When the U.S. Army ordered troops into Arizona Territory in the 19th century to protect and defend the new settlements established there, some of the military men brought their wives and families, particularly officers who might be stationed in the west for years. Most of the women were from refined, eastern-bred families with little knowledge of the territory they were entering. Their letters, diaries, and journals from their years on army posts reveal untold hardships and challenges faced by families on the frontier. These women were bold, brave, and compassionate. They were an integral part of military posts that peppered the West and played an important role in civilizing the Arizona frontier. Combining the words of these women with original research tracing their movements from camp to camp over the years they spent in the West, From Reveille to Taps explores the tragedies and triumphs they experienced.
Louise Larocque Serpa often said she was born “in the wrong place, to the wrong woman, at the wrong time.” Born in 1925 and growing up in New York society with a mother who was never satisfied with her rather lanky, unpolished daughter, teenager Louise eventually found happiness when she spent a summer on a Wyoming dude ranch scrubbing toilets, waiting tables and wrangling cattle. Later in life, she settled in Tucson, Arizona, where her introduction to photographing rodeos came about after a friend invited her to watch his children participate in a junior rodeo competition. Using a cheap drug-store camera, Louise began photographing youngsters as they bounced and bucked on small sheep and calves, then sold the pictures to proud parents, beginning a career that would span fifty years and take her to the highest pinnacles of rodeo photography. This biography of the legendary rodeo photographer Louise Sherpa, reveals the story of a woman who made her own way in a man’s world and who helped shaped the character of rodeo. Interviews with her contemporaries and family and photographs from her family archives add flavor to this lively portrait of a remarkable Western woman.
From the Diary ofAnne Frank to Anne of Green Gables, young women love to read stories about real girls who faced incredible challenges and shared indelible truths about the human spirit. Jan Cleere has compiled a wonderful collection of such stories, for a wide range of readers from ten-year-old girls to older readers fascinated by women’s history. Meet Laurette Lovell, born in 1869 with a severe leg deformity, who at age thirteen started on her path to be a renowned pottery artist and painter. Edith Bass, born in 1896, began wrangling mules before the age of nine, leading pack strings up and down the dangerous paths into the Grand Canyon. These two young women, and nine others, are profiled magnificently alongside historic photographs. Today’s readers love to read bold adventures. They’ll never forget these stories of real girls who conquered the West in their own style, spending most or all of their childhood in Arizona. Jan Cleere is a historical researcher and the author of More Than Petticoats: Remarkable Nevada Women, among other books. She lives in Oro Valley, Arizona.
This book presents the compelling histories of fifteen pioneer women, all born before 1900, who traveled Nevada Territory in unstable wagons, on temperamental mules, and in early Motel Ts to leave a legacy of courage and celebration as they broke records, hearts, and rules while conquering uncharted ground. Meet Ferminia Sarras, a Nicaraguan immigrant with four young daughters who arrived in Nevada in the early 1800s determined to seek her fortune as a miner . . . and succeeded; Dat so la lee, a Washoe Indian renowned for her basket-weaving artistry whose work is today preserved in museums; and Anne Henrietta Martin, a lifelong suffragette who fought for women's rights and was instrumental in securing the passage of the Nineteenth Amendment, giving women the right to vote.
Winner of the 2021 New Mexico-Arizona Book Awards (History, Arizona | 2021 Military Writers Society of America Silver Medal for History | 2022 Will Rogers Medallion Award Bronze Winner for Western Non-Fiction When the U.S. Army ordered troops into Arizona Territory in the 19th century to protect and defend the new settlements established there, some of the military men brought their wives and families, particularly officers who might be stationed in the west for years. Most of the women were from refined, eastern-bred families with little knowledge of the territory they were entering. Their letters, diaries, and journals from their years on army posts reveal untold hardships and challenges faced by families on the frontier. These women were bold, brave, and compassionate. They were an integral part of military posts that peppered the West and played an important role in civilizing the Arizona frontier. Combining the words of these women with original research tracing their movements from camp to camp over the years they spent in the West, this collectionexplores the tragedies and triumphs they experienced.
From the Diary ofAnne Frank to Anne of Green Gables, young women love to read stories about real girls who faced incredible challenges and shared indelible truths about the human spirit. Jan Cleere has compiled a wonderful collection of such stories, for a wide range of readers from ten-year-old girls to older readers fascinated by women’s history. Meet Laurette Lovell, born in 1869 with a severe leg deformity, who at age thirteen started on her path to be a renowned pottery artist and painter. Edith Bass, born in 1896, began wrangling mules before the age of nine, leading pack strings up and down the dangerous paths into the Grand Canyon. These two young women, and nine others, are profiled magnificently alongside historic photographs. Today’s readers love to read bold adventures. They’ll never forget these stories of real girls who conquered the West in their own style, spending most or all of their childhood in Arizona. Jan Cleere is a historical researcher and the author of More Than Petticoats: Remarkable Nevada Women, among other books. She lives in Oro Valley, Arizona.
