“Pure delight . . . One perfect story after another” from the Whitbread Award–winning author of the Old Filth trilogy (The Sunday Telegraph). From the inimitable Jane Gardam, whose Old Filth trilogy cemented her status as one of England’s greatest living novelists, comes a collection of short stories that showcase her subversive wit, gentle humor, and insight into the human condition. Gardam’s versatility is on full display, while her sublime grasp of language and powers of observation remain as provocative as ever. “A formidable collection that is at once outlandish and entirely convincing . . . It is Gardam’s gift for the ecstatic, for showing us what a place of wonders is the world and the hearts that dwell in it, that endows this collection with a dangerous and formidable energy, richer and more concentrated than any novel. She gives us miracle heaped upon miracle, and insists that they should each one be handled with care.” —The Guardian “Unexpected appearance of figures from the past drive many of these sly, bighearted tales.” —The New York Times “Readers will feel lucky to have so much good writing in one place.” —Publishers Weekly (starred review) “Gardam’s preference for short stories shows in this extraordinary collection of great writing.” —NewPages Book Reviews “A rich haul from a well of talent.” —Kirkus Reviews
Another masterpiece from Jane Gardam and the second novel in the Old Filth trilogy 'She does fiction as it should be done, with confidence and insight' CHIMAMANDA NGOZI ADICHIE 'Witty, subversive, moving' THE TIMES 'Full of the humour and eccentricity that have made Gardam one of the most enjoyable novelists writing today' INDEPENDENT ON SUNDAY Old Filth told the story of Sir Edward (Eddie) Feathers QC, aka Filth, his colonial upbringing and career, his long and comfortable marriage, his rivalries and friendships. The Man in the Wooden Hat picks up these threads from the perspective of Filth's wife, Betty. An orphan of the Japanese internment camps, a free spirit, a clever code-breaker at Bletchley Park, Betty has her own secret passions. No wonder she is drawn to Filth's hated rival at the Bar, the brash, forceful Veneering.
“Far more than just another coming-of-age story” from the award-winning author of the Old Filth trilogy (Bustle). Jane Gardam’s marvelous stories of young girls on the threshold of womanhood—God on the Rocks and Crusoe’s Daughter—have delighted fans and critics alike. These “modern classics” are now joined by a novel that is equally fresh and genuine, comic and touching (The Independent). Jessica Vye introduces herself with an enigmatic pronouncement: “I ought to tell you at the beginning that I am not quite normal, having had a violent experience at the age of nine.” A revered author has told Jessica that she is, beyond all doubt, a born writer. This proves an accurate prediction of the future, one that indelibly colors her life at school and her perception of the world. Jessica has always known that her destiny would be shaped by her refusal to conform, her compulsion to tell the absolute truth, and her dedication to observing the strange wartime world that surrounds her. What she doesn’t know, however, is that the experiences and ideas that set her apart will also lead her to a new and wholly unexpected life. Told with grace and inimitable wit, A Long Way from Verona is a wise and vivid portrait of adolescent discovery and impending adulthood. “A book to be judged by the highest standards.” —The Spectator “A brilliant, witty, and agonizingly true-to-life novel.” —The Times Literary Supplement “A fiercely funny and personal book.” —The Economist “The qualities for which Gardam is cherished (the quirkiness, the bright-eyed wonder at reality) are already apparent in this early work.” —Kirkus Reviews
A meticulously observed modern classic' Independent During one glorious summer between the wars, the realities of life and the sexual ritual dance of the adult world creep into the life of young Margaret Marsh. Her father, preaching the doctrine of the unsavoury Primal Saints; her mother, bitterly nostalgic for what might have been; Charles and Binkie, anchored in the past and a game of words; dying Mrs Frayling and Lydia the maid, given to the vulgar enjoyment of life; all contribute to Margaret's shattering moment of truth. And when the storm breaks, it is not only God who is on the rocks as the summer hurtles towards drama, tragedy, and a touch of farce. 'Tantalising, funny, sharp' Daily Telegraph 'So charming a novel that you don't want to give away a single one of the many twists of its plot' New York Times 'Jane Gardam has a spectacular gift' Times Literary Supplement 'Exact, piquant and comical' Observer
