A beautifully illustrated tale about celebrating the joy of Christmas, and the little things in life, by best-selling author/illustrator Jane Chapman. Cubby the bear cub is out with Daddy one day to find the perfect Christmas tree. They find one and dig it up, and when they get home, they give it the perfect spot in the living room and decorate it. Cubby is thrilled to have Little Tree in their house and treats the tree like a member of the family. But when Christmas is over, it's time to take down the decorations--including Little Tree. Cubby doesn't want to lose a friend--but Daddy has a clever idea of how to be sure that they have Little Tree with them every Christmas.
This touching sequel to Jane Chapman’s Good-bye, Bear offers a sweet tale of friendship and valuing each other’s needs. Perfect for any young child who likes to spend time alone. In this sequel to Jane Chapman’s Good-bye, Bear, friends Mole and Beaver sit together in their tree house, gazing at the stars and reflecting on the happy memories they have of their good friend Bear. Soon, their friends arrive at the tree house and want to come in, too, drawn there by the cozy glow of the lanterns in the tree house. This continues night after night, until there are so many visitors that Mole feels like there is no space for her anymore. Can her friends find a way to give her the space and quiet time she needs, and still spend time together in their tree house? A touching story that explores the value of finding solace in solitude.
Documentary is fast changing: with the digital revolution and the enormous increase in Internet usage, the range of information and outlets for distribution continues to become more diverse. In this context, are the traditional themes and frequently irreconcilable critical positions of study still valid – or are they changing, and if so, how? In short, what are the issues for documentary studies now? The starting point of Issues in Contemporary Documentary is that although documentary history cannot be ignored, the genre needs to be understood as complex, multi-faceted, and influenced by a range of different contexts. Jane Chapman brings to life the challenges of contemporary documentary in an accessible way by balancing theoretical discussion with use of cutting edge material from Europe and North America and the developing world. Whilst the need for critical appraisal of documentary is greater than ever before, Chapman believes that future discourses are likely to be shared between academics and specialist online communities as viewers become makers, and both categories may also become activists. Maintaining all parties can benefit from an awareness of continuity and change, she predicts that activist documentary will increasingly become a category to follow in the future. Each chapter contains recent international case studies, and the content evolves thematically with definitions, representation, objectivity, subjectivity, censorship, authorial voice, reflexivity, and ethics as headings. This free standing, innovative study can also be used in conjunction with Documentary in Practice (Polity 2007) by the same author. The two books provide an essential 2 volume introduction for all students and scholars of film and media, plus those practitioners seeking insight into their craft.
This gentle, touching story of the death of a dear friend, Bear, introduces children to the complex and often confusing feelings of grief, and the ways that Bear’s friends honor his memory as they learn how to cope with the loss. “Bear died on a Friday, while sunlight speckled the grass and caterpillars nibbled leaves in the forest.” Beaver and Mole, two of Bear’s friends, return some of bear's belongings to his tree house, not quite understanding why their friend is no longer with them. The two cry together, sit quietly together, and feel angry together over the loss of their friend—but they gradually realize that Bear wouldn’t want them to be unhappy, so they decide to finish something that Bear had started.
Barry loves living in the forest. The other animals love to cuddle him because he's so soft. And even though Barry loves hugs, sometimes he just wants to be left alone! He comes up with an idea to put an end to all the cuddles and interviews a variety of "cuddly" replacements. But will his plan work?
Comparative Media History is a unique thematic textbook which introduces students to the key ideas underpinning media development. It is an essential first step to a better understanding of both the media industry today and the way in which it evolved over time. The textbook compares developments and influences from a broad perspective, highlighting and contrasting different countries, industries and periods of history in order to encourage an understanding of cause and effect. In a style which is clear, accessible and provocative, Jane Chapman argues that most of the roots of today's media - even the globalizing impulse - lie in the late 18th and 19th centuries. The book emphasises continuity and certain decisive factors such as the social use of technology, the character of the institutions in which it is applied and the political approach of the specific countries involved. The comparative element to this book, both across countries and industries, will enable students to reflect on key issues in media studies, including those of diversity, form, method and choice, both past and present. It will become an essential text for any student of the media and its history. For more information about the book and the author, please see www.janechapman.co.uk
Journalism Today: A Themed History provides a cultural approach to journalism's history through the exploration of overarching concepts, as opposed to a typical chronological overview. Rich with illuminating stories and biographies of key figures, it sheds new light on the relationship between the press and society and how each has shaped the other. Thematic study of the history of journalism, examining the role of journalism in democracy, the influence of new technology, the challenge of balancing ethical values, and the role of the audience Charts the influence of the historical press for today’s news in print, broadcast, and new media Situates journalism in a rich cultural context with lively examples and case studies that bring the subject alive for contemporary readers Provides a comparative analysis of American, British, and international journalism Helpful feature boxes on important figures and case studies enhance student understanding of the development of journalism and news as we know it today, providing a convenient springboard for follow-up work.
Together is waking to bright summer sunshine, With happy songs filling your head, It's singing the words at the top of your voice, As you bounce up and down on your bed. This lyrical rhyme captures the joy of being together, celebrating all of those special moments spent with family and friends.
At bedtime in the burrow Moz is squished and squashed by sleepy rabbits. Crumpled and cross, he asks to go with his friend Albatross to the icy lands of the North Star. So off they fly, but when Moz gets lost he finds himself cold and lonely, and a long way from home.
The gendered nature of the relationship between the press and emergence of cultural citizenship from the 1860s to the 1930s is explored through original data and insightful comparisons between India, Britain and France in this integrated approach to women's representation in newspapers, their role as news sources and their professional activity.
Love like this is stomping, stamping, noisy fun. And love like this is quiet, safe and warm. Love like this is all the little things we share. This is a gentle, poetic reflection on the realtionship of a mother and baby elephant.
Det er tid for den årlige innsamlingsaksjonen på Seaview ungdomsskole, og Miley Stewart har noe å bevise. Amber og Ashley samlet inn mest penger i fjor, og skryter allerede av hvor mye de skal samle inn i år. Miley og Lilly melder seg frivillig til å rive kronene av ondskapens dronninger. Men selv om de går fra dør til dør, etterligner seks dialekter og synger samme sang 58 ganger klarer de ikke å samle inn nok til å slå rekorden. Miley har et hemmelig våpen, Hannah Montana. Plutselig må Miley bestemme seg for hvor langt hun er villig til å gå for å vinne.
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