... both fresh and informed, as well as a pleasure to read. --Film Quarterly Since 1982, when this book first appeared, the Hollywood musical has undergone a rebirth, with the rise of teen musicals such as Dirty Dancing and Flashdance. In a chapter written especially for this second edition of her well-known study, Jane Feuer shows how this new development in the genre relates to important changes in the cinema audience itself. It is the text for the study of Hollywood musicals.
The 1980s saw the rise of Ronald Reagan and the New Right in American politics, the popularity of programs such as thirtysomething and Dynasty on network television, and the increasingly widespread use of VCRs, cable TV, and remote control in American living rooms. In Seeing Through the Eighties, Jane Feuer critically examines this most aesthetically complex and politically significant period in the history of American television in the context of the prevailing conservative ideological climate. With wit, humor, and an undisguised appreciation of TV, she demonstrates the richness of this often-slighted medium as a source of significance for cultural criticism and delivers a compelling decade-defining analysis of our most recent past. With a cast of characters including Michael, Hope, Elliot, Nancy, Melissa, and Gary; Alexis, Krystle, Blake, and all the other Carringtons; not to mention Maddie and David; even Crockett and Tubbs, Feuer smoothly blends close readings of well-known programs and analysis of television’s commercial apparatus with a thorough-going theoretical perspective engaged with the work of Baudrillard, Fiske, and others. Her comparative look at Yuppie TV, Prime Time Soaps, and made-for-TV-movie Trauma Dramas reveals the contradictions and tensions at work in much prime-time programming and in the frustrations of the American popular consciousness. Seeing Through the Eighties also addresses the increased commodification of both the producers and consumers of television as a result of technological innovations and the introduction of new marketing techniques. Claiming a close relationship between television and the cultures that create and view it, Jane Feuer sees the eighties through televison while seeing through television in every sense of the word.
... both fresh and informed, as well as a pleasure to read. --Film Quarterly Since 1982, when this book first appeared, the Hollywood musical has undergone a rebirth, with the rise of teen musicals such as Dirty Dancing and Flashdance. In a chapter written especially for this second edition of her well-known study, Jane Feuer shows how this new development in the genre relates to important changes in the cinema audience itself. It is the text for the study of Hollywood musicals.
The riveting story of the country's first banking scandal in the first decades of the American republic This enthralling historical narrative of the birth of speculative capitalism in America opens in the 1790s when financial pioneer-turned-confidence-man Andrew Dexter, Jr. created a pyramid scheme founded on real estate speculation and the greed of banks, who freely printed the paper money he needed to finance the then tallest building in the United States-the Exchange Coffee House, a 153-room, seven-story colossus in downtown Boston. The story of Dexter's rise and eventual collapse offered an object lesson to the rising young nation, and presents striking parallels to the subprime mortgage meltdown and looming economic collapse of today.
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." In this popular novel of English literature we meet the five sisters - Jane, Elizabeth, Mary, Kitty and Lydia Bennet - when their lives are turned upside down by a wealthy young man (Mr. Bingley) and his best friend (Mr. Darcy), who arrive in their neighborhood and cause conflicts, uproar, misunterstandings and a huge arrage of pride and prejudices.
How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one we’re actually told to follow―and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides . . . But something that swells and tautens until climax, then collapses? Bit masculosexual, no? So many other patterns run through nature, tracing other deep motions in life. Why not draw on them, too?" W. G. Sebald’s Emigrants was the first novel to show Alison how forward momentum can be created by way of pattern, rather than the traditional arc--or, in nature, wave. Other writers of nonlinear prose considered in her “museum of specimens” include Nicholson Baker, Anne Carson, Marguerite Duras, Gabriel García Márquez, Jamaica Kincaid, Clarice Lispector, Susan Minot, David Mitchell, Caryl Phillips, and Mary Robison. Meander, Spiral, Explode is a singular and brilliant elucidation of literary strategies that also brings high spirits and wit to its original conclusions. It is a liberating manifesto that says, Let’s leave the outdated modes behind and, in thinking of new modes, bring feeling back to experimentation. It will appeal to serious readers and writers alike.
