The human soul is for pre-modern philosophers the cause of both thinking and life. This double aspect of the soul, which makes man a rational animal, expresses itself above all in human action. Deadly Thought: 'Hamlet' and the Human Soul traces Hamlet's famous inability to act to his inability to hold together these twin aspects of the soul. Combining careful attention to detail and interpretive breadth, noted scholar Jan H. Blits deftly illustrates how Hamlet collapses life into thought, and moral action into stage acting, and ultimately comes to see his own life as a stage play. Hamlet, the book demonstrates, epitomizes the intellectualism of the Renaissance and the modern age it began, and so becomes tragedy's first self-conscious protagonist, signaling the end of ancient tragedy. Erudite, innovative, and lively, Deadly Thought is a ground-breaking contribution that will appeal to Shakespeare scholars, political theorists, historians of philosophy, literary theorists and anyone interested in a truly fresh interpretation of this classic work.
In The Slow Philosophy of J.M. Coetzee Jan Wilm analyses Coetzee's singular aesthetic style which, he argues, provokes the reader to read his works slowly. The effected 'slow reading' is developed into a method specifically geared to analyzing Coetzee's singular oeuvre, and it is shown that his works productively decelerate the reading process only to dynamize the reader's reflexion in a way that may be termed philosophical. Drawing on fresh archival material, this is the first study of its kind to explore Coetzee's writing process as already slow; as a program of seemingly relentless revision which brings forth his uniquely dense and crystalline style. Through the incorporation of material from drafts and notebooks, this study is also the first to combine an exploration of the writer's stylistic choices with a rigorous analysis of the reader's responses. The book includes close readings of Coetzee's popular and lesser known work, including Disgrace, Waiting for the Barbarians, Elizabeth Costello, Life and Times of Michael K and Slow Man.
During a relatively short period, from around 1765 to 1780, the Dutch lawyer Jean Theodore Royer (1737-1807) was intensely engaged in the study of Chinese culture. Befriended VOC officials and their Chinese relations in Canton collected Chinese objects for him and helped him with his greatest ambition: the composition of a Chinese dictionary. The objects were given a home in his museum on the Herengracht in The Hague. Better than travel journals, they gave a picture of life in China in Royer’s time. Because the selection was largely made by modest Chinese traders, the collection does not so much give a picture of the material culture of the Chinese elite, but rather that of the ambitious, upwardly-mobile world of small traders and craftsmen. These are mostly ephemeral objects that have rarely been preserved, but they came to The Hague, thanks to Royer and his Chinese contacts. A bequest from his widow then ensured that the collection ended up in two Dutch museums: Museum Volkenkunde in Leiden and the Rijksmuseum in Amsterdam, where the objects are still present today.
Jan G. van der Watt analyses in detail the ethics of John's Letters against their respective socio-historical backgrounds. He then compares the ethics of the Gospel and Letters, showing that the basic core narrative overlaps in these writings, although some ethical material is applied in different ways to different situations. A rich ethical landscape is revealed, addressing issues like the importance of inter-personal relations, which results in co-operation through mutual love. The author shows that the focus in 1 John is pastoral, aiming at convincing the addressees not to be deceived by the schismatics but to strengthen their relationship with the eyewitness group. In 2 John, advice is given about visitors who threaten the church with false teachings, while 3 John deals with a conflict about receiving travelling missionaries. In both cases ethical guidelines are given which aim at protecting the group.
