One woman, an impossible dream, and the faith it took to see it through, inspired by the life of Hulda Klager German immigrant and farm wife Hulda Klager possesses only an eighth-grade education—and a burning desire to create something beautiful. What begins as a hobby to create an easy-peeling apple for her pies becomes Hulda’s driving purpose: a time-consuming interest in plant hybridization that puts her at odds with family and community, as she challenges the early twentieth-century expectations for a simple housewife. Through the years, seasonal floods continually threaten to erase her Woodland, Washington garden and a series of family tragedies cause even Hulda to question her focus. In a time of practicality, can one person’s simple gifts of beauty make a difference? Based on the life of Hulda Klager, Where Lilacs Still Bloom is a story of triumph over an impossible dream and the power of a generous heart. “Beauty matters… it does. God gave us flowers for a reason. Flowers remind us to put away fear, to stop our rushing and running and worrying about this and that, and for a moment, have a piece of paradise right here on earth.”
The wide-ranging and delightful history of celebrated plant breeder Luther Burbank and the business of farm and garden in early twentieth- century America At no other time in history has there been more curiosity or concern about the food we eat-and genetically modified foods, in particular, have become both pervasive and suspect. A century ago, however, Luther Burbank's blight-resistant potatoes, white blackberries, and plumcots-a plum-apricot hybrid-were celebrated as triumphs in the best tradition of American ingenuity and perseverance. In his experimental grounds in Santa Rosa, California, Burbank bred and cross-bred edible and ornamental plants-for both home gardens and commercial farms-until they were bigger, hardier, more beautiful, and more productive than ever before. A fascinating portrait of an American original, The Garden of Invention is also a colorful and engrossing tale of the intersection of gardening, science and business in the years between the Civil War and the Great Depression.
Exposing Captain Starlight’s twisted life of crime and deceit. Who was ‘Captain Starlight’? When a respectable public servant dies suddenly under suspicious circumstances, the authorities are baffled. Who really was the dead man? Was he an Irish nobleman fallen on hard times – or a conman, a forger, a serial impostor, a killer? As an investigation peels back the layers of deception, aliases and lies, a bizarre chain of events is revealed, exposing the deceased as a man guilty of a string of audacious crimes spanning decades – crimes including identity theft and murder. In The Killer's Game, Jane Smith has pieced together the scattered clues to the dead man's background, uncovering the true story of the life and crimes of the 19th-century enigma once known as Frank Pearson – or Captain Starlight.
The Talking Cure examines four nationally syndicated television talk shows--Donahue, The Oprah Winfrey Show, Geraldo and Sally Jessy Raphael--which are primarily devoted to feminine culture and issues. Serving as one of the few public forums where working-class women and those with different sexual orientations have a voice, these talk shows represent American TV at its most radical. Shattuc examines the tension between talk's feminist politics and the television industry, who, in their need to appeal to women, trades on sensation, stereotypes and fears in order to engender product consumption. However, this genre is not a one-way form of social interaction. The female audience complies and resists in a complex give-and-take, and it is this relationship which The Talking Cure aims to understand and reveal.
When Jane Munro’s husband is diagnosed with Alzheimer’s, the Griffin-award-winning poet must chart a path through the depths of grief, learning to live with loss and to take solace and find freedom in the restorative powers of writing. Open Every Window is a genre-bending prose account of the unravelling of a life—two lives—when Jane Munro’s husband, Bob, is diagnosed with Alzheimer’s. Evoking Joan Didion’s The Year of Magical Thinking, this memoir charts a path through sorrow—the pain of seeing a partner age and approach death, the exhaustion of caretaking, and the regret in seeing life’s scope narrow and diminish. Writing with courage and love, Munro grapples with what it means to care for a husband who is gradually but devastatingly deteriorating while her own identity is eclipsed by a single word—caregiver. Even a doctor admonishes, “What job could be more important than caring for your husband?” In this portrait of the myriad lives contained in a single life, Munro ultimately finds respite in the power of writing, Iyengar yoga and in the rhythms of the moon—not to heal but to face grief without breaking. A poignant evocation for anyone who has experienced loss, Open Every Window reveals the pain and power inherent in loving and being loved. Framed with short observations of the moon—from a New Moon in Pune, India to the following New Moon in Vancouver, Canada—this memoir will entrance with its lyricism and comfort with the writer’s hard-won warmth and wisdom.