Innovative Lesemethode von Ilya Frank - Ungekürzter Originaltext. Zweisprachiges Buch Englisch-Deutsch. "Pride and Prejudice" ("Stolz und Vorurteil") ist der bekannteste Roman der britischen Schriftstellerin Jane Austen. "Pride and Prejudice" ist nicht nur als Liebesroman zu verstehen, sondern auch eine zeitgenössische Studie der englischen Gesellschaft am Beginn des 19. Jahrhunderts. Der Roman beschreibt etwas mehr als ein Jahr im Leben einer kleinen Zahl junger Leute auf dem Land in der Nähe Londons an der Wende vom 18. zum 19. Jahrhundert. Im innersten Kreis dieser wohlhabenden bis reichen und teilweise adligen Familien steht die Familie Bennet mit ihren fünf Töchtern im Alter zwischen fünfzehn und Anfang zwanzig. Der langanhaltende Erfolg von Stolz und Vorurteil scheint auch darin begründet zu sein, dass die Erzählung eine Kombination aus traditioneller Romanze mit einer unkonventionellen Heldin anbietet und sich die Figur der Elizabeth Bennet mit der heutigen Identität einer aktiven, eine eigene Meinung nicht scheuenden und unabhängigen Weiblichkeit verbinden lässt. Spaß am Lesen im Original – und das schon als Anfänger oder Wiedereinsteiger. Innovative Lesemethode von Ilya Frank. Fremdsprachen durch Spaß am Lesen lernen, auffrischen und perfektionieren. Effiziente und mühelose Erweiterung des Wortschatzes dank der innovativen Lesemethode. Es bereitet keine Mühe, um im Original zu lesen und kein Wörterbuch ist notwendig, um jedes Wort genau zu verstehen. Nebenbei erlernt man den Wortschatz und wiederholt / verbessert die Grammatik. Dank der integrierten Hörbücher wird auch das Hörverständnis trainiert.
The Second Edition of this student favourite takes readers step-by-step through the theories, processes and methods of each stage of research, from how to create a research question to designing the project and writing it up. It gives students a clear sense of how their own work relates to broader scholarship and inspires understanding of why studying the media matters. Now 20% bigger, new features include: • Brand new chapters on the how and why of researching media and culture • All new case studies spotlighting the international media landscape • Online readings showing how methods get used in real research • Essential new material on ethnography, digital content analysis, online surveys and researching blogs. Perfect for students of all ranges, How to Do Media and Cultural Studies continues to provide the clearest and most accessible guide to media and cultural studies as students embark on their own research.
What is evaluation? This work provides an examination of the key theories and principles underpinning approaches to evaluation. It offers a guide to how these principles can be implemented in practice and provides insights into dealing with some of the real-life challenges and complexities of evaluation.
Though Mary Shelley's Frankenstein has inspired a vast body of criticism, there are no book-length studies that contextualise this widely taught novel in contemporary scientific and literary debates. The essays in this volume by leading writers in their fields provide new historical scholarship into areas of science and pseudo-science that generated fierce controversy in Mary Shelley's time: anatomy, electricity, medicine, teratology, Mesmerism, quackery and proto-evolutionary biology. The collection embraces a multifaceted view of the exciting cultural climate in Britain and Europe from 1780 to 1830. While Frankenstein is all too often read as a cautionary tale of the inherent dangers of uncontrolled scientific experimentation, the essays here take the reader back to a period when experimenters and radical thinkers viewed science as the harbinger of social innovation that would counter the virulent conservative backlash following the French Revolution. The collection will be an invaluable resource for students and scholars specialising in Romanticism, cultural history, philosophy and the history of science.
In recent years there has been a marked increase in both the volume and diversity of sexual imagery and talk on television, condemned by some as a ‘rising tide of filth’, celebrated by others as a ‘liberation’ from the regulations of the past. Television and Sexuality questions both these responses through an examination of television’s multiple channels and genres, and the wide range of sexual information and pleasures they provide. The book explores the way that sexual citizenship and sexual consumerism have been defined in the digital era to reveal the underlying assumptions held by the television industry about the tastes and sexual identities of its diverse audiences. It draws on the work of key thinkers in cultural and media studies, as well as feminist and queer theory, to interrogate the political and cultural significance of these developments. With topics including the regulation of taste and decency, sex scandals in the news, the biology of sex in science programmes, and gay, lesbian and postfeminist identities in ‘quality’ drama, this book is key reading for students in cultural and media studies and gender studies.
The Talking Cure examines four nationally syndicated television talk shows--Donahue, The Oprah Winfrey Show,Geraldo and Sally Jessy Raphael--which are primarily devoted to feminine culture and issues. Serving as one of the few public forums where working-class women and those with different sexual orientations have a voice, these talk shows represent American TV at its most radical. Shattuc examines the tension between talk's feminist politics and the television industry, who, in their need to appeal to women, trades on sensation, stereotypes and fears in order to engender product consumption. However, this genre is not a one-way form of social interaction. The female audience complies and resists in a complex give-and-take, and it is this relationship which TheTalking Cure aims to understand and reveal.