In the Yoga Sutra, the classical work on yoga, Patañjali summarizes the purpose of human existence in 195 concise sutras. They are intended as a curriculum and memory aid for the expert and can be recited in 25 minutes. His telegraphic style and the ambiguity of the Sanskrit terms lead to the fact that the Yoga Sutra is translated again and again anew and interpreted differently due to the personal experiences of the authors. In the translation of this issue, the keyword character of the sutras is retained and the explanatory commentary is illustrated by examples of the author’s own experiences from over 50 years of practical application of yoga techniques. "The purpose of every system of Yoga is to first get Samadhi and then stabilize it and let it find fulfilment in Unity. Yoga means union. When the mind gets united with Being, this is the state of Yoga. Union is union of the individuality with the cosmic unboundedness. Union is in Samadhi. And Dhyan (meditation) leads to Samadhi. Dhyan is that which takes the mind from the field of gross experience to the subtle experience, takes it to the quietude of the transcendental area. Dhyan or meditation is a direct way to Samadhi which is Yoga." – Maharishi Mahesh Yogi
Baars explores philosophers from Plato to Foucault as they consider the meaning of aging—and wisdom—in our society. In this deeply considered meditation on aging in Western culture, Jan Baars argues that, in today’s world, living longer does not necessarily mean living better. He contends that there has been an overall loss of respect for aging, to the point that understanding and “dealing with” aging people has become a process focused on the decline of potential and the advance of disease rather than on the accumulation of wisdom and the creation of new skills. To make his case, Baars compares and contrasts the works of such modern-era thinkers as Foucault, Heidegger, and Husserl with the thought of Plato, Aristotle, Sophocles, Cicero, and other Ancient and Stoic philosophers. He shows how people in the classical period—less able to control health hazards—had a far better sense of the provisional nature of living, which led to a philosophical and religious emphasis on cultivating the art of living and the idea of wisdom. This is not to say that modern society’s assessments of aging are insignificant, but they do need to balance an emphasis on the measuring of age with the concept of "living in time." Gerontologists, philosophers, and students will find Baars' discussion to be a powerful, perceptive conversation starter.
Patterned after his previous books on Shakespeare's plays, Jan H. Blits's New Heaven, New Earth is a scene-by-scene, line-by-line philosophical study of Antony and Cleopatra. Combining close attention to detail with interpretive breadth, Blits approaches Shakespeare as a first-rank thinker who, master of his own thought and writing, produced plays and poetry with an infinitely conscious art, like any commonly recognized philosophical poet. Treating the play as a fully coherent whole, Blits shows that Antony and Cleopatra, as much a history play as a love story, depicts the transition from the pagan to the Christian world_from the aftermath of the collapse of the Roman Republic and the decline of the pagan gods to the emergence of the Roman Empire and the conditions giving rise to Christianity. Instead of being organized thematically, New Heaven, New Earth follows the play from beginning to end, closely examining Shakespeare's text on its own terms and not on the terms of modern literary theory. Using this approach, Blits draws significant and insightful conclusions that will satisfy the interests of scholars of politics, literature, and history alike.
The fourth in a series of editions of Shakespeare’s most political and history-soaked plays, this Macbeth offers copious aids to understanding the play not found in any other edition. By attending to the play’s medieval Scottish setting in a way that rival editors have never matched—when they have even dug beyond the early seventeenth-century context in which it was produced—Jan H. Blits’s edition richly rewards readers left unsatisfied by “decodings” of the play’s supposed allusions to the politics of early modern England who wish to look deeper. In doing so, it opens the text for readers to encounter, in new ways, the play’s historical, political, and psychological significance.
Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts. Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas.
Raccolta di studi sulla letteratura paolina. A cura di Jan Lambrecht. La prima parte considera la concezione paolina della legge, le sue convinzioni escatologiche e la riflessione che Paolo sviluppa attorno alla risurrezione di Cristo e dei cristiani. La seconda parte del libro esamina l'ecclesiologia e la composizioni climatiche dell'Apocalisse. Most of these thirty collected studies were written in Rome. Two are translations from the Dutch; three have not been published previously. Some few studies address philological problems, but most try to explain the thought of the biblical text. There are full-fledged articles and also brief notes. Bringing them together in one volume will prove useful to students of Paul, of Pauline Literature and of The Book of Revelation. These essays are the result of years of teaching experience and extensive research. This book consists of two parts: Pauline and Deutero-Pauline Letters, the larger one, and The Book of Revelation, the smaller. The first part considers Paul's view of the law, his eschatological convictions and his reasoning regarding the resurrection of Christ and of the Christians. The second part examines the ecclesiology and the climatic composition of The Book of Revelation. The movement from judgments to blessings is carefully investigated.
