In the golden years of the baroque era, Poland expressed creative ties to East and West in extraordinary works of fine and decorative art. This illustrated book displays more than 150 pieces that celebrate the cross-cultural richness of Poland's creative output during this period. From the dramatic uniform of the winged hussar complete with feathered wings and leopard skin to traditional portraits of royalty to a Turkish-style beverage service, these splendid objects represent Poland's diversity and breadth at a time when it was the largest land empire in Europe, stretching from the Baltic to the Black Sea. This book is the catalogue for a major exhibition at The Walters Art Gallery in Baltimore. The Art Institute of Chicago, Huntsville Museum of Art. The San Diego Museum of Art. The Philbrook Museum of Art, and the Royal Castle in Warsaw.
This book for the first time links the thoughts of modern Western sociologists of literature with an overall description of the literary activities, views, and attitudes in late 18th-century Poland. The author tries to establish whether Poland witnessed the rise of a more complex and autonomous literary field or, as Schmidt calls it, a functionally differentiated literary system in the age of the reign of King Stanislaw August Poniatowski (1764-1795).
Cavanaugh's scholarship is distinguished by several qualities: detailed knowledge, a rare comparative awareness of adjacent disciplines, and of course, a substantial, synthetic knowledge of modern artistic developments in Western Europe and the U.S. Out Looking In will be relevant to a large and varied public."--John E. Bowlt, author of Forbidden Art: Soviet Nonconformist Art, 1956-1988 "This is an essential book for scholars of modernism who are eager, in the wake of post-structuralist and post-modernist reevaluations of the construction of modernism's history, to broaden discussions beyond a narrow French orientation. It will serve as an important stimulus for rethinking European art in general in this period."--Linda Dalrymple Henderson, University of Texas, Austin "Clearly written and well organized, [Out Looking In] will be the indispensable reference work in English on early modern Polish art. Cavanuagh's treatment, based on solid research and critical insight, is illuminating."--Vojtech Jirat-Wasiutynski, Professor of Art, Queen's University "The visual richness and comprehensiveness of Out Looking In will make it a primary resource in the West for images of early modern Polish art as well as arguing for the centrality of Polish art to the discussion of European modernism. This is revisionism at its most insightful."--Wendy Salmond, author of Arts and Crafts in Late Imperial Russia "This book goes a long way in correcting our geographically narrow understanding of European modernism. While arguing for Poland's place in the annals of artistic modernism, Cavanaugh elegantly manoeuvers between the sensitive issues determining national artistic identity and the international context of this debate."--Myroslava M. Mudrak, Ohio State University "This is one of the most important critical analyses of turn-of-the-century Polish art. Out Looking In will inspire a broad response from a wide international cricle of historians of art, literature, and artistic culture."--Wieslaw Juszczak, Art Institute of the Polish Academy of Sciences and Letters and Art History Department, University of Warsaw
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