One of the first-ever books on gender transition, this poignant memoir by a trans woman is “the best first-hand account ever written by a traveler across the boundaries of sex” (Newsweek). “A profoundly poetic story.” —The New York Times “An exquisite read.” —Maria Popova, The Marginalian The great travel writer Jan Morris was born James Morris. James Morris distinguished himself in the British military, became a successful and physically daring reporter, climbed mountains, crossed deserts, and established a reputation as a historian of the British empire. He was happily married, with several children. To all appearances, he was not only a man, but a man’s man. Except that appearances, as James Morris had known from early childhood, can be deeply misleading. James Morris had known all his conscious life that at heart he was a woman. Conundrum, one of the earliest books to discuss transsexuality with honesty and without prurience, tells the story of James Morris’ hidden life and how he decided to bring it into the open, as he resolved first on a hormone treatment and, second, on risky experimental surgery that would turn him into the woman that he truly was.
Jan Morris, one of “Britain’s greatest living writers” (Times, UK), returns with this whimsical yet deeply affecting volume on life as a redoubtable nonagenarian. The irrepressible Jan Morris—author of such classics as Venice and Trieste—is at it again: offering a vibrant set of reminiscences that remind us “what a good, wise and witty companion Jan Morris has been for so many readers for so long” (Alexander McCall Smith, New York Times Book Review). “Like Michel de Montaigne” (Danny Heitman, Wall Street Journal), Morris waxes on the ironies of modern life in all their resonant glories and inevitable stupidities—from her daily exercise (a “statutory thousand paces of brisk walk”) to the troubles of Brexit; her enduring yet complicated love for America; and honest reflections on the vagaries and ailments of aging. Both intimate and luminously wise, Thinking Again is a testament to the virtues of embracing life, creativity, and, above all, kindness.
Often hailed as one of the best travel books ever written, Venice is neither a guide nor a history book, but a beautifully written immersion in Venetian life and character, set against the background of the city's past. Analysing the particular temperament of Venetians, as well as its waterways, its architecture, its bridges, its tourists, its curiosities, its smells, sounds, lights and colours, there is scarcely a corner of Venice that Jan Morris has not investigated and brought vividly to life. Jan Morris first visited the city of Venice as young James Morris, during World War II. As she writes in the introduction, 'it is Venice seen through a particular pair of eyes at a particular moment - young eyes at that, responsive above all to the stimuli of youth.' Venice is an impassioned work on this magnificent but often maddening city. Jan Morris's collection of travel writing and reportage spans over five decades and includes such titles as Sydney, Coronation Everest, Hong Kong, Spain and Manhattan '45. Since its first publication, Venice has appeared in many editions, won the W.H. Heinemann award and become an international bestseller. 'The best book about Venice ever written' Sunday Times 'No sensible visitor should visit the place without it . . . Venice stands alone as the essential introduction, and as a work of literature in its own right.' Observer
Through an exploration of her country home in Wales, acclaimed travel writer Jan Morris discovers the heart of her fascinating country and what it means to be Welsh. Trefan Morys, Morris's home between the sea and mountains of the remote northwest corner of Wales, is the 18th-century stable block of her former family house nearby. Surrounding it are the fields and outbuildings, the mud, sheep, and cattle of a working Welsh farm. She regards this modest building not only as a reflection of herself and her life, but also as epitomizing the small and complex country of Wales, which has defied the world for centuries to preserve its own identity. Morris brilliantly meditates on the beams and stone walls of the house, its jumbled contents, its sounds and smells, its memories and inhabitants, and finally discovers the profoundest meanings of Welshness.
