Jane Harrison examines the festivals of ancient Greek religion to identify the primitive "substratum" of ritual and its persistence in the realm of classical religious observance and literature. In Harrison's preface to this remarkable book, she writes that J. G. Frazer's work had become part and parcel of her "mental furniture" and that of others studying primitive religion. Today, those who write on ancient myth or ritual are bound to say the same about Harrison. Her essential ideas, best developed and most clearly put in the Prolegomena, have never been eclipsed.
Sultry historical romance set in the Old West. Brokenhearted and bitter, Shadoe had vowed never to return to Oregon, and never to think about Lilly again. But he does return to Oregon--to bury his father--and Lilly determines to do whatever it takes to get Shadoe back.
The most exciting debut in 2023, The Visitors is an audacious, earthy, funny, gritty and powerful re-imagining of a crucial moment in Australia's history - an unputdownable work of fiction. WINNER OF THE 2024 INDIE BOOK DEBUT FICTION AWARD 'An extraordinary read.' Herald Sun On a steamy, hot day in January 1788, seven Aboriginal men, representing the nearby clans, gather at Warrane. Several newly arrived ships have been sighted in the great bay to the south, Kamay. The men meet to discuss their response to these visitors. All day, they talk, argue, debate. Where are the visitors from? What do they want? Might they just warra warra wai back to where they came from? Should they be welcomed? Or should they be made to leave? The decision of the men must be unanimous -- and will have far-reaching implications for all. Throughout the day, the weather is strange, with mammatus clouds, unbearable heat and a pending thunderstorm ... Somewhere, trouble is brewing. From award-winning author and playwright Jane Harrison, The Visitors is an audacious, earthy, funny, gritty and powerful re-imagining of a crucial moment in Australia's history - and an unputdownable work of fiction. 'Momentous ... heart-shattering to read. Harrison imbues her new storytelling formula with surprising lightness ... candid and delicate.' Sydney Morning Herald 'A remarkable achievement of First Nations storytelling. We live in a time when truths need to be told and heard - this is a generous offering, a story that challenges and ultimately rewards us' Tony Birch, author of The White Girl 'A work of soaring imagination and breathtaking ambition. Jane Harrison upends all our black-and-white assumptions about what happened on that fateful January day in 1788 when eleven tall ships sailed into a safe blue harbour that people already called home. Surprisingly funny, cheeky and tragic by turns, this remarkable novel is bold, brave and unforgettable' Clare Wright, author of You Daughters of Freedom 'Witty, tense, and gut-wrenching ... [it] pulled me inexorably towards a place of profound emotion' Grace Chan, author of Every Version of You 'Intimate, tense, but inviting ... the end of the book is devastating, and even though we know what's coming, we're hopeful for a different ending. The Visitors offers a deep emotional journey. Harrison has written a thoughtful and powerful reimagining of a significant moment in Australian history, from a First Nations perspective.' Books+Publishing 'Powerful ... The Visitors is a masterful, thought-provoking book.' Readings 'Simple ... beautiful and effective.' SA Weekend
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Mysterious photographer Victor Augustin, a dark angel struggling against the evil forces that would claim his mortal soul, is drawn to the orphaned Lucy Bry, feelings that could redeem him--or consign them both to the fires of damnation, forever. Original.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This study focuses on the fabric, construction and preservation of stretches of Hadrian's Wall in its more remote locations, providing significant insights into the places between the mile castles and important forts and associated settlements. The Hadrian’s Wall Community Archaeology Project (WallCAP) conducted a series of fieldwork projects along the Hadrian’s Wall corridor between 2019 and 2021. The work focused on sites that were poorly understood or under particular threat and aimed to improve understanding of them so they could be better managed in future. At several sites excavation was followed by conservation and consolidation work. This volume brings together the final reports of these excavations, at six Roman sites in the Wall corridor. As the sites were spread along the length of the Wall the character and afterlife of the Wall in very different landscape locations could be compared. An assessment of the Vallum at Heddon on the Wall identified how earthwork archaeology survived in a sloped, heavily ploughed landscape. Three excavations investigated the condition of the stone Wall curtain: at Port Carlisle, Walltown Crags, and Steel Rigg and Cats Stairs. At each site the Wall builders had responded to the demands of the local terrain and made use of local resources. At each site the Wall had a different post-Roman history. Excavations at the bridging point of the Cam Beck revealed for the first time how the Wall was carried over a ‘minor’ watercourse, and discovered traces of the Turf Wall. Small buildings were also identified just south of the Wall as it approached the bridge. At Corbridge Roman town, excavations on the northern periphery of the settlement demonstrated that from early in its history the most northerly town in Europe was of considerable extent. The area investigated showed that, even at the edge of town, shops lined the roads alongside well-appointed houses with bustling yards. Later on in the Roman period the town contracted behind walls and cremation burials were inserted by the road. Each site is reported on independently, presenting the primary data for each investigation. The volume concludes with a synthetic analysis of what the results of these excavations together reveal about Hadrian’s Wall, considering, amongst other things, construction details and the decay and destruction of the monument in the centuries following Roman occupation.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.