The complete “wonderfully entertaining trilogy” about three British friends approaching their twilight years with bittersweet humor (The Washington Post). Jane Gardam’s beloved Old Filth Trilogy—including her masterpiece, Old Filth, voted one of the 100 greatest British novels in a BBC survey; The Man in the Wooden Hat; and Last Friends—are here presented in one volume. Emotionally distant but highly successful Edward Feathers, aka Old Filth, a man who “belongs in the Dickensian pantheon of memorable characters” (TheNew York Times Book Review), his beautiful wife Betty, and his devilishly handsome professional rival (and Betty’s onetime lover) Edward Veneering are the anchors of this series, with each novel focusing on a different character. Feathers was a “raj orphan”—children born in Far East British colonies and raised in England—while Veneering managed to get out of his fishing village-turned-industrial-town just before the German bombs dropped (and his luck has held up pretty well ever since). The three tells a bittersweet tale of enduring friendship while contending with the disappointments and consolations of age, while a once-insurmountable empire declines around them. It forms a deeply humane and often comic portrait of aging, and a reminder that the experiences we choose to take with us in our twilight years are as unpredictable as life itself. “Her prose is so perceptive and fluid that it feels mentally healthful, exiling the noise and clutter of your mind as efficiently as a Schubert sonata. She could make actuarial tables pleasurable.”—The New York Times Book Review “Gardam is the best British writer you’ve never heard of.”—Maureen Corrigan, NPR
Winner of the Whitbread Prize for Best Novel of the Year: “Gardam’s portrait of an insanely imaginative woman in an elusive midlife crisis is impeccably drawn” (The Seattle Times). With prose that is vibrant and witty, The Queen of the Tambourine traces the emotional breakdown—and eventual restoration—of Eliza Peabody, a smart and wildly imaginative woman who has become unbearably isolated in her prosperous London neighborhood. The letters Eliza writes to her neighbor, a woman whom she hardly knows, reveal her self-propelled descent into madness. Eliza must reach the depths of her downward spiral before she can once again find health and serenity. This story of a woman’s confrontation with the realities of sanity will delight readers who enjoy the works of Anita Brookner, Sybille Bedford, Muriel Spark, and Sylvia Plath. “Excellently done . . . Manic delusions have never been so persuasive . . . Very moving when it is not being exceedingly funny.” —Anita Brookner, award-winning author of The Debut “British author Gardam, who won the Whitbread Award for this jigsaw puzzle of a novel, keeps up the suspense to the end, writing like a sorceress in the meantime.” —The Seattle Times “Brilliant.” —The Sunday Times “An ingenious, funny, satirical, sad story . . . Vivid and poignant.” —The Independent on Sunday “Wickedly comic . . . masterly and hugely enjoyable.” —Daily Mail “Marvelously subtle and moving.” —The Times (London)
“Engrossing stories of hilarity and heartbreak” from the Whitbread Award–winning author of the Old Filth trilogy (The Seattle Times). A collection of stories from a writer at the height of her powers—a celebrated stylist admired for her caustic humor, freewheeling imagination, love of humanity, and wicked powers of observation. This is a delightful grouping of stories, witty and wise, that includes the return of Sir Edward Feathers, “Old Filth” himself. “[Gardam’s] stories, like delicate tapestries, are alight with colors.” —The Times (London) “When Gardam hits her mark, like other exemplary short-story writers such as William Trevor, Sylvia Townsend Warner and Elizabeth Taylor, she can be dazzling.” —The Guardian “Gardam’s brisk narration and fearless temperament make for serious fun.” —Kirkus Reviews (starred review) “Wry, economical and perpetually surprising, these 14 stories from English novelist Gardam follow the last of the intrepid, stiff upper lip WWII generation of British ladies and gentlemen. . . . Gardam vividly evokes an age of iron wills.” —Publishers Weekly “Gardam displays the consummate skill of the short-story-teller, which is that of the caricaturist, the ability to capture a personality in a few brief strokes. . . . Privilege Hill is a collection of gentle stories that you could read to your grandmother, with the kind of sharp wit that would no doubt give her a secret smile. But they’re deeper than they look . . . so don’t read them all at once.” —The Bookbag
A rather mysterious old clergyman is dead, and his most adoring child, sixteen-year-old Athene is desolate. A statuesque beauty, greatly admired, she is also lonely, untouchable and living a secret life of fairly dangerous fantasy. Athene's mother, at once highly organised and monumentally vague, dispatches her children to spend the holidays with assorted friends and relatives. For Athene, victim of plans gone awry, that golden summer after the funeral becomes deliciously puzzling fodder for her fantasy. Stuck in a seaside hotel with an inarticulate and beautiful boy, marooned in a seaside cottage with a painter, and finally alone in an empty school with a young master, she finds that men are not all as saintly as her father- and that she is far from saintly herself...