“Journey through a mystical country where everything is possible and easily arranged” in this 2-part travelogue set in a fictional Mediterranean city of dreams (Los Angeles Times). “A touching lover letter . . . to life itself”—featuring Last Letters from Hav, shortlisted for the Booker Prize, and a foreword by Ursula K. Le Guin (The Independent) Hav is like no place on earth. Rumored to be the site of Troy, captured during the crusades and recaptured by Saladin, visited by Tolstoy, Hitler, Grace Kelly, and Princess Diana, this Mediterranean city-state is home to several architectural marvels and an annual rooftop race that is a feat of athleticism and insanity. As Jan Morris guides us through the corridors and quarters of Hav, we hear the mingling of Italian, Russian, and Arabic in its markets, delight in its famous snow raspberries, and meet the denizens of its casinos and cafés. When Morris published Last Letters from Hav in 1985, it was short-listed for the Booker Prize. Here it is joined by Hav of the Myrmidons, a sequel that brings the story up-to-date. Twenty-first-century Hav is nearly unrecognizable. Sanitized and monetized, it is ruled by a group of fanatics who have rewritten its history to reflect their own blinkered view of the past. Morris’s only novel is dazzlingly sui-generis, part erudite travel memoir, part speculative fiction, part cautionary political tale. It transports the reader to an extraordinary place that never was, but could well be. “Jan Morris is to other travel writers what John le Carré is to other spy novelists.” —New York Times
New York Times Book Review • Editors' Choice Jan Morris delivers her final volume, brimming with reminiscences, meditations on daily life, and mini-essays on everything from maturity to whistling to Princess Diana. Not so long ago, feeling intimations of mortality, Jan Morris embarked on a wholly novel literary enterprise. What began as a series of high-minded letters to her late daughter—in the style of Lord Chesterfield addressing his son—quickly transformed itself into a potpourri of mini-essays and vibrant reminiscences, organized around experiences both majestic and mundane, from traveling the world with her lifelong partner, Elizabeth, to sneezing and kissing and simply growing old. So Allegorizings came to be, and so Morris decided that it should only be published upon her death, not because she had anything to hide but, merely, in parting. Featuring essays largely written in the early twenty-first century, Allegorizings reflects, above all, Morris’s steadfast conviction that nothing is only what it seems. In fact, she observes, everything is allegory. Indeed, in Morris’s telling, even life—the whole conundrum of existence—is one long, majestically impenetrable allegory. Taking us from the separatist hippie colony of Bolinas, California, to her home country of Wales, and introducing us to Nepalese Sherpas and elderly cruise-goers alike, Morris follows the throughline of allegory throughout her works. In one essay, she lambasts the joylessness of maturity (“Maturity! Did ever a heart thrill to the sound of it, still less the meaning?”) and in another, decries the nonsense of nationality. With characteristic verve, she offers odes to whistling and cursing, cats, and exclamation points. Morris’s travels anchor the collection, as she revisits the iconic settings of her previous works. We join her aboard the storied Orient Express, as well as tube trains passing through the purlieus of London. So too, we hike the foothills of the Himalayas—where Morris burst onto scene with her on-the-spot reportage of the first ascent of Everest—and reflect on the picaresque allure of Tournus, a dichotomized town in France where one France, bearing all the vestiges of privilege, seems to kiss another. Intimate and luminously wise, Allegorizings is as much a testament to the virtues of embracing life as it is a testament to its charming, indignant, and ever-surprising author. In her final work, Morris’s writing is as erudite as ever, conveying a generosity of spirit “flavored by well-earned crankiness” (Vox). Though newly bereft of her company, readers will be reminded what “a good, wise, and witty companion” (Alexander McCall Smith) Morris has been to so many, for so long.
No one, since the days of the great Arab travelers, has described so much of the known world as Jan Morris. Considered by many the preeminent travel writer of our age, she now offers this retrospective selection of her best writings. Including 37 pieces, several of which have never appeared in book form before, these essays cover Morris' entire career from the 1950s to the present, spanning the globe from China to Peru, from Beirut to Houston, and from Leningrad to Manhattan. Writing with elegance, passion, and wit, she captures the complex personality of each city, whether familiar or exotic. In the Preface, she clarifies her purpose: "First to last, the world never ceased to astonish me, and I hope at least a little of that power to amaze, if nothing more profound, may be found between the covers of this book.
In 1945, New York City stood at the pinnacle of its cultural and economic power. Never again would the city possess the unique mixture of innocence and sophistication, romance and formality, generosity and confidence which characterized it in this moment of triumph. In Manhattan '45, acclaimed travel writer and historian Jan Morris evokes the city in all its romantic grandeur. From its beguilingly idiosyncratic architectural style to its unmistakable slang, post-War New York springs to life through Morris's brisk, affectionate prose. Morris visits Wall Street, Harlem, Greenwich Village, Chinatown, and the Lower East Side. She rides the trollies, the El, the Hudson River ferries, and the Twentieth Century Limited. She dines at Schrafft's and Le Pavillon, drinks ale at McSorley's Saloon, sips Manhattans at the Manhattan Club, and spots celebrities at El Morocco. She meets Fiorello La Guardia, Robert Moses, Leo Durocher, I. B. Singer, and Dizzy Gillespie. And she tours the tenements of Hell's Kitchen and the Gashouse district, as well as the Foundling Hospital where the crushing realities of poverty belie the unchallenged exuberance of the age. Taking into account both Social Register and slum, Manhattan '45 celebrates New York's Golden Age as a place where, for one unrepeatable moment in history, anything seemed possible.