Asian Americans have made significant contributions to American society. This reference work celebrates the contributions of 166 distinguished Asian Americans. Most people profiled are not featured in any other biographical collection of noted Asian Americans. The Chinese Americans, Japanese Americans, Filipino Americans, Korean Americans, South Asian Americans (from India and Pakistan), and Southeast Asian Americans (from Cambodia, Laos, and Vietnam) profiled in this work represent more than 75 fields of endeavor. From historical figures to figure skater Michelle Kwan, this work features both prominent and less familiar individuals who have made significant contributions in their fields. A number of the contemporary subjects have given exclusive interviews for this work. All biographies have been written by experts in their ethnic fields. Those profiled range widely from distinguished scientists and Nobel Prize winners to sports stars, from actors to activists, from politicians to business leaders, from artists to literary luminaries. All are role models for young men and women, and many have overcome difficult odds to succeed. These colorfully written, substantive biographies detail their subjects' goals, struggles, and commitments to success and to their ethnic communities. More than 40 portraits accompany the biographies and each biography concludes with a list of suggested reading for further research. Appendices organizing the biographies by ethnic group and profession make searching easy. This is the most current biographical dictionary on Asian Americans and is ideal for student research.
Emergency Aid explores the the world response to natural disasters and war, and the people and organizations that are working to help people in need. This title also focuses on people who have been helped, the progress that has already been made, and the challenges still left to be met. The young reader analyzes the stories and develops his or her own opinion of what can be done to effectively respond to disasters. The book has been developed to address many of the Common Core specific goals, higher level thinking skills, and progressive learning strategies from informational texts for middle grade and junior high level students.
The dramas of mid-life are dramas of abandonment and freedom, of highly charged sexual engagements in real time or in fantasy, and of sudden encounters with mortality and loss. The details are as varied as people's lives are diverse but similar themes reappear with unerring regularity over and over in mid-life. It is a time when everything - from the most fundamental questions of identity and meaning to the daily experience of our own bodies and sexuality - is thrown into upheaval, making mid-life transition for many people the most disturbing period since the onset of adolescence.Recognizing that many of us feel, sometimes very much to our surprise, that we have lost our way at mid-life, Polden explores compassionately and sensitively the origins and experiences of mid-life crisis. Regeneration is a fundamentally optimistic book that argues that, while deep-seated changes are often painful, there are great gains to be made at mid-life. By helping readers toward improved self-awareness and a better understanding of the demands and choices of mid-life, Regeneration shows how we can begin to lead lives more truly informed by the values that will serve us best in the second halves of our lives.
This book studies children’s and young adult literature of genocide since 1945, considering issues of representation and using postcolonial theory to provide both literary analysis and implications for educating the young. Many of the authors visited accurately and authentically portray the genocide about which they write; others perpetuate stereotypes or otherwise distort, demean, or oversimplify. In this focus on young people’s literature of specific genocides, Gangi profiles and critiques works on the Cambodian genocide (1975-1979); the Iraqi Kurds (1988); the Maya of Guatemala (1981-1983); Bosnia, Kosovo, and Srebrenica (1990s); Rwanda (1994); and Darfur (2003-present). In addition to critical analysis, each chapter also provides historical background based on the work of prominent genocide scholars. To conduct research for the book, Gangi traveled to Bosnia, engaged in conversation with young people from Rwanda, and spoke with scholars who had traveled to or lived in Guatemala and Cambodia. This book analyses the ways contemporary children, typically ages ten and up, are engaged in the study of genocide, and addresses the ways in which child survivors who have witnessed genocide are helped by literature that mirrors their experiences.