“The satisfying conclusion to Gardam’s Old Filth trilogy offers exquisite prose, wry humor, and keen insights into aging and death” (The New Yorker). While Old Filth introduced readers to Sir Edward Feathers, his dreadful childhood, and his decades-long marriage, The Man in the Wooden Hat was his wife Betty’s story. Last Friends is Terence Veneering’s turn. His beginnings were not those of the usual establishment grandee. Filth’s hated rival in court and in love is the son of a Russian acrobat marooned in the English midlands and a local girl. He escapes the war and later emerges in the Far East as a man of panache and fame. The Bar treats his success with suspicion: Where did this handsome, brilliant Slav come from? This exquisite story of Veneering, Filth, and their circle tells a bittersweet tale of friendship and grace and of the disappointments and consolations of age. They are all, finally, each other’s last friend as this magnificent series ends with the deep and abiding satisfaction that only great literature provides. “[Gardam’s] prose sparkles with wit, compassion and humor. She keeps us entertained, and she keeps us guessing. Be thankful for her books. Be thankful for this trilogy, which is ultimately an elegy, created with deep affection.” —The Washington Post “Restores us to an era rich in spectacle and bristling with insinuation and intrigue. Vivid, spacious, superbly witty, and refreshingly brisk . . . the story (and the author) will endure.” —The Boston Globe “All three Gardam books are beautifully written but it’s a pleasure to note that Last Friends is the most enjoyable, the funniest and the most touching.” —National Post
Shortlisted for the Man Booker Prize: “So charming a novel that you don’t want to give away a single one of the many twists of its plot” (The New York Times). Originally published in Great Britain in 1978, the novel describes Margaret Marsh’s coming of age one summer between the world wars. Caught in the backwash of a fervently religious father, a mother bitterly nostalgic for what might have been, the tea and sympathy of some thoroughly secular neighbors and the bawdy jokes of her nanny Lydia, Margaret’s world hurtles toward a shattering moment of truth. Drama, tragedy, and a touch of farce lend themselves to Gardam’s typically eloquent prose. With subtlety and precision, God on the Rocks provides an intimate portrait of the tensions that divide men and women, present and past, and the love and sorrow that linger throughout. Jane Gardam’s reputation in the United States has been greatly enlarged by the critical acclaim and commercial success garnered by her latest novels, Man in the Wooden Hat and her masterpiece Old Filth. Now, newcomers and fans alike can enjoy the pleasure of the splendid writing that established Gardam’s considerable canon some four decades ago. “Gardam is a unique and wonderful writer, mixing no-nonsense presentations of heartbreak, despair, and uncertainty, with equally dry but hilarious bouts of humor, desire, love, friendship, and even happiness, fleeting as that might be.” —The Huffington Post “Gardam orchestrates the subtle evolution of character and plot with Olympian omniscience and wry humor.” —The Boston Globe “God on the Rocks offers plenty of the wit and humanity that are her trademarks.” —The Christian Science Monitor