Descibes a succession of journeys undertaken in the early 1980s, some to places far away and exotic, some to places more familiar. Whether writing about Aberdeen or Shanghai, Morris captures the flavour of the places she visits with wit and perceptiveness.
A New York Times Book Review Editors’ Choice Selection Riffing on cats and Brexit, the Royals and the annoyances of aging, the nonagenarian Jan Morris delights with her wickedly hilarious first-ever diary collection. Celebrated as the “greatest descriptive writer of her time” (Rebecca West), Jan Morris has been dazzling readers since she burst on the scene with her on-the-spot reportage of the first ascent of Everest in 1953. Now, the beloved ninety-two-year-old, author of classics such as Venice and Trieste, embarks on an entirely new literary enterprise—a collection of daily diaries, penned over the course of a single year. Ranging widely from the idyllic confines of her North Wales home, Morris offers diverse sallies on her preferred form of exercises (walking briskly), her frustration at not recognizing a certain melody humming in her head (Beethoven’s Pathétique, incidentally), her nostalgia for small-town America, as well as intimate glimpses into her home life. With insightful quips on world issues, including Britain’s “special relationship” with the United States and the #MeToo movement, In My Mind’s Eye will charm old and new Jan Morris fans alike.
Exquisite, powerful . . . I can think of no better way of commemorating British exploration's culminating triumph.' Simon Winchester? Coronation Everest offers a breathtakingly intimate evocation of the most famous of all mountaineering exploits - and of perhaps the last great old-fashioned Fleet Street scoop. 'It was Morris who broke the news that a British-led expedition had conquered Mount Everest the day before the Queen's coronation in 1953 . . . Allied to physical courage in getting down the mountain and a dogged resourcefulness in getting the news home, Morris scooped the world and was launched on one of the most remarkable literary careers in the second half of the twentieth century.' Guardian Jan Morris's collection of travel writing and reportage spans over five decades and includes such titles as Venice, Coronation Everest, Hong Kong, Spain, Manhattan '45, A Writer's World and the Pax Britannica Trilogy. Hav, her novel, was shortlisted for the Booker Prize and the Arthur C. Clarke Award.
Jan Morris has given us a brilliant and thoroughly enjoyable exploration the history, architecture, geography, and culture of one of England's most historic, beautiful, enigmatic and visited cities - Oxford. This is the perfect guide for local historians, visitors to the city, and prospective students of the famous university.
Renowned and much-loved travel writer Jan Morris turns her eye to Sydney: 'not the best of the cities the British Empire created ... but the most hyperbolic, the youngest at heart, the shiniest.' Sydney takes us on the city's journey from penal colony to world-class metropolis, as lively and charming as the city it describes. With characteristic exuberance and sparkling prose, Jan Morris guides us through the history, people and geography of a fascinating and colourful city. Jan Morris's collection of travel writing and reportage spans over five decades and includes such titles as Venice, Hong Kong, Spain, Manhattan '45, A Writer's World and the Pax Britannica Trilogy. Hav, her novel, was shortlisted for the Booker Prize and the Arthur C. Clarke Award. 'Sydney should be flattered. A great portrait painter has chosen it for her recent subject . . . Few writers - a handful of novelists apart - have got so far under the city's skin as Morris . . . Few Sydneysiders could match her knowledge of their city's history and its anecdotes' The Times 'The writing is, at times, like surfing: sentences rise like vast waves above which she rides, never overbalancing into gush . . . Jan Morris convincingly explains modern Sydney through its history' Observer
In its last days under British rule, the Crown Colony of Hong Kong is the world's most exciting city, at once fascinating and exasperating, a tangle of contradictions. It is a dazzling amalgam of conspicuous consumption and primitive poverty, the most architecturally incongruous yet undeniably beautiful urban panorama of all. World-renowned travel writer Jan Morris offers the most insightful and comprehensive study of the enigma of Hong Kong thus far.
Admiral of the Fleet Lord 'Jacky' Fisher (1841-1920) was one of the greatest naval reformers in history. He was also a colossal figure to contemporaries, both loved and loathed, a man of exceptional charm, presence and charisma. Since the late 1940s, Jan Morris has been haunted by his face - with its startling combination of 'the suave, the sneering and the self-amused.' This evocation is both biography and a love letter, a perfect expression of her passionate interest in mavericks and outsiders, in travel, ships and the glorious pageantry of the British Empire in its prime.
