Books tell stories about our lifeworld. In this book Jan Coetzee invites us to critically inquire into the aims, the content, and the context of the stories contained in a collection of old books from an old world. Without opening these old texts and without converting the original print on the pages to meaning and message, Coetzee brings the books into a dialogue with each other. Together with accompanying sculpted and/or found objects these books take on a new, broader function. By gathering them in one volume they attain a different character and tell us more than what the individual books ever could.
Books tell stories about our lifeworld. In this book Jan Coetzee invites us to critically inquire into the aims, the content, and the context of the stories contained in a collection of old books from an old world. Without opening these old texts and without converting the original print on the pages to meaning and message, Coetzee brings the books into a dialogue with each other. Together with accompanying sculpted and/or found objects these books take on a new, broader function. By gathering them in one volume they attain a different character and tell us more than what the individual books ever could.
This collection of prison writings straddles two continents, and compares and contrasts the political struggles that gave birth to two vibrant new democracies of the twenty-first century: South Africa and the Czech Republic. The triumph over decades of suffering endured by the ordinary citizens of these two countries is symbolized by their leaders, Nelson Mandela and Vaclav Havel. While the moral stature of these two men continues to act as a beacon for other political aspirants in a new century, they call upon us all to acknowledge the role played by ordinary men and women in effecting freedom and justice. For this reason, Fallen Walls focuses on the experiences of ordinary prisoners of conscience. It records three voices from the apartheid-era cells of Robben Island--Joseph Mati, Johnson Mgabela, Monde Mkunqwana--and three voices from communist-era prisons in Czechoslovakia--Jiri Mesicki, Lola Skodova, and Jiri Stransky. There are striking similarities as well as differences between the two sets of stories. On a personal level, the tales from Robben Island are characterized by an absence of bitterness and thoughts of revenge, while a sense of bleak isolation and lingering bitterness pervades accounts from the Czechoslovakian prisons and labor camps. The buoyant tone of triumph of the South Africans is balanced by the darker, more skeptical mood of the Czechs. In an age that teeters so precariously between hope and despair, the narratives of these six prisoners of conscience remind us not only of what we are, but also of what we may become. In a timely warning against complacency, Vaclav Havel notes in his foreword that "the authors remind us anew of the price that is so often paid for freedom and democracy." Fallen Walls will be of interest to historians, sociologists, human rights activists, and political scientists.
In The Slow Philosophy of J.M. Coetzee Jan Wilm analyses Coetzee's singular aesthetic style which, he argues, provokes the reader to read his works slowly. The effected 'slow reading' is developed into a method specifically geared to analyzing Coetzee's singular oeuvre, and it is shown that his works productively decelerate the reading process only to dynamize the reader's reflexion in a way that may be termed philosophical. Drawing on fresh archival material, this is the first study of its kind to explore Coetzee's writing process as already slow; as a program of seemingly relentless revision which brings forth his uniquely dense and crystalline style. Through the incorporation of material from drafts and notebooks, this study is also the first to combine an exploration of the writer's stylistic choices with a rigorous analysis of the reader's responses. The book includes close readings of Coetzee's popular and lesser known work, including Disgrace, Waiting for the Barbarians, Elizabeth Costello, Life and Times of Michael K and Slow Man.
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