On the occasion of the 600th anniversary of the death of Charles IV in 1978, Professor Emanuel Vlček, MD, DSc conducted research of the skeletal remains of the Pater patriae, which brought a number of surprising findings, important to a whole range of scientific disciplines at Charles University, and cast light on significant events in Charles’ life as well as on the cause of his death. The research has presented this prominent ruler as a human being, an ordinary mortal, suffering from many injuries and chronic diseases with which he was coping with indefatigable will, keeping in mind his commitments to God and Kingdom of Bohemia. It may be that all the pain and suffering also influenced his spirituality and his efforts to find salvation by attempting to realize his concept of the supreme being (Imitatio Christi). The results of the research by Professor Vlček have been repeatedly published, but until now we have had no representative publication in English. The forthcoming celebrations of the 700th anniversary of Charles’ birth offer an opportunity to fill this gap.
Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).
The Bohemian reformer Jan Hus made a substantial and critical contribution to the development of the medieval church, owing especially to his views and teachings on Scripture, the church, faith, conscience, and spirituality. This book offers a presentation of Hus’s theological commitment centered on his understanding of truth. Lášek and Franklin explore Hus's preaching ministry and his long-drawn-out legal struggle against charges of heresy as ethical outworkings of this approach to truth. Central to this exploration is a new annotated translation of Hus’s Appeal to Jesus Christ as the Supreme Judge against the pope and canon law. This document was not only a protest against papal power, but expressed a fundamentally new legal situation: in bypassing canon law, it essentially represented a personal claim to freedom of conscience. This unheard-of principle from within the medieval legal framework preceded other related ecclesiastical and legal developments by several centuries. The authors argue that Hus’s appeal thus represents a momentous event in church history and European history as a whole. Due to the historical significance of his martyrdom and commemoration by many churches throughout Europe, this book demonstrates that Hus remains an important figure not only for the study of European history, but also for understanding contemporary values of Western civilization.
This volume completes the monumental, eleven-volume series, "International Law in Historical Perspective," which was published over a period of 24 years by Professor J.H.W. Verzijl (and continued after his death in 1987 by W.P. Heere and J.P.S. Offerhaus). This index volume provides insight into the series both for the uninitiated and initiated, enabling the user to access all 11 volumes (spanning a total of 6500 printed pages) quickly and easily. It contains a subject index, an index of personal names, of geographical names, of ships' names, a list of treaties, a list of international judgements and a list of international arbitrations. A list of Professor Verzijl's commentaries on the more recent jurisprudence of the International Court of Justice completes the volume.
Originally published in 1951, this volume reprints the classic work written by one of the leading global econometricians. Econometrics is structured as followed: Part 1 explains the relationship of Econometrics to Economics and Statistics. Part 2 outlines the process of formulating economic hypotheses mathematically and of subjecting them to a statistical test. Part 3 deals with the various component equations of the economic system - the psychic reactions, technical relations and reactions of business life and describes the process of setting up an economic model of the system as a whole. Part 4 llustrates the use of econometric methods for policy purposes
St Vitus' Cathedral in Prague Castle is one of the symbols of the Czech statehood; it is the coronation and burial site of Bohemian kings and it has remained a leading Christian cathedral, the residence of archbishops, the venue for state ceremonies and, last but not least, a much sought-after tourist attraction. This book by renowned experts presents the history of the cathedral, inseparably linked to the history of the Czech Lands, in chronological order. This traditional exposition focusing on history and art history is based on the results of archaeological research as well as on preserved historical documents. The scholars present the circumstances of the cathedral's foundation by Charles IV in the 14th century, the progression of the construction, including later alterations and additions. The focus of their exposition lies in a detailed description of the sculpted and artistic decoration, significant monuments (St Wenceslaus' Chapel containing the crown jewels, the building's foundations, and the burial site of Bohemian kings). The text, set in a the broader context of the developments of European architecture, is richly illustrated with contemporary photographs, historical images, reconstructions and plans.
This publication, written by Czech professor of art history Jan Royt, renders a vivid image of the capital of the Bohemian Kingdom in the High Gothic period in the broader historical context of the circumstances that were particularly favourable for Prague during Charles IV's reign (1347-1378). For the first time in history, after Charles's coronation as the Holy Roman Emperor in 1355, the capital of the Lands of the Bohemian Crown was simultaneously the metropolis of the Holy Roman Empire. Thanks to the royal and imperial care, which in addition to Charles' monarchical post in Europe also reflected his Western-European education and cosmopolitan openness as well as his belief in and respect for the Premyslid tradition, Prague flourished, becoming a unique and beautiful city. The cathedral, the stone bridge, the university and construction of the New Town and its churches laid out in a magical cross pattern, remain today as the "stone seals" on the face of Prague's Gothic architecture, endorsed by the paintings, sculpture and the entire realm of spiritual culture. The book contains around 100 photographs of Prague monuments, sights and documentary images.
The Master of the T ebo Altarpiece was one of the most important Gothic artists of the international style art in the European context. Scholarly literature, both Czech and foreign, presents various ideas concerning ascribing particular pieces of art to this unknown figure, the date of their origin and their chronology, artistic ideological points of departure of his work and the reconstruction and origin of the "T ebo altarpiece." Art historian Jan Royt s extensive scientific monograph on the Master of the T ebo Altarpiece is an attempt to answer these questions. The introductory chapters outline the historical events and development of painting in Europe and in Bohemia in the last third of the 14th century, including the spiritual background of the time. The central part is devoted to the artistic and iconographic analysis of works of the Master of the T ebo Altarpiece and works from his workshop and circle as well as importance in the formulation of the "beautiful style." The scholar focused also on the various hypothetical variants of the hypothetical reconstruction of the altarpiece (including drawings). The book closes with a detailed and critical overview of art historians views of the work of this medieval artist. The appendix, including illustrations, summarizing the results of restoration survey of the panel paintings by the Master of the T ebo Altarpiece, is the work of Adam Pokorny.
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