In Contact! Jan turns her brilliantly observant eye to the human contacts she made, across the globe and though the decades. As a series of vignettes, some only a few lines long, she records hundreds of brief glimpses and fleeting encounters, celebrating the people who helped spark her view of the world and mould her responses. A vast range of human experience is here: most are anonymous, everyday encounters - children playing, a homeless man in Manhattan, a lascivious taxi-driver - but she also remembers celebrated figures, from Yves San Laurent to King Hussein of Jordan, President Truman to Peter OToole. Contact! is a must for any fans of Jan's writing. Her great sense of amusement, shrewd eye for detail and huge enthusiasm for her contacts makes these episodes incredibly enjoyable - and often profound.
The result of more than twenty years' research, this seven-volume book lists over 23,000 people and 8,500 marriages, all related to each other by birth or marriage and grouped into families with the surnames Brandt, Cencia, Cressman, Dybdall, Froelich, Henry, Knutson, Kohn, Krenz, Marsh, Meilgaard, Newell, Panetti, Raub, Richardson, Serra, Tempera, Walters, Whirry, and Young. Other frequently-occurring surnames include: Greene, Bartlett, Eastman, Smith, Wright, Davis, Denison, Arnold, Brown, Johnson, Spencer, Crossmann, Colby, Knighten, Wilbur, Marsh, Parker, Olmstead, Bowman, Hawley, Curtis, Adams, Hollingsworth, Rowley, Millis, and Howell. A few records extend back as far as the tenth century in Europe. The earliest recorded arrival in the New World was in 1626 with many more arrivals in the 1630s and 1640s. Until recent decades, the family has lived entirely north of the Mason-Dixon Line.
In the fifth novel in #1 New York Times bestselling author Jan Karon's beloved series, fans old and new will discover that when it comes to Mitford, absence only make the heart grow fonder... Mitford’s longtime Episcopal priest, Father Tim, has retired. But new challenges and adventures await when he agrees to serve as interim minister of a small church on Whitecap Island. He and his wife, Cynthia, soon find that Whitecap has its own unforgettable characters: a church organist with a mysterious past, a lovelorn bachelor placing personal ads, a mother battling paralyzing depression. Whitecap has more than its fair share of challenges, but in the end, Father Tim and Cynthia find that Mitford is never far away when circumstances back home keep their phone ringing off the hook...
The result of more than twenty years' research, this seven-volume book lists over 23,000 people and 8,500 marriages, all related to each other by birth or marriage and grouped into families with the surnames Brandt, Cencia, Cressman, Dybdall, Froelich, Henry, Knutson, Kohn, Krenz, Marsh, Meilgaard, Newell, Panetti, Raub, Richardson, Serra, Tempera, Walters, Whirry, and Young. Other frequently-occurring surnames include: Greene, Bartlett, Eastman, Smith, Wright, Davis, Denison, Arnold, Brown, Johnson, Spencer, Crossmann, Colby, Knighten, Wilbur, Marsh, Parker, Olmstead, Bowman, Hawley, Curtis, Adams, Hollingsworth, Rowley, Millis, and Howell. A few records extend back as far as the tenth century in Europe. The earliest recorded arrival in the New World was in 1626 with many more arrivals in the 1630s and 1640s. Until recent decades, the family has lived entirely north of the Mason-Dixon Line.
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 3: The American Middle Ages hinges upon two figures influenced by the juggler: Henry Adams, scion of Presidents and distinguished cultural historian whose works contributed to the rise of medievalism in America during the Gilded Age, and Ralph Adams Cram, the architect whose vision of Gothic accounts directly or indirectly for the campuses of West Point, Princeton, Yale, Chicago, Notre Dame, and many other universities across America. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
Six centuries ago, the Islamic world was the pinnacle of civilization. What was it really like? The answer is in the twelfth-century diaries of Ibn Battuta, a Moroccan traveler who spent thirty years journeying some 73,000 miles. Here, in this short-form book from acclaimed writer and bestselling author Jan Morris, in the little-known story of perhaps the greatest traveler of all time.
Frozen Tears unfolds the events that led to Germany's military invasion of the Soviet Union in 1941 and explores Germany's advance on Leningrad and the blockade that was established against the city. This story examines the lives of the city's inhabitants who suffered from the consequences of the siege that finally ended in 1944. By this time more than one million Leningraders had lost their lives. The lives of public figures are often used by historians to tell the events of the past. The decisions they made and the actions that were taken are discussed and analyzed. However, the experiences of commoners--men, women, and children not mentioned in textbooks--often illustrate better the events of the past. In Frozen Tears, Albert Pleysier has taken the contents of diaries, letters, essays, and interviews written or given by persons who lived in Leningrad during the siege and placed them in their historical setting. The result is a very personal history of the siege of Leningrad.
