Since its appearance in 1981, History as a Science by Jan van der Dussen has been welcomed as a coherent and comprehensive study of the many aspects of Collingwood’s philosophy of history, including its development and reception. The book was the first to pay attention to Collingwood’s unpublished manuscripts, and to his work as an archaeologist and historian, herewith opening up a new angle in Collingwood studies. The republication of this volume meets an increasing demand to make the book available for future Collingwood scholars, and people interested in Collingwood’s philosophy. The present edition of History as a Science includes updated references to the published manuscripts and an added preface.
The book is divided into chapters, but several themes run across them. This is, in fact, the reason for writing a book rather than a number of independent articles; for it appears that several moments of Kant's work are characterized by similar problems, and consequently we might be unable to see the impact of these on a more 1 i mi ted canvas. But further, and perhaps no less importantly, the shared problems are likely to be indicative of the nature of the whole area under discussion. Given this, to concentrate our attention on them should provide clarification not accessible in any other way. It is one of the objects of the present book to obtai n thi s clarification, and to apply it to the area itself, rather than merely to utilize the results in Kantian exegesis and elucidation. Thus the aim is not predominantly historical. Of the various themes, the theme of Space and Time turns out to be of prime importance to the whole picture presented, and within it, the theme of space. This is not perhaps surprising, for Kant's central task is to provide for objectivity; i. e. , to explain how a "subjective" stream of perceptions can amount to a perception of the world in which there are both subjective and objective moments.
This is a new critical edition (in two volumes) of Vossius' Latin Poeticae institutiones, with a translation in English, an introduction, annotations and a commentary. In 1647 the Amsterdam professor Gerardus Vossius published his main work on poetics, Poeticarum institutionum libri III, which can be considered as an important result of the Dutch Golden Age. In the same year two shorter works appeared, De artis poeticae natura ac constitutione, which is an introduction to the main work, and De imitatione, which elaborates on two aspects of poetics: imitation and recitation. These are added in appendices, also with a translation, but without a commentary. Now this important early modern work on the making of poetry (labeled by Sellin as 'The last of the Renaissance monsters') is made available also for readers without Latin.
Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts. Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas.
Tissue Engineering is a comprehensive introduction to the engineering and biological aspects of this critical subject. With contributions from internationally renowned authors, it provides a broad perspective on tissue engineering for students and professionals who are developing their knowledge of this important topic. Key topics covered include stem cells; morphogenesis and cellular signaling; the extracellular matrix; biocompatibility; scaffold design and fabrication; controlled release strategies; bioreactors; tissue engineering of skin, cartilage, bone and organ systems; and ethical issues. - Covers all the essentials from tissue homeostasis and biocompatibility to cardiovascular engineering and regulations - 22 chapters from internationally recognized authors, provide a comprehensive introduction for engineers and life scientists, including biomedical engineers, chemical and process engineers, materials scientists, biologists and medical students - Full colour throughout, with clear development of understanding through frequent examples, experimental approaches and the latest research and developments
Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.
Since its appearance in 1981, History as a Science by Jan van der Dussen has been welcomed as a coherent and comprehensive study of the many aspects of Collingwood’s philosophy of history, including its development and reception. The book was the first to pay attention to Collingwood’s unpublished manuscripts, and to his work as an archaeologist and historian, herewith opening up a new angle in Collingwood studies. The republication of this volume meets an increasing demand to make the book available for future Collingwood scholars, and people interested in Collingwood’s philosophy. The present edition of History as a Science includes updated references to the published manuscripts and an added preface.
Since its appearance in 1981, History as a Science by Jan van der Dussen has been welcomed as a coherent and comprehensive study of the many aspects of Collingwood's philosophy of history, including its development and reception. The book was the first to pay attention to Collingwood's unpublished manuscripts, and to his work as an archaeologist and historian, herewith opening up a new angle in Collingwood studies. The republication of this volume meets an increasing demand to make the book available for future Collingwood scholars, and people interested in Collingwood's philosophy. The present edition of History as a Science includes updated references to the published manuscripts and an added preface"--
Der Band enthalt 33 Beitrage in deutscher, franzosischer und englischer Sprache. Die Themenvielfalt reicht von der Aufbewahrung von Verwaltungsschriftgut im fruhen Mittelalter, den Kriegsdienst zur Zeit der Karolinger, die Louvrebibliothek Karls V. und Spionage im spatmittelalterlichen Dijon uber die Universalmonarchie des 17. Jahrhunderts, franzosische Revolutionsemigranten im Reich, den transatlantischen Foderalismusdiskurs, Bismarcks Sozialpolitik, 1916 als Wendepunkt des Ersten Weltkriegs und Fluchthilfenetzwerke wahrend der Occupation bis zum Eichmannprozess und den Kampf gegen den Terrorismus in den siebziger und achtziger Jahren.
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