In this volume Jan Joosten brings together seventeen articles, published in journals and collective volumes between 1996 and 2008, with one unpublished essay. In these essays he deals mainly with questions of language and interpretation in the earliest Greek translation of the Hebrew Bible. Many of Jan Joosten's studies take their point of departure in one or the other striking features in the language of the Septuagint, propose a theory explaining its peculiarity, and go on from there to relate the linguistic phenomenon to wider historical, exegetical or theological issues. Others deal with problems of method in establishing the historical background of the version, its relation to the Hebrew source text, and its theology. Taken as a whole, Jan Joosten offers an original contribution to a number of contemporary debates on the Old Greek version. Notably in this book he addresses from various perspectives the questions of who the translators were and what they tried to do.
Which activities give you energy and connect you with God? Do you know what behaviors are life-draining for you, separating you from God? In this book Jan Johnson provides small experiments with simplicity as well as questions for discussion or reflection to help you discover the unhurried rhythms of grace.
Trust the experts to bring together everything you need to teach the AQA GCSE Religious Studies A in a single book. Written by a subject specialist with examining experience and with content verified by faith advisors, this book will provide you with a comprehensive, creative and time-efficient teaching pathway through the reformed specification. - Enable students to build their knowledge and understanding as they progress through clear explanations of the content, engaging tasks and thought-provoking questions - Focus on the key themes of religious diversity, influence and impact with in-depth coverage of Christian, Hindu and Sikh beliefs and practices verified by faith advisors - Prepare students for assessment with skills-building activities, updated revision advice and practice questions - Cater for students of varying learning styles through a visually engaging approach that uses diagrams and artwork to enhance subject interest and understanding - Encourage students to take responsibility for their development, using student-friendly learning outcomes and quick knowledge-check questions to track their improvement
Considers how Arab and Islamic culinary culture may be represented in literary forms. Scholars of the medieval Islamic period are keenly aware of the importance of food and wine as themes in literature. Van Gelder's witty and subtle approach teases the most out of texts as well as enabling the reader to enjoy a panorama of medieval Arabo-Islamic culture from a most unexpected, yet immediately appreciable, perspective.
What if a teacher’s most promising pupil is also her most dangerous? Aspiring writer Vera Lundy hasn’t entirely overcome her own adolescence when she agrees to teach at a tiny private school. A recent murder has already put their small New England town on edge when Vera bonds with a student who’s eerily reminiscent of her younger self. Amid a growing sense of menace, Vera finds herself in the vortex of danger—and suspicion.
Nicolaas van Wijk (1880-1941) was the founder of Slavic studies in the Netherlands and one of the greatest Slavists in general. This book describes for the first time how a scholar of the Dutch language, whose etymological dictionary of the Dutch language is still considered the best of its kind, was appointed in 1913 to the newly created Chair in Slavic languages at Leiden University and built up a tremendous reputation for himself in Eastern Europe. Van Wijk's relations with his famous teacher, the linguist C.C. Uhlenbeck, are followed attentively, as is his postgraduate apprenticeship in Leipzig (1902-1903), where he followed August Leskien's lectures in Slavic studies. Attention is also paid to the various aspects of Van Wijk's enormous oeuvre covering the whole field of Slavic studies and of phonology, of which he was one of the pioneers. Van Wijk did not, however, follow the lines approved for the social conduct of a Leiden professor and was at one time suspected by the police of communist activities. His commitment to materially helping all he could from an Eastern Europe torn apart by the First World War and its aftermath was exceptional. His fascination with all things Russian is a background theme that played throughout his life and even at his death: son of a Dutch Reformed minister, the bachelor Van Wijk was buried in a grave surmounted by a Russian Orthodox cross beside his Russian foster son, who died young. This book is of interest to Slavists, linguists and cultural historians.