The complete “wonderfully entertaining trilogy” about three British friends approaching their twilight years with bittersweet humor (The Washington Post). Jane Gardam’s beloved Old Filth Trilogy—including her masterpiece, Old Filth, voted one of the 100 greatest British novels in a BBC survey; The Man in the Wooden Hat; and Last Friends—are here presented in one volume. Emotionally distant but highly successful Edward Feathers, aka Old Filth, a man who “belongs in the Dickensian pantheon of memorable characters” (TheNew York Times Book Review), his beautiful wife Betty, and his devilishly handsome professional rival (and Betty’s onetime lover) Edward Veneering are the anchors of this series, with each novel focusing on a different character. Feathers was a “raj orphan”—children born in Far East British colonies and raised in England—while Veneering managed to get out of his fishing village-turned-industrial-town just before the German bombs dropped (and his luck has held up pretty well ever since). The three tells a bittersweet tale of enduring friendship while contending with the disappointments and consolations of age, while a once-insurmountable empire declines around them. It forms a deeply humane and often comic portrait of aging, and a reminder that the experiences we choose to take with us in our twilight years are as unpredictable as life itself. “Her prose is so perceptive and fluid that it feels mentally healthful, exiling the noise and clutter of your mind as efficiently as a Schubert sonata. She could make actuarial tables pleasurable.”—The New York Times Book Review “Gardam is the best British writer you’ve never heard of.”—Maureen Corrigan, NPR
A novel that’s “brilliant on sex, brilliant on bereavement and death, brilliant on god, brilliant on dottiness” from the acclaimed author of Old Filth (A. N. Wilson, Evening Standard). The story of a motherless girl named Faith and her family and close friends, all of whom are determined to see her live a happy life. Faith’s mother died in childbirth; her overworked father cannot raise his child alone; and her unconventional grandmother refuses to acknowledge the child whose birth took away the daughter she loved. And so a motley crew of family and friends converges to see that Faith is brought up correctly. The concerned parties include Faith’s uncle, who runs a commune in northern England; the Tibetan refugees who have moved in with him; and the splendidly bickering paternal grandparents. What ensues is a brilliant comedy of manners set equally amidst high society and low. Faith Fox is a story that explores the wonder of the human heart in all its thunderous eccentricity. Gardam has mastered the essence of age and youth and above all nonconformity. Her memorable characters are sure to delight. “Wonderful, sharply observed, deeply funny.” —The Minneapolis Star-Tribune “[A] cleverly wrought British import . . . That Gardam is a virtuoso of structure creeps up on you until you begin to glimpse the outlines of the multiple subplots converging with the satisfying click that reminds you that you’re in the hands of a master.” —St. Louis Post-Dispatch “Hugely funny and deeply moving.” —The Atlantic “Pure pleasure.” —Anita Brookner, author of The Debut “An endearing story. Gardam’s feisty characters deliver a tale that crackles with charm and energy.” —Kirkus Reviews (starred review)
A rather mysterious old clergyman is dead, and his most adoring child, sixteen-year-old Athene is desolate. A statuesque beauty, greatly admired, she is also lonely, untouchable and living a secret life of fairly dangerous fantasy. Athene's mother, at once highly organised and monumentally vague, dispatches her children to spend the holidays with assorted friends and relatives. For Athene, victim of plans gone awry, that golden summer after the funeral becomes deliciously puzzling fodder for her fantasy. Stuck in a seaside hotel with an inarticulate and beautiful boy, marooned in a seaside cottage with a painter, and finally alone in an empty school with a young master, she finds that men are not all as saintly as her father- and that she is far from saintly herself...
The flag that is shown, literally and metaphorically, by these characters is always the Union Jack. Gardam's stories are acutely observed social commentaries on Englishness, its weaknesses and its illusions.
