Jan van Eyck was a fifteenth century Netherlandish painter of altarpieces, single-panel religious figures and commissioned portraits, who perfected the newly developed technique of oil painting. Panel paintings like the ‘Arnolfini Portrait’ and ‘The Ghent Altarpiece’ are celebrated for their unprecedented use of naturalism, complex iconography and geometric perspective. Although only 22 paintings are confidently attributed to Van Eyck, his virtuosity and pioneering developments would have a lasting impact on the course of Western art. This eBook presents van Eyck’s complete works in stunning detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Jan van Eyck – over 350 images, fully indexed and arranged in chronological order * Features concise introductions for all 22 extant paintings, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore van Eyck’s works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Easily locate the artworks you wish to view * Special glossary of the artist’s paintings * Includes van Eyck's drawings, disputed works and workshop paintings – explore the artist’s varied works * Features three bonus biographies – discover van Eyck's world Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Paintings Ghent Altarpiece Portrait of a Man with a Blue Chaperon Saint Francis Receiving the Stigmata Crucifixion and Last Judgement Portrait of Cardinal Niccolò Albergati Léal Souvenir Portrait of a Man in a Turban (Self Portrait) Arnolfini Portrait Annunciation (Washington) Annunciation (Madrid) Portrait of Baudouin de Lannoy Madonna of Chancellor Rolin Portrait of Jan de Leeuw Virgin and Child with Canon van der Paele Dresden Triptych Lucca Madonna Portrait of Giovanni di Nicolao Arnolfini Madonna in the Church Portrait of Margaret van Eyck Madonna at the Fountain Madonna of Jan Vos Glossary of the Paintings Other Artworks List of Drawings, Lost, Disputed and Workshop Works The Biographies Extract from ‘Life of Antonello Da Messina’ (1550) by Giorgio Vasari Van Eyck (1905) by J. Cyril M. Weale Jan van Eyck (1911) by Joseph Archer Crowe Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
This book addresses fundamental aspects of the concept of public international law in both theory and practice. The argument developed by the author is that, underlying the traditional, horizontal, structure of public international law, a vertical structure of the concept of law may be discerned. This vertical structure is seen unfolding into two, mutually exclusive, frameworks: a framework of obligation, accounting for obligations, and a framework of authorization, accounting for rights. The problem then arising is that a concept of public international law which only admits either rights or obligations cannot be regarded as coherent. The author, however, takes and substantiates the position that coherence can be achieved by suppressing the mutual exclusivity of both frameworks. This move paves the way to formulating the function of public international law in terms of the constituting of international society. Since in public international law the theoretical aspects profoundly affect practice, this book is not only of interest to academics, but also for practitioners, such as officials of foreign offices and international institutions.
What are we exactly, when we are said to be our brain? This question leads Jan De Vos to examine the different metamorphoses of the brain: the educated brain, the material brain, the iconographic brain, the sexual brain, the celebrated brain and, finally, the political brain. This first, protracted and sustained argument on neurologisation, which lays bare its lineage with psychologisation, should be taken seriously by psychologists, educationalists, sociologists, students of cultural studies, policy makers and, above all, neuroscientists themselves.
This book explores the responsibility of psychological and neuropsychological perspectives in relation to the digitalisation of inter-subjectivity. It examines how integral their theories and models have been to the development of digital technologies, and by combining theoretical and critical work of leading thinkers, it is a new and highly original perspective on (inter)subjectivity in the digital era. The book engages with artificial intelligence and cybernetics and the work of Alan Turing, Norbert Wiener, Marvin Minsky, Gregory Bateson, and Warren McCulloch to demonstrate how their use of neuropsy-theories persists in contemporary digital culture. The author aims to trace a trajectory from psychologisation to neurologisation, and finally, to digitalisation, to make us question the digital future of humankind in relation to the idea of subjectivity, and the threat of the ‘death-drive’ inherent to digitality itself. This volume is fascinating reading for students and researchers in the fields of critical psychology, neuroscience, education studies, philosophy, media studies, and other related areas.
Jan De Vos's second book on psychologization argues that psychology IS psychologization, a phenomenon traced back from Late-Modernity to the Enlightenment. Engaging with seminal thinkers such La Mettrie, Husserl, Lasch and Agamben, the book teases out the limits of psychoanalysis as a critical tool.
