one's mate-warts and all." -Woman's Own
Thirty-year-old Celebrity journalist Ann Roth has one last chance to prove herself. She is different from the other reporters at Famous, the L.A. magazine, where she has her dream job interviewing stars like Britney Spears and Angelina Jolie. She values her ethics—she doesn't pick through people's garbage, doesn't print rumor and gossip, doesn't try to pervert the truth. But when her editor tells her she's too nice, that what he needs is a killer journalist who'll do whatever it takes to get a story, she realizes that she must do something drastic. Of course, her plan backfires. Not only does she fail to score an interview with the notoriously media-averse actor Malcolm Goddard (he'll only do the interview while piloting his Cessna and she has a terrible fear of flying), she gets fired. Her disappointment turns to rage when she learns that Malcolm knew about her phobia all along. He insisted on doing the interview on his plane just to get her off his back. Hurt, disappointed, not to mention unemployed, she trudges to her tiny hometown in Missouri to try to regroup, vowing to cure herself of her fears and reclaim her career. And suddenly her life takes a surprising twist: Ann hears that the great Malcolm himself is in Middletown as a patient at the local hospital—under an alias. Opportunity knocks. Ann sees a chance for payback and her ticket out of Missouri. She volunteers at the hospital with the sole intention of pretending to befriend Malcolm in order to worm the story of a lifetime out of him without his knowledge. If she writes it, she'll have her job back and prove she's the killer journalist her editor had wanted her to be. But after facing her fear of falling in love, how much is she willing to risk for her career?
The New York Times-bestselling author of Princess Charming returns with “a hilarious culinary comedy dripping with both romance and suspense” (Ciji Ware, New York Times bestselling author of That Winter in Venice). Elaine Zimmerman and her best friends, Jackie and Pat, are venturing to a farm in Litchfield, Connecticut. It’s been over a year since their last trip together, a Caribbean cruise aboard the Princess Charming—and after dealing with a murderous ex and his hit man, they’re yearning for a no-drama vacation. During their Cultivate Our Bounty Week, they and eight other guests will learn how to cook farm-to-table meals with artisan-in-residence Chef Jason Hill. But amid milking a cow, making cheese, and managing the surprise appearance of an ex-boyfriend, Elaine discovers that one of their classmates is a little too keen on practicing knife technique. Is the killer one of the freakishly fit Manhattan couple who take their devotion to organic, hormone-free, non-GMO food to the point of obsession? The grandmother from Wisconsin who’s a groupie of the celebrity chef and follows him to every event? The mother and son from Palm Beach who bicker over whether he should give up his law practice to open his own restaurant? Three Blonde Mice serves up a crackling romance, a twisty whodunit involving a screwball cast of suspects, and a satire of food fads and the chefs who perpetuate them. “A real treat.”—Eileen Goudge, New York Times-bestselling author of The Diary “A hilarious send-up of foodies and the farm-to-table movement…a delicious read―and there are no calories.”―Elaine Viets, author of the Dead-End Job Mysteries
This important work has the names of nearly 15,000 Lancaster County residents who left wills or died intestate, 1729-1850. Arranged in two alphabets, the full name of the deceased is given, as well as the year, the book volume and page wherein the records are to be found. There is also a brief history of the early inhabitants of the area, and a classified bibliography.
The literature found in the Classics for Students series provides a sequenced course of progression for the pianist who wants to play music of substantial quality. The wide variety of moods, technical features, and colors included in this collection will aid in the development of technique and musicianship and provide hours of personal enjoyment. Titles: * Agitato, Op. 109, No. 8 (Burgmüller) * Blind Man's Buff, Op. 15, No. 3 (Schumann) * Child Falling Asleep, Op. 15, No. 12 (Schumann) * Confidence, Op. 109, No. 1 (Burgmüller) * A Curious Story, Op. 138, No. 9 (Heller) * A Curious Story, Op. 15, No. 2 (Schumann) * Étude in B Minor ("Fluttering Leaves"), Op. 46, No. 11 (Heller) * Étude in D Major, Op. 46, No. 8 (Heller) * Étude in E Minor ("Petite Tarantella"), Op. 46, No. 7 (Heller) * Étude in E Minor ("Sorrow and Joy"), Op. 45, No. 4 (Heller) * Frightening, Op. 15, No. 11 (Schumann) * The Gypsies, Op. 109, No. 4 (Burgmüller) * An Important Event, Op. 15, No. 6 (Schumann) * Knight of the Hobby Horse, Op. 15, No. 9 (Schumann) * Morning Bell, Op. 109, No. 9 (Burgmüller) * Pearls, Op. 109, No. 2 (Burgmüller) * Träumerei, Op. 15, No. 7 (Schumann)
Introduce students to some of today's best nonfiction authors and their writing-and promote nonfiction reading to young learners! Engaging biographical sketches of 65 current nonfiction authors (some of them award winners) are accompanied by selective, annotated bibliographies for further reading. In addition, author photos and an author message to students enhance the experience. Biographies outline the childhoods of the authors, how they became writers, and how they go about their work. A detailed subject index allows you to plan thematic units of study and to assist students in finding reading material that matches their interests. A diversity of current authors and subjects are represented in this useful work.