Louise Larocque Serpa often said she was born “in the wrong place, to the wrong woman, at the wrong time.” Born in 1925 and growing up in New York society with a mother who was never satisfied with her rather lanky, unpolished daughter, teenager Louise eventually found happiness when she spent a summer on a Wyoming dude ranch scrubbing toilets, waiting tables and wrangling cattle. Later in life, she settled in Tucson, Arizona, where her introduction to photographing rodeos came about after a friend invited her to watch his children participate in a junior rodeo competition. Using a cheap drug-store camera, Louise began photographing youngsters as they bounced and bucked on small sheep and calves, then sold the pictures to proud parents, beginning a career that would span fifty years and take her to the highest pinnacles of rodeo photography. This biography of the legendary rodeo photographer Louise Sherpa, reveals the story of a woman who made her own way in a man’s world and who helped shaped the character of rodeo. Interviews with her contemporaries and family and photographs from her family archives add flavor to this lively portrait of a remarkable Western woman.
Reprint of the original, first published in 1864. Being reprints of rare and curious narratives of old travellers in India, in the sixteenth and seventeenth centuries. First series, comprising Purchas Pilgrimage, and the Travels of Van Linschoten.
The so-called "Devil Theatre" is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possessionin relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonicpossession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics ofreligion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflecton the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden.
In the late nineteenth century, tens of thousands of porters carried ivory every year from the African interior to Bagamoyo, a port town at the Indian Ocean. In the opposite direction, they carried millions of meters of cloth, manufactured in the USA, Europe, and India. This book examines the centrality of the caravan trade, both culturally and economically, to Bagamoyo’s development and cosmopolitan character, while also exploring how this history was silenced when Bagamoyo was instead branded as a slave route town in 2006 in an attempt to qualify it for the UNESCO World Heritage List.
This book presents the compelling histories of fifteen pioneer women, all born before 1900, who traveled Nevada Territory in unstable wagons, on temperamental mules, and in early Motel Ts to leave a legacy of courage and celebration as they broke records, hearts, and rules while conquering uncharted ground. Meet Ferminia Sarras, a Nicaraguan immigrant with four young daughters who arrived in Nevada in the early 1800s determined to seek her fortune as a miner . . . and succeeded; Dat so la lee, a Washoe Indian renowned for her basket-weaving artistry whose work is today preserved in museums; and Anne Henrietta Martin, a lifelong suffragette who fought for women's rights and was instrumental in securing the passage of the Nineteenth Amendment, giving women the right to vote.
The Raunds Area Project investigated more than 20 Neolithic and Bronze Age monuments in the Nene Valley. From c 5000 BC to the early 1st millennium cal BC a succession of ritual mounds and burial mounds were built as settlement along the valley sides increased and woodland was cleared. Starting as a regular stopping-place for flint knapping and domestic tasks, first the Long Mound, and then Long Barrow, the north part of the Turf Mound and the Avenue were built in the 5th millennium BC. With the addition of the Long Enclosure, the Causewayed Ring Ditch, and the Southern Enclosure, there was a chain of five or six diverse monuments stretched along the river bank by c 3000 cal BC. Later, a timber platform, the Riverside Structure, was built and the focus of ceremonial activity shifted to the Cotton 'Henge', two concentric ditches on the occupied valley side. From c 2200 cal BC monument building accelerated and included the Segmented Ditch Circle and at least 20 round barrows, almost all containing burials, at first inhumations, then cremations down to c 1000 cal BC, by which time two overlapping systems of paddocks and droveways had been laid out. Finally, the terrace began to be settled when these had gone out of use, in the early 1st millennium cal BC.
Naar aanleiding van de retrospectieve tentoonstelling 'Jan Yoors' in het FeliXart Museum, wordt een publicatie uitgebracht door het FeliXart Museum en Pandora Publishers. Het boek is niet louter een tentoonstellingscatalogus, maar is vooral een omvangrijk referentiewerk over Jan Yoors, bestaande enerzijds uit een overzicht van maar liest 140 wandtapijten, gouaches, tekeningen en foto's, en anderzijds uit wetenschappelijke artikels van specialisten van de moderne tapijtweefkunst en van het modernisme. Alle bijdragen zijn geïllustreerd met foto's en archiefdocumenten. 0Exhibition: FeliXart Museum, Drogenbos, Belgium (28.10.2012-24.2.2013). 0.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.