Offers advice on out of the ordinary vacation opportunities, from the Texas state fair to "unknown" national parks, with profiles of inspirational travelers and sidebars about off-season travel.
It's southern California in the early Sixties, and Charlotte is a teenager, which is bad enough. She also has strange grandparents, with whom she lives, a schizophrenic ventriloquist alcoholic mother who appears and disappears regularly from her life, and only vague information about the father who died before Charlotte was born. With so much craziness in the family, Charlotte figures, whether it's "nature" or "nurture," she's doomed. In Failure to Zigzag, Jane Vandenburgh gracefully zigzags between hilarity and sorrow as she recounts Charlotte's attempts to grow up and to practice "sanity as a form of revenge.
Thatcher's Grandchildren explores sociological and political issues about childhood that have that have become increasingly significant in the twenty first century within a political landscape framed by neo-liberalism. Issues addressed include child protection and abuse, the media, education and schooling, and poverty.
This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist’s residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book’s case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation.
For Love of a Soldier contains the stories of 29 people whose family members_spouses, siblings, children_are serving or have served in the American military during the Iraq War. The families tell their stories and explain why they believe that taking action to end American military involvement in Iraq is the best possible way to support the troops who are so dear to them. The passionate and articulate individuals whose interviews make up the body of the book include: spouses and parents of soldiers with post-traumatic stress disorder, a couple with eight children and grandchildren who have served or are currently serving in Iraq, the parents who have formed an organization of anti-war families, parents whose children have been killed or maimed in the war, and parents whose children have committed suicide after returning home from the war.
Draws on the author's experience as a courtroom and television reporter to analyze some of recent history's most sensational trials and cases, including those of O.J. Simpson, JonBenet Ramsey, and Robert Blake, to reveal how the darkest secrets of killers, as well as the vulnerabilities of high-profile victims, are shared by everyday people. Reprint. 35,000 first printing.
Winner of the 2014 Oklahoma Book Award for nonfiction Winner of the 2014 Pate Award from the Fort Worth Civil War Round Table. When the peoples of the Indian Territory found themselves in the midst of the American Civil War, squeezed between Union Kansas and Confederate Texas and Arkansas, they had no way to escape a conflict not of their choosing--and no alternative but to suffer its consequences. When the Wolf Came explores how the war in the Indian Territory involved almost every resident, killed many civilians as well as soldiers, left the country stripped and devastated, and cost Indian nations millions of acres of land. Using a solid foundation of both published and unpublished sources, including the records of Cherokee, Choctaw, and Creek nations, Mary Jane Warde details how the coming of the war set off a wave of migration into neighboring Kansas, the Red River Valley, and Texas. She describes how Indian Territory troops in Unionist regiments or as Confederate allies battled enemies--some from their own nations--in the territory and in neighboring Kansas, Missouri, and Arkansas. And she shows how post-war land cessions forced by the federal government on Indian nations formerly allied with the Confederacy allowed the removal of still more tribes to the Indian Territory, leaving millions of acres open for homesteads, railroads, and development in at least ten states. Enhanced by maps and photographs from the Oklahoma Historical Society's photographic archives, When the Wolf Came will be welcomed by both general readers and scholars interested in the signal public events that marked that tumultuous era and the consequences for the territory's tens of thousands of native peoples.