A new edition of the classic bestseller from the original authors, with additional material specifically prepared for Canadian readers by long-time "This Morning CBC producer, Ira Basen, and Jane Farrow, the author of Wanted Words. In 1977, a publishing sensation was born. The Book of Lists, the first and best compendium of facts weirder than fiction, was published. Filled with intriguing information and must-talk-about trivia it has spawned many imitators -- but none as addictive or successful. For nearly three decades since, the editors have been researching curious facts, unusual statistics and the incredible stories behind them. Now the most entertaining and informative of these have been brought together in a long-awaited, thoroughly up-to-date new edition that is also the first Canadian edition. Ira Basen and Jane Farrow have augmented the existing lists with fascinating homegrown material, and compiled lists specifically of relevance to Canadian readers. So if you've always wanted to find out how porcupines really mate, how comedy can kill and -- that most essential piece of knowledge -- how long the longest recorded nose was, this is the book for you. With contributions from a variety of celebrities and experts including Margaret Atwood, Mike Myers, Michael Ondaatje, Dave Eggers, Phillip Pullman and Charlotte Gray, this anthology has something for everyone -- and more than you ever suspected you wanted to know. A list of lists from "The Book of Lists: 10 Notable Film Scenes Left on the Cutting Room Floor 10 Afflictions and Their Patron Saints 14 Nations with More Sheep Than People 5 Trips to the Canadian Wilderness That Ended in Disaster 10 ReallyBad Canadian Sports Teams 14 Last Words of Famous Canadians Kurt Browning's 9 Turning Points in Figure Skating History 7 Trial Verdicts That Caused Riots 12 Museums of Limited Appeal 10 Unusual Canadian Place Names That Start with a "B" 7 Well-Known Sayings Attributed to the Wrong Person 10 Celebrated People Who Read Their Own Obituaries Sloane's Jay Ferguson's 10 Perfect Pop Songs 13 Possible Sites for the Garden of Eden 9 Canadian Sports Stars Who Became Politicians First Sexual Encounters of 13 Prominent Canadians Four Foods Invented by Canadians 1. Processed Cheese -- J. L. Kraft grew up on a dairy farm in Stevensville, Ontario. While working as a grocer he was struck by the amount of cheese that was wasted on wheels of cheddar when the dried rind was scraped off to get at the fresh interior. He resolved to find a way to use this "waste" product, experimenting with double boilers, preservatives and cheddar. Eventually he found a way of stabilizing the dairy product that has come to be known as processed cheese. 2. Frozen Foods -- The technology to freeze food quickly and transport it to markets far away was developed in Halifax in 1928. Within a year, "ice fillets" were being sold to fish-deprived Torontonians who loved the taste and didn't seem to mind the high price tag. Despite this, the fishing industry and private companies lost interest and quickly mothballed the project. In 1930, a feisty American, Colonel Clarence Birdseye, claimed responsibility for developing frozen foods and promptly made a fortune. 3. Pablum -- Invented in 1930 by Dr. Alan Brown, assisted by researchers Theodore Drake and Fred Tisdall. The add-water babycereal revolutionized infant nutrition, and, of course, became synonymous with food that was bland and mushy. 4. Poutine -- Although many claim responsibility for the crowd-pleasing combination of squeaky cheese curds, canned gravy and french fries, it is generally agreed that the first order of this regional specialty of Quebec was served up by restaurant owner Fernand Lachance in 1957. Many variations on the original recipe exist including one deluxe version with foie gras served in Montreal's Pied de Cochon bistro.
The Democratic Republic of Congo (DRC) has been called the ’worst place in the world’ for women, with reports of widespread and horrific incidents of rape and sexual violence and almost complete impunity for the perpetrators of such violence. However, despite the high profile media reporting on sexual violence in the DRC, and the widely publicized responses of the international community, there is still very little real analysis of the real situation of women in the country. This book provides such detailed analysis of gender relations in the DRC, and goes beyond the usual explanations of sexual violence as a product of conflict, to examine the complex and socially constructed gender norms and roles which underlie incidences of violence. The book benefits from a comprehensive account of men’s and women’s roles in conflict, violence, peace building and reconstruction, and evaluates the impacts of national and international political responses. In doing so, this book provides valuable new evidence and analysis of the complex and multilayered conflicts in the DRC.