The literature found in the Classics for Students series provides a sequenced course of progression for the pianist who wants to play music of substantial quality. The wide variety of moods, technical features, and colors included in this collection will aid in the development of technique and musicianship and provide hours of personal enjoyment. Titles: * At the Brook, Op. 47, No. 8 (Heller) * Ave Maria, Op. 100, No. 19 (Burgmüller) * Cradle Song, Op. 124, No. 6 (Schumann) * Dusk, Op. 138, No. 3 (Heller) * Étude in B-flat Major, Op. 125, No. 13 (Heller) * Fantasy Dance, Op. 124, No. 5 (Schumann) * The Hunter, Op. 138, No. 4 (Heller) * Little Romance, Op. 68, No. 19 (Schumann) * Norse Song, Op. 68, No. 41 (Schumann) * Restlessness, Op. 100, No. 18 (Burgmüller) * The Storm, Op. 109, No. 13 (Burgmüller) * Tarantella, Op. 100, No. 20 (Burgmüller) * Tolling Bell, Op. 125, No. 8 (Heller) * Waltz, Op. 124, No. 4 (Schumann)
Until recently there has been no formal law covering many aspects of clinical research, making the ethical and scientific guidelines more important. Rapidly changing law gives researchers challenges when deciding research policies. There is relatively little teaching on the ethics of clinical research and this monograph intends to trigger thought and discussion as well as provide guidance in decision-making.
Accompanying an exhibition to be held in New York during late fall of 1998, Sacred Visions is a superbly illustrated volume of art works from the 11th to the mid-15th centuries which includes scholarly essays that relate to the paintings to be displayed.
Based on close readings of five Victorian novels, Hallum presents an original study of the interaction between popular fiction, the marriage market and the aesthetic movement. She uses the texts to trace the development of aestheticism, examining the differences between the authors, including their approach, style and gender.
Jane Sutphin Leitch has pulled a memoir out of her once stylish hat. It introduces her father, an ordinary guy, who bought a defunct ice hockey team, borrowed a million dollars on his signature in 1934, at 39 years old, to build an ice palace of almost 10,000 seats. He had to pay it all back in the Great Depression of the 1930's. He just happened to mention this at the dinner table to the startled Irish mother of six children. Throughout a 50 year marital adventure, what follows is the magic of show business, the might of small manufacturing and the magnitude of a devoted family and fascinating loyal friends who find themselves 100 years later, still wondering how it all plays out.
NATIONAL BESTSELLER “A vivid account of a remarkable life.” —The Washington Post In this comprehensive, revelatory biography—fifteen years of interviews and research in the making—historian Jane Sherron De Hart explores the central experiences that crucially shaped Ginsburg’s passion for justice, her advocacy for gender equality, and her meticulous jurisprudence. At the heart of her story and abiding beliefs is her Jewish background, specifically the concept of tikkun olam, the Hebrew injunction to “repair the world,” with its profound meaning for a young girl who grew up during the Holocaust and World War II. Ruth’s journey begins with her mother, who died tragically young but whose intellect inspired her daughter’s feminism. It stretches from Ruth’s days as a baton twirler at Brooklyn’s James Madison High School to Cornell University to Harvard and Columbia Law Schools; to becoming one of the first female law professors in the country and having to fight for equal pay and hide her second pregnancy to avoid losing her job; to becoming the director of the ACLU’s Women’s Rights Project and arguing momentous anti-sex discrimination cases before the U.S. Supreme Court. All this, even before being nominated in 1993 to become the second woman on the Court, where her crucial decisions and dissents are still making history. Intimately, personably told, this biography offers unprecedented insight into a pioneering life and legal career whose profound mark on American jurisprudence, American society, and our American character and spirit will reverberate deep into the twenty-first century and beyond. REVISED AND UPDATED WITH A NEW AFTERWORD
