Perhaps the best musical encapsulation of the Cold War as experienced in the walled city of West-Berlin, Kollaps is a product of its time while remaining as vital, exhilarating and surprising as the day it was released. The book explores the contexts, themes and influences that shaped Kollaps. It describes the early days of Einstürzende Neubauten in West-Berlin, their infamous live performances and guerilla style recording tactics, and the scrap metal banging, piercing guitar noise and evocative lyricism that went on to inspire generations of fans. Most significantly, it explores the desire and deep sense of belonging that is expressed by what Nick Cave called the 'incredibly mournful, haunting' nature of this music. The beginning of a 40-year career, this first burst of energy remains their purest statement.
Whether or not a certain norm is legally binding upon international actors may often depend on whether or not the instrument which contains the norm is to be regarded as a treaty. In this study, the author argues that instruments which contain commitments are, ex hypothesi, treaties. In doing so, he challenges popular notions proclaiming the existence of morally and politically binding agreements and so-called `soft law'. Such notions, Klabbers argues, are internally inconsistent and founded upon untenable presumptions. Moreover, they find little support in the pertinent decisions of municipal and international courts and tribunals. The book addresses issues of importance not only for academics working in international law, constitutional law and political science, but also for practitioners involved in the making, implementation and enforcement of international agreements.
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