A new edition of the classic bestseller from the original authors, with additional material specifically prepared for Canadian readers by long-time This Morning CBC producer, Ira Basen, and Jane Farrow, the author of Wanted Words. In 1977, a publishing sensation was born. The Book of Lists, the first and best compendium of facts weirder than fiction, was published. Filled with intriguing information and must-talk-about trivia it has spawned many imitators — but none as addictive or successful. For nearly three decades since, the editors have been researching curious facts, unusual statistics and the incredible stories behind them. Now the most entertaining and informative of these have been brought together in a long-awaited, thoroughly up-to-date new edition that is also the first Canadian edition. Ira Basen and Jane Farrow have augmented the existing lists with fascinating homegrown material, and compiled lists specifically of relevance to Canadian readers. So if you’ve always wanted to find out how porcupines really mate, how comedy can kill and — that most essential piece of knowledge — how long the longest recorded nose was, this is the book for you. With contributions from a variety of celebrities and experts including Margaret Atwood, Mike Myers, Michael Ondaatje, Dave Eggers, Phillip Pullman and Charlotte Gray, this anthology has something for everyone — and more than you ever suspected you wanted to know. A list of lists from The Book of Lists: 10 Notable Film Scenes Left on the Cutting Room Floor 10 Afflictions and Their Patron Saints 14 Nations with More Sheep Than People 5 Trips to the Canadian Wilderness That Ended in Disaster 10 Really Bad Canadian Sports Teams 14 Last Words of Famous Canadians Kurt Browning’s 9 Turning Points in Figure Skating History 7 Trial Verdicts That Caused Riots 12 Museums of Limited Appeal 10 Unusual Canadian Place Names That Start with a “B” 7 Well-Known Sayings Attributed to the Wrong Person 10 Celebrated People Who Read Their Own Obituaries Sloan's Jay Ferguson’s 10 Perfect Pop Songs 13 Possible Sites for the Garden of Eden 9 Canadian Sports Stars Who Became Politicians First Sexual Encounters of 13 Prominent Canadians
A novel that’s “brilliant on sex, brilliant on bereavement and death, brilliant on god, brilliant on dottiness” from the acclaimed author of Old Filth (A. N. Wilson, Evening Standard). The story of a motherless girl named Faith and her family and close friends, all of whom are determined to see her live a happy life. Faith’s mother died in childbirth; her overworked father cannot raise his child alone; and her unconventional grandmother refuses to acknowledge the child whose birth took away the daughter she loved. And so a motley crew of family and friends converges to see that Faith is brought up correctly. The concerned parties include Faith’s uncle, who runs a commune in northern England; the Tibetan refugees who have moved in with him; and the splendidly bickering paternal grandparents. What ensues is a brilliant comedy of manners set equally amidst high society and low. Faith Fox is a story that explores the wonder of the human heart in all its thunderous eccentricity. Gardam has mastered the essence of age and youth and above all nonconformity. Her memorable characters are sure to delight. “Wonderful, sharply observed, deeply funny.” —The Minneapolis Star-Tribune “[A] cleverly wrought British import . . . That Gardam is a virtuoso of structure creeps up on you until you begin to glimpse the outlines of the multiple subplots converging with the satisfying click that reminds you that you’re in the hands of a master.” —St. Louis Post-Dispatch “Hugely funny and deeply moving.” —The Atlantic “Pure pleasure.” —Anita Brookner, author of The Debut “An endearing story. Gardam’s feisty characters deliver a tale that crackles with charm and energy.” —Kirkus Reviews (starred review)
Two girls lose interest in playing with their doll house after moving from London to Wales but the dolls in the house amuse themselves by telling stories about their exciting pasts.
