When Harris moved with her husband to Washington for a teaching job, she realized that she could also fulfill her lifelong dream of having a horse farm. This is the story of a remarkable horse and the revelations about life and love that she gave Harris over the course of decades.
The heartwarming story of a remarkable horse who changed the world around herWhen Jana Harris first laid eyes on a beautiful mare named True Colors, something about her and the way she guarded her foal spoke to Harris.But when True Colors was delivered to Harris' ranch three months later, she was unrecognizable. She had gone feral, run away, and been recaptured. Terrified of people, she was head-shy from the infected sores on her face and sensed demons hiding in everything from the scent of fabric softener on clothes to a gate in a fence.But there were glimmers of hope: The other horses fell in love with her on sight, just as Harris had. And true to her name and herself, True Colors would never pretend to be something she was not; with her wise, intuitive nature, she would end up changing the lives of everyone she encountered, animal and human.Horses Never Lie About Love is the story of this remarkable horse and the revelations about life and love that she gave Harris over the course of their decades together. There is a famous horseman's saying: A horse never lies about pain. But maybe we should also consider: A horse never lies about love.
This series of interconnected dramatic monologues illustrates the true stories of frontier women and children who were stranded on and settled along the trails to the West. Spanning the school year 1889–90, we follow the intimate day-to-day lives of a school teacher, her students, and their parents in the mythical town of Cottonwood.
When Washington Territory was created, the narrow, isolated Okanogan River Valley was considered a wasteland and an Indian reservation, the Chief Joseph Reserve, was established there. But when silver was discovered near what became Ruby City, the land was re-appropriated, and the Native Americans were moved to a more confined area. The Okanogan was then opened up to white homesteaders, with the hope of making the area more attractive to miners. The interconnected dramatic monologues in Oh How Can I Keep On Singing? are the stories of the forgotten women who settled the Okanogan in the late nineteenth century, arriving by horse-drawn cart to a place that purported to have such fine weather that a barn was unnecessary for raising livestock. Not all of the newcomers survived the cattle-killing winter of 1893. Of those who did, some would not have survived if the indigenous people had not helped them.
“Nowhere / on these parchment leaves do I find / myself, my likeness, my name, / not a whisper—Cynthia—not one / breath of me.” For thirty years poet Jana Harris researched the diaries and letters of North American pioneer women. While the names and experiences of the authors varied, Harris found one story often connected them: their most powerful memories were of courtships and weddings. They dreamed of having a fine wedding while they spent their lives hauling water, scrubbing floors, and hoping for admirers. Many married men they hardly knew. Based on primary research of nineteenth-century frontier women, Harris uses her compelling poetry to resurrect a forgotten history. She captures the hope, anxiety, anger, and despair of these women through a variety of characters and poetic strategies, while archival photographs give faces to the names and details to the settings. Harris’s meticulous research and stirring words give these pioneer women a renewed voice that proves the timelessness of the hopes and fears of love and marriage.
This saga chronicles the lives and fortunes of four generations of women in the York family, from the Russian occupation of Alaska to the building of the Trans-Alaska Pipeline System. Detailing the triumphs and trials of what became a dynasty of fish and timber barons during a crucial century in Alaska’s history, the novel opens with teenage Nadia Karimoff, a half-Russian, half-Native American orphan living in Sitka, being kidnapped and sold to a mysterious Yankee named Noah York.
Spanning the years 1853–1933—beginning with conveyance by oxcart and ending with air travel—this series of dramatic monologues tells the story of Helen Walsh and Thomas Hodgson, whose families trekked the trails of the great migration to the West. Helen and Thomas get married, and together, tame the remote corners of the wilderness by means of their imperishable love and a clear, well-beaten path.
The year is 1893, and Pearl Ryan, a young woman with a checkered past, arrives in Ruby City, a silver mining town full of scoundrels—one to which no respectable woman would ever travel. Pearl sets up shop as the town laundress, but is clearly no ordinary charwoman: She is courted by many and the local doctor often solicits her assistance as his nurse. Pearl’s dream is to attend medical school—not a small feat for a woman alone in the Wild West—and hopes that the proceeds from her newly inherited mining claim will pay for her education. Meanwhile, laundry is her bread and butter. As laundress, however, Pearl is privy to many secrets she’d rather not know. As a student of the healing arts, she recognizes the symptoms of poisoning when she sees them. And as a woman with a past she’d rather keep hidden, she must solve the murders plaguing Ruby City before US marshals arrive.
The Second Edition of Assessing and Managing Risk in Psychological Practice: An Individualized Approach adds significant new content to its coverage of the basic principles of risk management and its descriptions of how risk management strategies can be applied to specific areas of professional practice. This includes work with children and families, forensic psychology, assessment, psychotherapy, and other emerging areas of practice. Special attention is given to applying risk management principles in accordance with overarching ethical principles with the goal of improving the quality of services provided. The Second Edition will help readers: • Identify the contexts or circumstances that increase the risk of a disciplinary complaint; • Integrate the risk management strategies (documentation, informed consent, and consultation) based on overarching ethical principles into their practices; • Adapt patient-focused risk management strategies according to Bloom’s Taxonomy of Learning; • Describe unique ethical and legal risks and practice concerns when considering issues of competence, multiple relationships, and confidentiality; • Describe unique ethical and legal risks and practice concerns when treating couples, children or families, patients who threaten to harm themselves or others, or other difficult patients; • Describe unique ethical and legal risks and practice concerns when engaging in assessment, court appearances, or acting as a consultant or supervisor; and • Describe unique ethical and legal risks and practice concerns when billing for services, considering retirement, or purchasing professional liability insurance. Note that this publication is available in eBook formats.
There are no accidents... A pain-filled encounter with an escaped hawk prompts suburban divorcee Samantha Leyton to learn more about the untamed bird of prey that attacked her. Surprised and intrigued, Sam soon finds herself obsessed with an ancient passion even more consuming than the deadly disease in her body. Falconry sponsor Hank Gerard sensed something different about the smart, city-dwelling blonde from the moment they met. A master at understanding wild raptors, the hard-edged loner soon realizes his newest apprentice hides a secret behind the sheer grit, drive, and independence that privately captivate him--a secret Sam is determined to keep hidden. If her fellow falconers discover she's ill, she could lose her only remaining connection to life--her red-tailed hawk, Chance. Against the backdrop of the sport of falconry, will two souls destined to meet learn to trust again before it's too late?
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