From The Road to Game of Thrones, across works as seemingly different as Gone Girl and Saw, literature, film, and television have become obsessed with the intersection of survival and choice. When the trapped rock-climber hero of 127 Hours is confronted with self-amputation or death, it is only a particularly blunt example of an omnipresent set-up. In real-life settings or fantastical games, protagonists find themselves confronting extreme scenarios with life-or-death consequences, forced to make torturous either-or choices in stripped-down, brutally stark environments. Jane Elliott identifies and analyzes this new and distinctive aesthetic phenomenon, which she calls “the microeconomic mode.” Through close readings of its narratives, tropes, and concepts, she traces the implicit theoretical and political claims conveyed by this combination of abstraction and extremity. In the microeconomic mode, humans isolated from any forms of social organization operate within a mini-economy of costs and benefits, gains and losses, measured in the currency of life. Elliott reads the key concepts that emerge from this aesthetic—life-interest, sovereign capture, and binary life—in relation to biopolitics and natural law theory, becoming and the control society, and primitive accumulation in racial capitalism. The microeconomic mode interrogates the destruction of the liberal political subject, but what it leaves in its place is as disturbing as it is radically new. Going beyond the question of neoliberalism in literature, The Microeconomic Mode combines revelatory close readings of key literary and popular texts with significant theoretical interventions to identify how an aesthetics of choice has reshaped our contemporary understanding of what it means to be human.
A Bible study for helping women connect with God more intimately and live more freely, from the critically acclaimed author of Come Closer. Fall in love with Jesus–again, and again, and again Through ten illuminating encounters, walk into Jesus’ life, love and delight! Laugh, grow, and rest in Christ’s presence as you share these vivid meetings with the One who loves you more than life itself. With humor and spiritual depth, Jane Rubietta passionately draws you into the hope of a freeing relationship with Christ—freedom from false expectations into the brilliance of being fully loved. Let Jesus delight in you. Leave your hurry-worry path.Take Jesus’ hand and Come Along on a journey into intimacy, hope, and passion. Exchange your worn-out, must-do faith for real radiance. Solid biblical teaching, heart-rending stories and sound application in each chapter make Come Along a vital companion for personal, small group, and Bible study use.
With intelligence and clarity of observation, the author of The Death and Life of Great American Cities addresses the moral values that underpin working life. In Systems of Survival, Jane Jacobs identifies two distinct moral syndromes—one governing commerce, the other, politics—and explores what happens when these two syndromes collide. She looks at business fraud and criminal enterprise, government’s overextended subsidies to agriculture, and transit police who abuse the system the are supposed to enforce, and asks us to consider instances in which snobbery is a virtue and industry a vice. In this work of profound insight and elegance, Jacobs gives us a new way of seeing all our public transactions and encourages us towards the best use of our natural inclinations.
By the time she reached her late twenties, Eudora Welty (1909–2001) was launching a distinguished literary career. She was also becoming a capable gardener under the tutelage of her mother, Chestina Welty, who designed their modest garden in Jackson, Mississippi. From the beginning, Eudora wove images of southern flora and gardens into her writing, yet few outside her personal circle knew that the images were drawn directly from her passionate connection to and abiding knowledge of her own garden. Near the end of her life, Welty still resided in her parents' house, but the garden—and the friends who remembered it—had all but vanished. When a local garden designer offered to help bring it back, Welty began remembering the flowers that had grown in what she called “my mother's garden.” By the time Welty died, that gardener, Susan Haltom, was leading a historic restoration. When Welty's private papers were released several years after her death, they confirmed that the writer had sought both inspiration and a creative outlet there. This book contains many previously unpublished writings, including literary passages and excerpts from Welty's private correspondence about the garden. The authors of One Writer's Garden also draw connections between Welty's gardening and her writing. They show how the garden echoed the prevailing style of Welty's mother's generation, which in turn mirrored wider trends in American life: Progressive-era optimism, a rising middle class, prosperity, new technology, women's clubs, garden clubs, streetcar suburbs, civic beautification, conservation, plant introductions, and garden writing. The authors illustrate this garden's history—and the broader story of how American gardens evolved in the early twentieth century—with images from contemporary garden literature, seed catalogs, and advertisements, as well as unique historic photographs. Noted landscape photographer Langdon Clay captures the restored garden through the seasons.