From the award-winning author of Old Filth. “[A] wonderfully old-fashioned novel . . . This post-Victorian charmer is an engrossing delight” (People). In 1904, six-year-old Polly Flint is sent by her sea captain father to live with her aunts in a house by the sea on England’s northeast coast. Orphaned shortly thereafter, Polly will spend the next eighty years stranded in this quiet corner of the world as the twentieth century rages in the background. Through it all, Polly returns again and again to the story of Robinson Crusoe, who, marooned like her, fends off the madness of isolation with imagination. In the Guardian’s series on writers and readers’ favorite comfort books, associate editor Claire Armitstead said of Crusoe’s Daughter, “This is the most bookish of books . . . Every time I return to it, I am comforted by its refusal to conform, its wonderful, boisterous bolshiness, and the intelligence with which it demonstrates that we are what we read.” “Witty, subversive, moving.” —The Times (London) “[A] richly textured novel . . . much occurs on the emotional landscape. We know Polly intimately, and she haunts our imaginations as surely as Crusoe haunts hers . . . a thought-provoking book.” —Library Journal “[The] most seductively entertaining of British novelists.” —Kirkus Reviews
“A quirky coming-of-age story . . . Female adolescence as imagined by one of the 20th century’s best—and most peculiar—writers” (Kirkus Reviews). Originally published in 1977, Jane Gardams Bilgewater is an affectionate and complex rendering-in-miniature of the discomforts of growing up and first love seen through the eyes of inimitable Marigold Green, an awkward, eccentric, highly intelligent girl. The Evening Standard described Bilgewater as “one of the funniest, most entertaining, most unusual stories about young love.” Motherless and sixteen, Marigold is the headmaster’s daughter at a private backwater all-boys school. To make matters worse, Marigold pines for head boy Jack Rose, reckons with the beautiful and domineering Grace, and yanks herself headlong out of her interior world and into the seething cauldron of adolescence. With everything happening all at once, Marigold faces the greatest of teenage crucibles. A smart and painterly romp in the rich tradition of The Hollow Land and A Long Way from Verona, Gardam’s elegant, evocative prose, possessed of sharp irony and easy surrealism makes Bilgewater a book for readers of all ages. “This is no ordinary bildungsroman.” —New Pages “A striking story.” —Times Literary Supplement
A.S. Byatt’s novel Possession: A Romance attracted international acclaim in 1990, winning both the Booker Prize and the Irish Times/Aer Lingus International Fiction Prize. In her long and eminent career, Byatt has steadily published both fiction and non-fiction, the latest of which has not, until now, been given full critical consideration. Enter Jane Campbell’s new book, A.S. Byatt and the Heliotropic Imagination, a comprehensive critical reading of Byatt’s fiction from The Shadow of the Sun and The Game, published in the 1960s, to A Whistling Woman (2002). The book begins with an overview of Byatt’s writing and, drawing on her interviews and essays, sets forth the critical principles that inform the novelist’s work. Following this introduction, a chronologically structured account of the novels and short stories traces Byatt’s literary development. As well as exploring the ways in which Byatt has successfully negotiated a path between twentieth-century realism and postmodern experiment, Campbell employs a critical perspective appropriate to the author’s individualistic feminist stance, stressing the breadth of Byatt’s intellectual concerns and her insistence on placing her female characters in a living, changing context of ideas and experience, especially in their search for creative voice.