Three divorced friends—and one killer—set out to sea in the New York Times–bestselling author’s hilarious and “unforgettable” cruise-ship murder mystery (Booklist). Three best friends are on a Caribbean cruise for their latest vacation together. But the trip could be their last—unless they sort out which of the passengers is Mr. Right and which is the hit man hired by one of their ex-husbands . . . Feisty, fast-talking PR executive Elaine Zimmerman needs some persuading by her pals Jackie and Pat to climb aboard the luxury liner—and once she does, her luggage is misplaced and she’s forced to resort to the ship boutique’s tacky version of cruisewear. But Elaine cheers up once she finds herself seated next to Sam Peck. This couldn’t be love at first sight (because she doesn’t believe in love at first sight), or even lust at first sight (because she’s the least lusty person on the planet), but whatever it is, she can’t resist it. She’s on a once-in-a-lifetime holiday, and it wouldn’t kill her to fall in love . . . or would it? A glimmer of doubt becomes full-fledged suspicion when Elaine inadvertently learns that somebody’s ex-wife has been marked for murder—and the hired hit man is already on board. Now the ladies have to figure out whose ex is out to deep-six whom . . . From the author of Three Blonde Mice, Princess Charming is a fun-filled mystery and a buoyant tale of friendship and true love—even if the glass slipper is several sizes too small and the prince arrives about ten years late. “Sure to be a big hit with her faithful following.” —Kirkus Reviews
The secret is out: Mary Jane Clark is one of the most exciting novelists in America today. Do You Want to Know a Secret? is an unabashed, edge-of-the-seat, page-turning stunner." - Dan Rather Secrets can really kill your career. Beautiful New York TV anchorwoman Eliza Blake has a past to hide. Her popular co-anchor has a scandal he'd die to keep secret. The next President's pretty wife wants desperately to avoid indecent exposure. A parish priest knows a terrible truth. And a killer has a secret agenda that reaches from New York City's streets to the White House-- it includes the time and place where Eliza Blake will have to die...
This essential guide explores and celebrates the rise and development of modernist and avant-garde literatures and theories in the period 1910-1945, from Imagism to the Apocalypse movement. Jane Goldman charts transitions in writing, reading, performing and publishing practices, and in international groupings and regroupings of writers and artists, and interrogates the term 'Modernism' which labels the era. Goldman introduces students to the work of many canonical high modernist writers, such as Ezra Pound, T. S. Eliot, W. B. Yeats, James Joyce and Virginia Woolf, and samples the work of other important modernist figures, including Nathanael West, John Rodker, Aldous Huxley and the Harlem Renaissance poets.
These essays illustrate the advantages of 'reflexive' tort scholarship by contrasting the reflexive scholarship of judicial analysis with grand theory, then applying reflexive scholarship to the tort of negligence. The final essay presents a wider argument about human responsibility and legal conduct.
On the southern portion of what was known as the Sibley’s Pezuna del Caballo (Horse’s Hoof) Ranch in West Texas’ Culberson County are two mountains that nearly meet, forming a gap that frames a salt flat where Indians and later, pioneers came to gather salt to preserve foodstuffs. According to the US Geological Survey, the gap that provides this breathtaking and historic view is named “Jane’s Window.” In Jane’s Window: My Spirited Life in West Texas and Austin, Jane Dunn Sibley, the inimitable namesake of that mountain gap, gives readers a similarly enchanting view: she tells the story of a small-town West Texas girl coming into her own in Texas’ capital city, where her commitment to philanthropy and the arts and her flair for fashion—epitomized by her signature buzzard feather—have made her name a society staple. Growing up during the Depression in Fort Stockton, Jane Sibley learned first-hand the value of hard work and determination. In what she describes as “a more innocent age,” she experienced the “pleasant life” of a rural community with good schools, friends and neighbors, and daily dips in the Comanche Springs swimming pool. She arrived as a student at the University of Texas only ninety days before the bombing of Pearl Harbor and studied art under such luminaries as sculptor Charles Umlauf. Her enchanting stories of returning to Fort Stockton, working in the oil industry, marrying local doctor D. J. Sibley, and rearing a family evoke both her love for her origins and her clear-eyed aspirations. The Sibleys never discussed the details of their good fortune, and, to their gratitude, no one ever asked. In Jane’s Window, Sibley narrates travel adventures, shares vignettes of famous visitors, and tells of her favorite causes, among which the Austin Symphony and the preservation of lower Pecos prehistoric rock art are especially prominent. Peopled with vivid characters and told in Sibley’s uniquely down-to-earth and humorous manner, Jane’s Window paints a portrait of a life filled to the brim with events both heartwarming and heartbreaking.
These masterpieces will encourage the performer to play in an expressive and reflective manner. Well-suited for students who enjoy playing poignant literature. Most selections are from the Romantic period, although all periods are represented. Late intermediate.
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