In 17th-century intellectual life, the ideas of the Renaissance humanist Justus Lipsius (1547–1606) were omnipresent. The publication of his Politica in 1589 had made Lipsius' name as an original and controversial political thinker. The sequel, the Monita et exempla politica (Political admonitions and examples), published in 1605, was meant as an illustration of Lipsius political thought as expounded in the Politica. Its aim was to offer concrete models of behavior for rulers against the background of Habsburg politics. Lipsius' later political treatise also forms an indispensable key to interpret the place and function of the Politica in Lipsius’ political discourse and in early modern political thought. The Political admonitions and examples – widely read, edited, and translated in the 17th and 18th centuries – show Lipsius’ pivotal role in the genesis of modern political philosophy.
This in-depth inductive Bible study examines Mark?s record of events in Christ?s life and ministry and considers the same events as presented in the other Gospels. The twenty-two-week study looks for eternal principles to lead Christ?s followers to a life of obedience and commitment. It includes many questions to bring personal application from Christ?s teaching through Mark?s historical and biographical narrative. The lessons also offer reflections in Scripture in the study of the classical spiritual disciplines to challenge students to grow in their faith as mature disciples of Christ.The study provides a number of options for completing the lessons. When a group is meeting weekly, each student will benefit from the review discussion suggested in the accompanying leader?s guide.
One of the first-ever books on gender transition, this poignant memoir by a trans woman is “the best first-hand account ever written by a traveler across the boundaries of sex” (Newsweek). “A profoundly poetic story.” —The New York Times “An exquisite read.” —Maria Popova, The Marginalian The great travel writer Jan Morris was born James Morris. James Morris distinguished himself in the British military, became a successful and physically daring reporter, climbed mountains, crossed deserts, and established a reputation as a historian of the British empire. He was happily married, with several children. To all appearances, he was not only a man, but a man’s man. Except that appearances, as James Morris had known from early childhood, can be deeply misleading. James Morris had known all his conscious life that at heart he was a woman. Conundrum, one of the earliest books to discuss transsexuality with honesty and without prurience, tells the story of James Morris’ hidden life and how he decided to bring it into the open, as he resolved first on a hormone treatment and, second, on risky experimental surgery that would turn him into the woman that he truly was.
Are you longing for life-changing transformation in your relationship with God? Get ready to find fresh illumination for your faith journey in this short and practical guide. Exploring over 60 carefully chosen selections from renowned author Dallas Willard’s bestseller Renovation of the Heart, this book offers powerful brief lessons for character formation. With devotional-sized quotes and rigorous daily experiments, this book will challenge and encourage you to dive deeper than ever before in your relationship with the Creator. Perfect for group or individual study, this guide is for anyone and everyone, no matter the stage of your Christian walk. Working through Dallas Willard’s plan for spiritual renovation of the whole person, this book covers a wide range of topics, such as: What “death to self” looks like The crucial role of good thinking The interplay of will, thoughts, and feelings Being a person of joy and peace The body’s role in spiritual formation Be inspired and strengthened as you enjoy the adventure of these experiments in spiritual transformation and grow an unshakeable faith. “No one has impacted my life like Dallas Willard. But for most of us, it helps to break his thoughts into bite-sized portions and then actually do something with them. So, this is a feast!” —John Ortberg, author and speaker “I see no way to work through this book without being radically changed from the inside out.” —Howard Baker, instructor of Christian formation, chaplain, author of Soul Keeping
When did fairy tales begin? What qualifies as a fairy tale? Is a true fairy tale oral or literary? Or is a fairy tale determined not by style but by content? To answer these and other questions, Jan M. Ziolkowski not only provides a comprehensive overview of the theoretical debates about fairy tale origins but includes an extensive discussion of the relationship of the fairy tale to both the written and oral sources. Ziolkowski offers interpretations of a sampling of the tales in order to sketch the complex connections that existed in the Middle Ages between oral folktales and their written equivalents, the variety of uses to which the writers applied the stories, and the diverse relationships between the medieval texts and the expressions of the same tales in the "classic" fairy tale collections of the nineteenth century. In so doing, Ziolkowski explores stories that survive in both versions associated with, on the one hand, such standards of the nineteenth-century fairy tale as the Brothers Grimm, Hans Christian Andersen, and Carlo Collodi and, on the other, medieval Latin, demonstrating that the literary fairy tale owes a great debt to the Latin literature of the medieval period. Jan M. Ziolkowski is the Arthur Kingsley Porter Professor of Medieval Latin at Harvard University.