Worldwide concern in scientific, industrial, and governmental com munities over traces of toxic chemicals in foodstuffs and in both abiotic and biotic environments has justified the present triumvirate of specialized publications in this field: comprehensive reviews, rapidly published progress reports, and archival documentations. These three publications are integrated and scheduled to provide in international communication the coherency essential for nonduplicative and current progress in a field as dynamic and complex as environmental contamination and toxicology. Until now there has been no journal or other publication series reserved exclusively for the diversified literature on "toxic" chemicals in our foods, our feeds, our geographical surroundings, our domestic animals, our wild life, and ourselves. Around the world immense efforts and many talents have been mobilized to technical and other evaluations of natures, locales, magnitudes, fates, and toxicology of the persisting residues of these chemicals loosed upon the world. Among the sequelae of this broad new emphasis has been an inescapable need for an articulated set of authorita tive publications where one could expect to find the latest important world literature produced by this emerging area of science together with documentation of pertinent ancillary legislation.
A focal point of early childhood education is how young children build knowledge and the ways that practitioners, parents and carers can help them to do so. Many adults find it challenging to identify what knowledge young children are building and how they do so, making it difficult to support young children’s learning and development in the most effective ways. This essential guide will help you to identify and develop young children’s knowledge and understanding in early years settings, not only in terms of statutory requirements but far beyond them. Building Knowledge in Early Childhood Education draws on empirical research findings from the Young Children As Researchers (YCAR) project to examine everyday activities and reveal the means that young children use to build knowledge and understanding, as well as exploring the similarities between learning behaviours in early childhood and adult life. Interweaving everyday activities in practice with research and theory, this book covers: how young children construct knowledge; learning, problem-solving and exploring; concepts and conceptualising in early childhood; evidence-based decision-making; how young children behave as researchers. Offering practical advice and suggestions to create opportunities that identify and facilitate young children’s own constructions of knowledge and understanding, this book is essential reading for practitioners, students and all those interested in the theories surrounding young children as researchers.
Providing a student guide to the process of research and writing for media and cultural studies, the author covers both quantitative and qualitative methods and includes a list of useful library resources and essential Web sites.
Thomas Hardy's The Dynasts and Leo Tolstoy's War and Peace are both works which defy attempts to assign them to a particular genre but might seem to have little else in common apart from being set in the same period of history. This study argues that there are important similarities between these two works and examines the close correspondence between Hardy's and Tolstoy's thinking on themes relating to war, ideas of the heroic and the concept of free will. Although coming from very different backgrounds, both writers were influenced by their experiences of war, Tolstoy directly, by involvement in the wars in the Caucasus and the Crimea, and Hardy indirectly, by the events of the Anglo-Boer Wars. Their reaction to these experiences found expression in their descriptions of the wars fought against Napoleon at the beginning of the century. Hegel saw Napoleon as the great world-historical man of his time, and this work considers the ways in which Hardy and Tolstoy undermine this view, portraying Napoleon's physical and mental decline and questioning the role he played in determining the outcomes of military actions. Both writers were deeply interested in the question of free will and determinism and their writings reveal their attempts to understand the nature of the force which lies behind men's actions. Their differing views on the nature of consciousness are considered in the light of modern research on the development of the conscious brain.
In Benjamin’s Library, Jane O. Newman offers, for the first time in any language, a reading of Walter Benjamin’s notoriously opaque work, Origin of the German Tragic Drama that systematically attends to its place in discussions of the Baroque in Benjamin’s day. Taking into account the literary and cultural contexts of Benjamin’s work, Newman recovers Benjamin’s relationship to the ideologically loaded readings of the literature and political theory of the seventeenth-century Baroque that abounded in Germany during the political and economic crises of the Weimar years. To date, the significance of the Baroque for Origin of the German Tragic Drama has been glossed over by students of Benjamin, most of whom have neither read it in this context nor engaged with the often incongruous debates about the period that filled both academic and popular texts in the years leading up to and following World War I. Armed with extraordinary historical, bibliographical, philological, and orthographic research, Newman shows the extent to which Benjamin participated in these debates by reconstructing the literal and figurative history of sixteenth- and seventeenth-century books that Benjamin analyzes and the literary, art historical and art theoretical, and political theological discussions of the Baroque with which he was familiar. In so doing, she challenges the exceptionalist, even hagiographic, approaches that have become common in Benjamin studies. The result is a deeply learned book that will infuse much-needed life into the study of one of the most influential thinkers of the twentieth century.