Today more than ever, our understanding of ourselves, others and the world around us is described in psychological terms. Psychologists deeply influence our society, and psychological-discourse has invaded companies, advertising, culture, politics, and even our social and family life. Moreover, psychologisation has become a global process, applied to situations such as torture, reality TV and famine. This book analyses this ‘overflow of psychology’ in the three main areas of science, culture and politics. The concept of psychologisation has become crucial to current debates in critical psychology. De Vos combines these debates with insights from the fields of critical theory, philosophy and ideology critique, to present the first book-length argument that seriously considers the concept of psychologisation in these times of globalisation. The book contains numerous real-world examples making it an accessible and engaging analysis that should be of interest to researchers, postgraduates and undergraduate students of psychology and philosophy.
This volume contains the proceedings of the Ninth GAMM-Conference on Numerical Methods in Fluid Mechanics, held at the Ecole Polytechnique Federale de Lausanne, Switzerland, on September 25-27, 1991. This conference, as weil as the preceding eight ones, was organized by the GAMM Committee on Numerical Methods in Fluid Dynamics. 1t was probably also the last one in this successful series of conferences, since in the future, a bi-annual European meeting on Computational Fluid Dynamics will be organized by ECCOMAS, a new organization, representing all existing European professional societies working in this field. The conference was attended by about 100 registered participants coming from all corners of the world. These proceedings contain the written version of the 56 papers presented during the meeting. In order to eliminate all kinds of errors, omissions, spelling mistakes, etc. these papers have been reviewed by an ad hoc scientific committee. As a result of this work a good deal of the papers were sent back to the authors for correction. This procedure has somewhat delayed the publication of this volume. We feel, however, that this has been a worth while effort. The subjects treated during the meeting represent weil current interests in CFD. For instance, multigrid and multiblock techniques for viscous as weil as inviscid 3D flows were presented. Similarly, finite rate chemistry hypersonic flows still attracts many scientists due to the continuation of the Hermes Project.
the masterpieces : Robert Campin [Master of Flémalle], Jan van Eyck, Rogier van der Weyden, Petrus Christus, Dieric Bouts, Hugo van der Goes, Hans Memling, Gerard David
the masterpieces : Robert Campin [Master of Flémalle], Jan van Eyck, Rogier van der Weyden, Petrus Christus, Dieric Bouts, Hugo van der Goes, Hans Memling, Gerard David
Painting during the 15th century, in the southern Netherlands, the 'Flemish Primitives' helped establish the foundations of modern European painting. Illustrated with more than 200 colour reproductions, this text showcases the art of these master paintersof the Northern Renaissance.
After the Holocaust’s near complete destruction of European Yiddish cultural centers, the Yiddish language was largely viewed as a remnant of the past, tragically eradicated in its prime. In Survivors and Exiles: Yiddish Culture after the Holocaust, Jan Schwarz reveals that, on the contrary, Yiddish culture in the two and a half decades after the Holocaust was in dynamic flux. Yiddish writers and cultural organizations maintained a staggering level of activity in fostering publications and performances, collecting archival and historical materials, and launching young literary talents. Schwarz traces the transition from the Old World to the New through the works of seven major Yiddish writers—including well-known figures (Isaac Bashevis Singer, Avrom Sutzkever, Yankev Glatshteyn, and Chaim Grade) and some who are less well known (Leib Rochman, Aaron Zeitlin, and Chava Rosenfarb). The first section, Ground Zero, presents writings forged by the crucible of ghettos and concentration camps in Vilna, Lodz, and Minsk-Mazowiecki. Subsequent sections, Transnational Ashkenaz and Yiddish Letters in New York, examine Yiddish culture behind the Iron Curtain, in Israel and the Americas. Two appendixes list Yiddish publications in the book series Dos poylishe yidntum (published in Buenos Aires, 1946–66) and offer transliterations of Yiddish quotes. Survivors and Exiles charts a transnational post-Holocaust network in which the conflicting trends of fragmentation and globalization provided a context for Yiddish literature and artworks of great originality. Schwarz includes a wealth of examples and illustrations from the works under discussion, as well as photographs of creators, making this volume not only a critical commentary on Yiddish culture but also an anthology of sorts. Readers interested in Yiddish studies, Holocaust studies, and modern Jewish studies will find Survivors and Exiles a compelling contribution to these fields.
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