First published between 1813 and 1828 The Pamphleteeris a unique collection of pamphlets and articles on various subjects including philosophy, politics, political economy, law, education, and literature. An important forum of debate during a key period in modern history, The Pamphleteercontains about 550 pamphlets, including some previously unpublished works from people like Jeremy Bentham. Other well known contributors are Crombie, Freud, Sinclair, Naismith, and the Earl of Liverpool. The Routledge/Thoemmes Press edition of ThePamphleteerfeatures a comprehensive author index as well as a subject index which guides the reader through: *Agriculture *Biography *Divinity *East India Affairs *Eclesiastics *Education *Finance *Fine Arts *Jurisprudence *Literature *Medical *Military *Miscellaneous *Philosophy *Politics *Political Economy *Statistics
In All the King’s Women Jan Rüdiger investigates medieval elite polygyny and its ‘uses’ in Northern Europe with a comparative perspective on England and France as well as Iberia.
After losing her husband, Julia Wells has tried to move on with her life in her small New Zealand town. She teaches at the local school while single-handedly raising her son and trying to make ends meet. But when Dieter Gerts, a strange man from South Africa, rents an apartment from her, she has no idea how her life is about to change. Dieter says he is an engineer, but he has yet to find a job. What's more, his new roommate, Al, is known in the community to be into drugs. She's had complaints from other tenants in the building about them, and she finally decides to give Al an eviction notice-but that doesn't take care of the problem. When Julia threatens them with police force, the two finally leave, though the apartment is in shambles A ring left behind by Dieter offers a clue as to who this mysterious man might be. Julia gives it to Peter Johnson, a local detective. When Al's body shows up in a mine tunnel, however, things take a terrible turn. Soon, Julia and Peter find themselves thrown into a complex plot involving Dieter, the local goldmine, the New Zealand government, and neo-Nazis. Will they be able to stop Dieter before he can put his plan into action?
The Moretti Heir\Tall, Dark...Westmoreland!\Transformed Into the Frenchman's Mistress\Secret Baby, Public Affair\In the Argentine's Bed\Friday Night Mistress
The Moretti Heir\Tall, Dark...Westmoreland!\Transformed Into the Frenchman's Mistress\Secret Baby, Public Affair\In the Argentine's Bed\Friday Night Mistress
One convenient download. One bargain price. Get all December March 2009 Silhouette Desire books with one click! Got a craving for a true Latin lover? How about an aristocratic French billionaire? Or an Italian Grand Prix World Champion? With this bundle of six passionate, provocative books featuring these heroes and more, you're sure to find a story that will fulfill your every desire! Bundle includes: The Moretti Heir by Katherine Garbera, Tall, Dark...Westmoreland! by Brenda Jackson, Transformed Into the Frenchman's Mistress by Barbara Dunlop, Secret Baby, Public Affair by Yvonne Lindsay, In the Argentine's Bed by Jennifer Lewis and Friday Night Mistress by Jan Colley.