Patient safety and quality of care are critical concerns of healthcare consumers, payers, providers, organizations, health systems, and governments. Although a strong body of knowledge shows that high reliability methods enable the most efficient, safe, and effective care, these methods have yet to be completely implemented across healthcare. According to authors Cynthia Oster and Jane Braaten, nurses—who are on the frontline of providing safe and effective care—are ideally situated to drive high reliability. High Reliability Organizations: A Healthcare Handbook for Patient Safety & Quality, Second Edition, equips nurses and healthcare professionals with the tools necessary to establish an error detection and prevention system. This new edition builds on the foundation of the first book with best practices, relevant exemplars, and important discussions about cultural aspects essential to sustainability. New material focuses on: · High reliability performance during a pandemic · Organizational learning and tiered safety huddles · High reliability in infection prevention and ambulatory care · The emerging field of human factors engineering within healthcare · Creating a virtual resource toolkit for frontline staff
Millions of people are today forced to flee their homes as a result of conflict, systematic discrimination, or other forms of persecution. The core instruments on which they must rely to secure international protection are the 1951 Convention Relating to the Status of Refugees and its 1967 Protocol. This book, the leading text in the field, examines key challenges to the Convention such as the status of refugees, applications for asylum, and the international and domestic standards of protection. The situation of refugees is one of the most pressing and urgent problems facing the international community and refugee law has grown in recent years to a subject of global importance. In this long-awaited fourth edition each chapter has been thoroughly revised and updated and every issue, old and new, has received fresh analysis. The books includes: analysis of internally displaced persons; so-called preventive protection; access to refugees; safety of refugees and relief personnel; the situation of refugee women and children; a detailed examination of the role of the UNHCR and the Palestinian situation; and an assessment of the protection possibilities (or lack of them) in the European Convention on Human Rights. This new edition has been expanded with coverage of forced migration and displacement as a result of disasters and climate change. It is once again an unmissable reference work for practitioners and students in the field.
First in the Old Filth trilogy. A New York Times Notable Book. “Old Filth belongs in the Dickensian pantheon of memorable characters” (The New York Times Book Review). Sir Edward Feathers has had a brilliant career, from his early days as a lawyer in Southeast Asia, where he earned the nickname Old Filth (FILTH being an acronym for Failed In London Try Hong Kong) to his final working days as a respected judge at the English bar. Yet through it all he has carried with him the wounds of a difficult and emotionally hollow childhood. Now an eighty-year-old widower living in comfortable seclusion in Dorset, Feathers is finally free from the regimen of work and the sentimental scaffolding that has sustained him throughout his life. He slips back into the past with ever mounting frequency and intensity, and on the tide of these vivid, lyrical musings, Feathers approaches a reckoning with his own history. Not all the old filth, it seems, can be cleaned away. Borrowing from biography and history, Jane Gardam has written a literary masterpiece reminiscent of Rudyard Kipling’s “Baa Baa, Black Sheep” that retraces much of the twentieth century’s torrid and momentous history. SHORTLISTED FOR THE ORANGE PRIZE “Will bring immense pleasure to readers who treasure fiction that is intelligent, witty, sophisticated and—a quality encountered all too rarely in contemporary culture—adult.” —The Washington Post “Gardam is an exquisite storyteller, picking up threads, laying them down, returning to them and giving them new meaning . . . Old Filth is sad, funny, beautiful and haunting.” —The Seattle Times “A masterpiece of storytelling.” —The Dallas Morning News
This collection of photographs is accompanied by Jane Gardam's text, and concentrates mainly on a wild and beautiful part of Yorkshire known as the Iron Coast. It is a celebration of a varied and extraordinary landscape, its history and people.
Another masterpiece from Jane Gardam and the second novel in the Old Filth trilogy 'She does fiction as it should be done, with confidence and insight' CHIMAMANDA NGOZI ADICHIE 'Witty, subversive, moving' THE TIMES 'Full of the humour and eccentricity that have made Gardam one of the most enjoyable novelists writing today' INDEPENDENT ON SUNDAY Old Filth told the story of Sir Edward (Eddie) Feathers QC, aka Filth, his colonial upbringing and career, his long and comfortable marriage, his rivalries and friendships. The Man in the Wooden Hat picks up these threads from the perspective of Filth's wife, Betty. An orphan of the Japanese internment camps, a free spirit, a clever code-breaker at Bletchley Park, Betty has her own secret passions. No wonder she is drawn to Filth's hated rival at the Bar, the brash, forceful Veneering.
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