Jane M. Gaines examines the phenomenon of images as property, focusing on the legal staus of mechanically produced visual and audio images from popular culture. Bridging the fields of critical legal studies and cultural studies, she analyzes copyright, tr
The Actor's Business Plan is a self-directed practical guide for actors graduating from formal training programs, as well as for those already in the business whose careers need to move ahead more successfully. Using the familiar language of acting training, the book offers a method for the achievement of dreams through a five-year life and career plan giving positive steps to develop a happy life as an actor and as a person. It assists performers to flourish using the same kind of business/career planning that is a necessary part of life for entrepreneurs and business people. This introduction to the acting industry provides essential knowledge not only for how the business actually works, but also describes what casting directors, agents, and managers do, demystifies the role of unions, discusses how much things cost, and offers advice on branding and marketing strategies. It differs from other such handbooks in that it addresses the everyday issues of life, money, and jobs that so frequently destroy an actor's career before it is even begun. While addressing NYC and LA, the guide also gives a regional breakdown for those actors who may wish to begin careers or to settle in other cities. It is loaded with personal stories, and interviews with actors, casting directors, and agents from throughout the US. The Actor's Business Plan is the answer to the common complaint by students that they were not taught how to negotiate the show business world while at school. It is the perfect antidote for this problem and can easily fit into a ten or a thirteen-week class syllabus. Offering support as a personal career coach, empowering the actor to take concrete steps towards their life and career dreams, The Actor's Business Plan: A Career Guide for the Acting Life is a must-have book for actors who are determined to be a part of the professional world .
Wollie Shelley—the endearing, idiosyncratic heroine of the award-winning Dating Dead Men, Dating Is Murder, and A Date You Can’t Refuse—returns in a funny murder mystery set in the world of television soaps. When David Zetrakis, the producer of a popular soap opera, is found shot to death the day after Christmas, Wollie Shelley finds herself caught up in the murder investigation. Zetrakis was one of the many Mr. Wrongs in Wollie’s career as a serial dater, and her friend Joey has emerged as the media’s prime suspect. A hot-tempered celebrity who had dated Zetrakis and was fired from his show some years ago, Joey has inherited a million-dollar Klimt from him. But Joey is not the only potential suspect. Zetrakis left lots of nice bequests to the cast and crew of the show. And as the dating correspondent on a talk show called SoapDirt, Wollie, who’s required to dine and dish with the stars, quickly discovers that the behind-the-scenes intrigues of television soaps are as highly charged as the on-screen shenanigans. When Wollie is not trying to protect Joey from an onslaught of predatory reporters, she’s helping her brother make the transition from a mental hospital to a halfway house and negotiating her relationship with Simon, her FBI-agent boyfriend. Dead Ex is another full-out romp of a mystery sure to please Kozak’s many fans—and win her many new ones, too.
From Ted Bundy to John Wayne Gacy and David Berkowitz, the 1970s were a time of notorious and brutal serial killers. Find out more about them, along with some you may never have heard of. The Co-Ed Killer, Son of Sam, Hillside Strangler, and Dating Game Killer—in many ways, terrifying serial killers were as synonymous with the 1970s as Watergate, disco, and the oil crisis. This fascinating collection of profiles presents the most notorious as well as lesser-known serial murderers of that decade. Beyond Ted Bundy and David Berkowitz, it includes more obscure killers like Coral Eugene Watts, known as “The Sunday Morning Slasher,” who killed 80 women; Edmund Kemper, the "Co-Ed Killer"; and Rodney Alcala, who is believed to have killed between 50 and 130 people between 1971-1979. Profiles will include: Rodney Alcala: The Dating Game Killer David Berkowitz: The Son of Sam Kenneth A. Bianchi and Angelo Buono, Jr: The Hillside Strangler Ted Bundy John Wayne Gacy: The Killer Clown Coral Eugene Watts: The Sunday Morning Slasher Vaughn Greenwood: The Skid Row Slasher
The American Television Industry offers a concise and accessible introduction to TV production, programming, advertising, and distribution in the United States. The authors outline how programs are made and marketed, and furthermore provide an insightful overview of key players, practices, and future trends.
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