Never Give Up is a must-read for everyone. At the heart of this book is a solid biblical message based on the truth of God's Word, and the teachings presented come straight from the author's heart and life experiences to encourage and remind readers that they are loved and designed with a purpose - to have success in fulfilling their God-ordained destiny. The principles and truths within these pages are life changing. If you are going through challenging circumstances and problems, the eternal, power-packed teaching within the pages of this book will encourage you, help you overcome, and bring you to a place of victory in your Christian walk. Jan Owens resides in Lewisville, Texas with her husband Frank. She has five children, fifteen grandchildren, and two great-grandchildren. She spent 25 years in full-time Christian work in the field of Christian education as an administration assistant. Jan has conducted workshops, had a successful bus ministry, is a Bible teacher, an organist, pianist, and a soul-winner. She is an active member of her church and is involved in intercessory prayer and evangelism outreach, and she has served in the jail ministry. She has made a piano CD entitled "Melodies of Love." The book Never Give Up comes out of her experiences as one who endured life's heartaches and challenges before finding victory through the revelation knowledge of God's Word.
Rembrandt’s extraordinary paintings of female nudes—Andromeda, Susanna, Diana and her Nymphs, Danaë, Bathsheba—as well as his etchings of nude women, have fascinated many generations of art lovers and art historians. But they also elicited vehement criticism when first shown, described as against-the-grain, anticlassical—even ugly and unpleasant. However, Rembrandt chose conventional subjects, kept close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question Eric Jan Sluijter, in Rembrandt and the Female Nude, examines Rembrandt’s paintings and etchings against the background of established pictorial traditions in the Netherlands and Italy. Exploring Rembrandt’s intense dialogue with the works of predecessors and peers, Sluijter demonstrates that, more than any other artist, Rembrandt set out to incite the greatest possible empathy in the viewer, an approach that had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study, Sluijter presents an innovative approach to Rembrandt’s views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of his artistic choices.
Close Relationships is Geert Jan van Gelder's groundbreaking and comprehensive study of the diverse facts and opinions concerning incest and close-kin marriage found in literary and non-literary pre-modern Arabic texts. The pre-Islamic Arabs knew about the dangers of inbreeding; the Qur'an formulates the basic principles of marriage impediments in Islam, which were elaborated by generations of jurists. Incest is a motif found in lampoons, anecdotes, stories, legends, dream interpretation, and polemics with other religions, in particular the Zoroastrians, who in pre-Islamic times allegedly recommended next-of-kin marriage. Many of the relevant passages are presented as English translations in this richly documented book.
As a young man, Jan Verplaetse saw a hare suspended from a meat hook, skinned and gutted. What struck him so forcefully at the time was not the animal itself, but the blood gently dripping from its mouth. His reaction prompted the start of a quest he undertakes in this book: to investigate our fascination with blood, the most vital of fluids. Blood Rush shows how, throughout history, blood has had the capacity to intoxicate us, to the point that we lose ourselves, whether in violence, through hunting, fighting, or killing, or in the vicarious thrill of watching sporting events, horror films, or video games. Are these feelings physical, or in our imagination? Where does the magic of blood come from? In his deeply researched and provocative narrative, Verplaetse moves from antiquity to the present, from magic to experimental psychology, from philosophy to religion and scientific discoveries, to demonstrate why blood at once attracts and repels us.
The Handbook Narrative Psychotherapy for Children, Adults and Families combines philosophical, scientific and theoretical insights in the field of narrative psychotherapy and links them to sources of inspiration such as poetry, film, literature and art under the common denominator 'narrative thinking'. Sections on theoretical issues alternate with a large number of case histories drawn from different therapeutic contexts. The reader can browse at will through the many examples of therapeutic sessions, in some cases including literal transcriptions, in which narrativity in all its forms is the point of departure. What language does the body speak? What messages do seemingly random slips of the tongue convey? How can a painting help a client to find words for his or her story? The discussion of the 'logic of abduction' demonstrates the importance of metaphor, and special attention is given to the processes of creating a therapeutic context and defining a therapeutic framework.
In The Eating of the Gods the distinguished Polish critic Jan Kott reexamines Greek tragedy from the modern perspective. As in his earlier acclaimed Shakespeare Our Contemporary, Kott provides startling insights and intuitive leaps which link our world to that of the ancient Greeks. The title refers to the Bacchae of Euripides, that tragedy of lust, revenge, murder, and "the joy of eating raw flesh" which Kott finds paradigmatic in its violence and bloodshed.
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