A new must-have collection for fans of the New York Times bestselling Mitford series, featuring the prayers, sermons, and inspiration from beloved Father Tim, as well as new essays and reflections on faith from author Jan Karon. Over the course of fourteen novels, millions of readers have fallen in love with the faith, encouragement, and wisdom that are at the very heart of Jan Karon's Mitford series. Now, for the first time, readers will have the chance to walk with Father Tim through a collection of prayers, sermons, and inspirational passages that incorporates material from each of the novels. In addition, fans will get to hear directly from author Jan Karon, in a brand-new essay about her own personal journey in faith and the ways that the Mitford novels have impacted her. Full of advice and inspiration from the characters that fans have followed for years, this beautifully designed compilation will soon become a staple for any Mitford reader.
A proposal that electracy—the special skills needed to navigate and understand our digital world—can be developed through play. In today's complex digital world, we must understand new media expressions and digital experiences not simply as more technologically advanced forms of “writing” that can be understood and analyzed as “texts” but as artifacts in their own right that require a unique skill set. Just as agents seeking to express themselves in alphabetic writing need to be literate, “egents” who seek to express themselves in digital media need to be—to use a term coined by cybertheorist Gregory Ulmer—electrate. In Inter/vention, Jan Holmevik helps to invent electracy. He does so by tracing its path across the digital and rhetorical landscape—informatics, hacker heuretics, ethics, pedagogy, virtual space, and monumentality—and by introducing play as a new genre of electracy. Play, he argues, is the electrate ludic transversal. Holmevik contributes to the repertoire of electrate practices in order to understand and demonstrate how play invents electracy. Holmevik's argument straddles two divergences: in rhetoric, between how we study rhetoric as play and how we play rhetorically; and in game studies, between ludology and narratology. Games studies has forged ludology practice by distinguishing it from literate practice (and often allying itself with the scientific tradition). Holmevik is able to link ludology and rhetoric through electracy. Play can and does facilitate invention: play invented the field of ludology. Holmevik proposes a new heuretic in which play acts as a conductor for the invention of electracy. Play is a meta behavior that touches on every aspect of Ulmer's concept of electracy.
The result of more than twenty years' research, this seven-volume book lists over 23,000 people and 8,500 marriages, all related to each other by birth or marriage and grouped into families with the surnames Brandt, Cencia, Cressman, Dybdall, Froelich, Henry, Knutson, Kohn, Krenz, Marsh, Meilgaard, Newell, Panetti, Raub, Richardson, Serra, Tempera, Walters, Whirry, and Young. Other frequently-occurring surnames include: Greene, Bartlett, Eastman, Smith, Wright, Davis, Denison, Arnold, Brown, Johnson, Spencer, Crossmann, Colby, Knighten, Wilbur, Marsh, Parker, Olmstead, Bowman, Hawley, Curtis, Adams, Hollingsworth, Rowley, Millis, and Howell. A few records extend back as far as the tenth century in Europe. The earliest recorded arrival in the New World was in 1626 with many more arrivals in the 1630s and 1640s. Until recent decades, the family has lived entirely north of the Mason-Dixon Line.
The family justice system in England and Wales has undergone radical change over the past 20 years. A significant part of this shifting landscape has been an increasing emphasis on settling private family disputes out of court, which has been embraced by policy-makers, judges and practitioners alike and is promoted as an unqualified good. Mapping Paths to Family Justice: Resolving Family Disputes in Neoliberal Times examines the experiences of people taking part in out-of-court family dispute resolution in England and Wales. It addresses questions such as how participants’ experiences match up to the ideal; how recent changes to the legal system have affected people’s ability to access out-of-court dispute resolution; and what kind of outcomes are achieved in family dispute resolution. This book is the first study systematically to compare different forms of family dispute resolution. It explores people’s experiences of solicitor negotiations, mediation and collaborative law empirically by analyzing findings from a nationally representative survey, individual in-depth interviews with parties and practitioners, and recorded family dispute resolution processes. It considers these in the context of ongoing neoliberal reforms to the family justice system, drawing out conclusions and implications for policy and practice.
Missouri Biographical Dictionary contains biographies on hundreds of persons from diverse vocations that were either born, achieved notoriety and/or died in the state of Missouri. Prominent persons, in addition to the less eminent, that have played noteworthy roles are included in this resource. When people are recognized from your state or locale it brings a sense of pride to the residents of the entire state.
Jimmy Alden, a successful businessman, is mugged in a parking garage and would have been killed were it not for the intervention of a strange little man known as Bub. Bub uses the mugging to extort Jimmy and force him into a life of terrorism with incredible consequences for Jimmy, for his family, and for the nation.
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