Screen Media offers screen enthusiasts the analytical and theoretical vocabulary required to articulate responses to film and television. The authors emphasise the importance of 'thinking on both sides of the screen'. They show how to develop the skills to understand and analyse how and why a screen text was shot, scored, and edited in a particular way, and then to consider what impact those production choices might have on the audience. Stadler and McWilliam set production techniques and approaches to screen analysis in historical context. They demystify technological developments and explain the implications of increasing convergence of film and television technologies. They also discuss aesthetics, narrative, realism, genre, celebrity, cult media and global screen culture. Throughout they highlight the links between screen theory and creative practice. With extensive international examples, Screen Media is an ideal introduction to critical engagement with film and television. 'Screen Media offers a systematic approach to film and television analysis. The examples chosen by the authors are both appropriate and timely, and are presented in a very lively and readable form that will appeal to an international readership.' - Rebecca L. Abbott, Professor of Film, Video + Interactive Media, Quinnipiac University, USA
Innovative Lesemethode von Ilya Frank - Ungekürzter Originaltext. Zweisprachiges Buch Englisch-Deutsch. "Pride and Prejudice" ("Stolz und Vorurteil") ist der bekannteste Roman der britischen Schriftstellerin Jane Austen. "Pride and Prejudice" ist nicht nur als Liebesroman zu verstehen, sondern auch eine zeitgenössische Studie der englischen Gesellschaft am Beginn des 19. Jahrhunderts. Der Roman beschreibt etwas mehr als ein Jahr im Leben einer kleinen Zahl junger Leute auf dem Land in der Nähe Londons an der Wende vom 18. zum 19. Jahrhundert. Im innersten Kreis dieser wohlhabenden bis reichen und teilweise adligen Familien steht die Familie Bennet mit ihren fünf Töchtern im Alter zwischen fünfzehn und Anfang zwanzig. Der langanhaltende Erfolg von Stolz und Vorurteil scheint auch darin begründet zu sein, dass die Erzählung eine Kombination aus traditioneller Romanze mit einer unkonventionellen Heldin anbietet und sich die Figur der Elizabeth Bennet mit der heutigen Identität einer aktiven, eine eigene Meinung nicht scheuenden und unabhängigen Weiblichkeit verbinden lässt. Spaß am Lesen im Original – und das schon als Anfänger oder Wiedereinsteiger. Innovative Lesemethode von Ilya Frank. Fremdsprachen durch Spaß am Lesen lernen, auffrischen und perfektionieren. Effiziente und mühelose Erweiterung des Wortschatzes dank der innovativen Lesemethode. Es bereitet keine Mühe, um im Original zu lesen und kein Wörterbuch ist notwendig, um jedes Wort genau zu verstehen. Nebenbei erlernt man den Wortschatz und wiederholt / verbessert die Grammatik. Dank der integrierten Hörbücher wird auch das Hörverständnis trainiert.
Innovative Lesemethode von Ilya Frank - Ungekürzter Originaltext. Zweisprachiges Buch Englisch-Deutsch. "Pride and Prejudice" ("Stolz und Vorurteil") ist der bekannteste Roman der britischen Schriftstellerin Jane Austen. "Pride and Prejudice" ist nicht nur als Liebesroman zu verstehen, sondern auch eine zeitgenössische Studie der englischen Gesellschaft am Beginn des 19. Jahrhunderts. Der Roman beschreibt etwas mehr als ein Jahr im Leben einer kleinen Zahl junger Leute auf dem Land in der Nähe Londons an der Wende vom 18. zum 19. Jahrhundert. Im innersten Kreis dieser wohlhabenden bis reichen und teilweise adligen Familien steht die Familie Bennet mit ihren fünf Töchtern im Alter zwischen fünfzehn und Anfang zwanzig. Der langanhaltende Erfolg von Stolz und Vorurteil scheint auch darin begründet zu sein, dass die Erzählung eine Kombination aus traditioneller Romanze mit einer unkonventionellen Heldin anbietet und sich die Figur der Elizabeth Bennet mit der heutigen Identität einer aktiven, eine eigene Meinung nicht scheuenden und unabhängigen Weiblichkeit verbinden lässt. Spaß am Lesen im Original – und das schon als Anfänger oder Wiedereinsteiger. Innovative Lesemethode von Ilya Frank. Fremdsprachen durch Spaß am Lesen lernen, auffrischen und perfektionieren. Effiziente und mühelose Erweiterung des Wortschatzes dank der innovativen Lesemethode. Es bereitet keine Mühe, um im Original zu lesen und kein Wörterbuch ist notwendig, um jedes Wort genau zu verstehen. Nebenbei erlernt man den Wortschatz und wiederholt / verbessert die Grammatik. Dank der integrierten Hörbücher wird auch das Hörverständnis trainiert.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.