This is the first critical examination of Pablo Picasso's use of religious imagery and the religious import of many of his works with secular subject matter. Though Picasso was an avowed atheist, his work employs spiritual themesÑand, often, traditional religious iconography. In five engagingly written, accessible chapters, Jane Daggett Dillenberger and John Handley address Picasso's cryptic 1930 painting of the Crucifixion; the artist's early life in the Catholic church; elements of transcendence in Guernica; Picasso's later, fraught relationship with the church, which commissioned him in the 1950s to paint murals for the Temple of Peace chapel in France; and the centrality of religious themes and imagery in bullfighting, the subject of countless Picasso drawings and paintings.
A profound and sympathetic introduction to the scope of Christian art, it is written in language simple enough for the lay person, and its length is almost ideally suited to its purpose.... This work is sound from the standpoint of art history and criticism as well as Christian thought and understanding. Liturgical Arts In 228 pages of lucid exposition, Mrs. Dillenberger presents an authoritative, yet untechnical, history of style in western art. Her time-span is Christian; her examples (all illustrated) are Christian in subject matter. Her analyses weigh subject and meaning (iconography) together with formal values (line, shape, mass, space, light and shade).... It is written for the intelligent, educated lay person seeking an understanding of art; it should appeal to Christian and non-Christian alike. Religious Education The title is honest, the approach logical and effective. The author knows what she is doing, both artistically and theologically. Often grubby matters like iconography, form, composition and meaning in works of art are clearly and interestingly handled.... It is a model of commonsense lucidity. Duke Divinity
Two images of Andy Warhol exist in the popular press: the Pope of Pop of the Sixties, and the partying, fright-wigged Andy of the Seventies. In the two years before he died, however, Warhol made over 100 paintings, drawings, and prints based on Leonardo da Vinci's The Last Supper. The dramatic story of these works is told in this book for the first time. Revealed here is the part of Andy Warhol that he kept very secret: his lifelong church attendance and his personal piety. Art historian and curator Jane Daggett Dillenberger explores the sources and manifestations of Warhol's spiritual side, the manifestations of which are to be found in the celebrated paintings of the last decade of Warhol's life: his Skull paintings, the prints based on Renaissance religious artwork, the Cross paintings, and the large series based on The Last Supper.>
A profound and sympathetic introduction to the scope of Christian art, it is written in language simple enough for the lay person, and its length is almost ideally suited to its purpose.... This work is sound from the standpoint of art history and criticism as well as Christian thought and understanding. Liturgical Arts In 228 pages of lucid exposition, Mrs. Dillenberger presents an authoritative, yet untechnical, history of style in western art. Her time-span is Christian; her examples (all illustrated) are Christian in subject matter. Her analyses weigh subject and meaning (iconography) together with formal values (line, shape, mass, space, light and shade).... It is written for the intelligent, educated lay person seeking an understanding of art; it should appeal to Christian and non-Christian alike. Religious Education The title is honest, the approach logical and effective. The author knows what she is doing, both artistically and theologically. Often grubby matters like iconography, form, composition and meaning in works of art are clearly and interestingly handled.... It is a model of commonsense lucidity. Duke Divinity
This is the first critical examination of Pablo Picasso's use of religious imagery and the religious import of many of his works with secular subject matter. Though Picasso was an avowed atheist, his work employs spiritual themesÑand, often, traditional religious iconography. In five engagingly written, accessible chapters, Jane Daggett Dillenberger and John Handley address Picasso's cryptic 1930 painting of the Crucifixion; the artist's early life in the Catholic church; elements of transcendence in Guernica; Picasso's later, fraught relationship with the church, which commissioned him in the 1950s to paint murals for the Temple of Peace chapel in France; and the centrality of religious themes and imagery in bullfighting, the subject of countless Picasso drawings and paintings.
Two images of Andy Warhol exist in the popular press: the Pope of Pop of the Sixties, and the partying, fright-wigged Andy of the Seventies. In the two years before he died, however, Warhol made over 100 paintings, drawings, and prints based on Leonardo da Vinci's The Last Supper. The dramatic story of these works is told in this book for the first time. Revealed here is the part of Andy Warhol that he kept very secret: his lifelong church attendance and his personal piety. Art historian and curator Jane Daggett Dillenberger explores the sources and manifestations of Warhol's spiritual side, the manifestations of which are to be found in the celebrated paintings of the last decade of Warhol's life: his Skull paintings, the prints based on Renaissance religious artwork, the Cross paintings, and the large series based on The Last Supper.>
During the Counter-Reformation, inquisition manual authors working in Italian lands adapted the Catholic Church's traditional tactics of inquisitorial procedure, which had been formulated in the medieval period, to the prosecution of philo-Protestants. Through a comparison of the texts of four such authors to contemporary inquisition processes, Jane K. Wickersham situates the Roman inquisition's prosecution of philo-Protestants within the larger framework of the complex religious upheavals of the sixteenth century. Identifying the critical role played by ritual practice in discovering and prosecuting heretical subjects, Wickersham uncovers two core reasons for its use: first, as a practical means of prosecuting a variety of philo-Protestant beliefs, and second, as an approach firmly grounded within the Catholic Church's history of prosecuting heresy. Finally, Rituals of Prosecution provides an in-depth examination of the inquisitorial processes of urban residents from humble socio-economic backgrounds, providing new insight into how the prosecution of ordinary people was conducted in the early modern era.
The controversy surrounding Dan Brown's novel The Da Vinci Code has intensified interest in Mary Magdalene and Jane Schaberg provides an authoritative source for a deeper understanding and re-assessment of this popular figure. Within a progressive feminist framework, The Resurrection of Mary Magdalene approaches Christian Testament sources through analysis of legend, archaeology, and gnostic/apocryphal traditions. This is the story of the suppression and distortion of a powerful woman leader - Schaberg presents Mary Magdalene as successor to Jesus in a challenging alternative to the Petrine primacy.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.