Religious freedom is now widely accepted as fundamental to any liberal democracy. It is recognised in domestic, regional, and international human rights instruments and its importance is lauded by philosophers, lawyers, judges, clergy, and even politicians. While it is easy to support religious freedom in the abstract, tensions can arise between the activities of religious organizations and the law that challenge this general commitment to religious freedom. Should religious organizations be permitted to discriminate against women or gay people in their employment practices, when admitting members, or in providing goods and services? Should the courts interfere in these organizations to protect the interests of a disaffected member or to resolve internal property disputes? Should the state allow religious tribunals to determine or advise on family matters? While much has been written about religious individuals and the law, there has been a discernible lack of literature on organizations and the law. Jane Norton fills this gap with Freedom of Religious Organizations. By exploring potential conflicts between the law and religious organizations, and examining whether the current British response to such conflicts is justified, this book will consider when English law ought to apply to religious organizations and how these conflicts should be dealt with.
An analysis of the interaction between religious organisations and the law, this book will examine how English law applies to religious organisations where there are conflicts between the organisation and the law.
Religious freedom is now widely accepted as fundamental to any liberal democracy. It is recognised in domestic, regional, and international human rights instruments and its importance is lauded by philosophers, lawyers, judges, clergy, and even politicians. While it is easy to support religious freedom in the abstract, tensions can arise between the activities of religious organizations and the law that challenge this general commitment to religious freedom. Should religious organizations be permitted to discriminate against women or gay people in their employment practices, when admitting members, or in providing goods and services? Should the courts interfere in these organizations to protect the interests of a disaffected member or to resolve internal property disputes? Should the state allow religious tribunals to determine or advise on family matters? While much has been written about religious individuals and the law, there has been a discernible lack of literature on organizations and the law. Jane Norton fills this gap with Freedom of Religious Organizations. By exploring potential conflicts between the law and religious organizations, and examining whether the current British response to such conflicts is justified, this book will consider when English law ought to apply to religious organizations and how these conflicts should be dealt with.
Selected by Choice magazine as an Outstanding Academic Title Gertrude Stein wrote almost one hundred plays, many of which were published and performed during her lifetime. In "They Watch Me as They Watch This," the first full-length study of Stein's plays, Jane Palatini Bowers focuses on the author's contributions to the genre and offers individual and clarifying readings of these often difficult texts. In writing about Stein's plays, Bowers employs both semiotic and structuralist concepts but avoids the excessively abstract language and "scientific" approach often associated with this kind of criticism. When compared with conventional drama, Stein's plays may appear so strange as to hardly seem like plays at all. Their extreme unconventionality arises from the role language takes in them. Conventional plays allow us to look through the language at the dramatic world created by it; Stein's plays force us to concentrate on the drama inherent in language and language-making. They record and reenact the poet's experiments with language and with theatrical conventions; they also preserve the improvisational writing process in the printed and enacted product. Futhermore, Stein's plays embody her critique of and her ideas about the conventional forms of drama. Thus, the plays are metadramatic: dramas about drama. Stein's belief in the theatricality and performability of language, her metatextual explorations of the interplay between poiesis, textuality, and performance, and her violations of the boundaries between literary criticism and practice have influenced postmodernist playwrights and poets such as David Antin, Richard Foreman, Dick Higgins, Jackson MacLow, and Jerome Rothenberg. They Watch Me as They Watch This provides critical analyses of key plays which illuminate the process of Stein's experimentation during her lifetime of playwriting. Stein's recent critics have eschewed a generic approach to her writing; they overlook her intense interest in genre, and therefore they do not consider the ways in which her texts oppose, subvert, and disrupt generic conventions. Bowers's approach to Stein's work yields rich insights into her writing and into the genre she used. It will be an important contribution to Stein scholarship and to drama criticism as well.
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