Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of groundbreaking social and technological developments. Television, nuclear weapons, radio transistors, space travel, and colour photography all combined to drastically alter the representation of the world in the period following the Second World War. While never fully embraced as poetry or as visual art, and often criticized for an aesthetic that veers too close to commercial design, concrete poetry is an ambitious critical project that strives to break free of national languages and narrow literary traditions. Crossing national and disciplinary borders to highlight connections between poems and a variety of other cultural material, Jamie Hilder shows how the movement's international character predates and initiates some trends now associated with globalization. Hilder places concrete poetry alongside such transformative projects as the modernist city of Brasília, the development of computers, and the rise of conceptual art in order to accentuate its significance as one of the major poetic movements of the twentieth century. Heavily illustrated with examples of poems that exhibit the politically engaged, complex, and varied aspects of the movement, Designed Words for a Designed World illuminates how a group of poets fascinated by the possibilities of a rapidly transforming cultural geography operated within an emerging global imaginary.
Called to Account traces the evolution of the global public accounting profession through a series of scandals leading to voluntary or mandated reforms. Ever entertaining and educational, the book describes some of the most audacious accounting frauds of the last 90 years, and identifies the accounting standards and legislation adopted as a direct consequence of each scandal. While retaining favorite chapters exposing the schemes of "Crazy Eddie" Antar and Barry "the Boy Wonder" Minkow, this fourth edition includes new material describing the accounting problems at Carillion, Wirecard and Luckin Coffee. Students will learn that financial fraud is a global problem, and that accounting reform is heavily influenced by politics. With discussion questions, and a chart mapping each chapter to topics covered in popular auditing textbooks, together with supplemental PowerPoints for instructors, Called to Account is the ideal companion for classes in auditing, fraud examination, advanced accounting, or professional responsibilities.
Sometimes image, sometimes word, and often both or neither, concrete poetry emerged out of an era of groundbreaking social and technological developments. Television, nuclear weapons, radio transistors, space travel, and colour photography all combined to drastically alter the representation of the world in the period following the Second World War. While never fully embraced as poetry or as visual art, and often criticized for an aesthetic that veers too close to commercial design, concrete poetry is an ambitious critical project that strives to break free of national languages and narrow literary traditions. Crossing national and disciplinary borders to highlight connections between poems and a variety of other cultural material, Jamie Hilder shows how the movement's international character predates and initiates some trends now associated with globalization. Hilder places concrete poetry alongside such transformative projects as the modernist city of Brasília, the development of computers, and the rise of conceptual art in order to accentuate its significance as one of the major poetic movements of the twentieth century. Heavily illustrated with examples of poems that exhibit the politically engaged, complex, and varied aspects of the movement, Designed Words for a Designed World illuminates how a group of poets fascinated by the possibilities of a rapidly transforming cultural geography operated within an emerging global imaginary.
Jamie Foreman is one of Britain's most iconic actors. He is also the son of Britain's most notorious gangster, Freddie Foreman. Jamie's life has been anything but ordinary. Right from the start, his world was one of contrast and contradiction: he grew up surrounded by London's criminal elite, living by their code of honour and respect, yet he himself was brought up to be a 'straight goer'. The backdrop of his home life was to differ greatly from his time at school as, at seven years old, Jamie found himself in the unlikely surroundings of a boarding school. The happiness of his family and school life was snatched from Jamie when his father was sentenced to ten years in prison for his involvement in the killing of Jack 'The Hat' McVitie. The subsequent years saw Jamie without the father he adored and the whole family was put under enormous strain. At 14, Jamie decided that his passion was for acting and, having been encouraged by Barbara Windsor, he discovered yet another new environment at the Italia Conti Stage School. Jamie thrived in the acting world and was soon enjoying success on both stage and screen. By the time of his dad's release from prison, Jamie had carved a 'straight' career for himself - but after years apart, there was plenty of lost time to make up for. Soon, he was dividing his time between acting and assisting with Freddie's 'business.' Before long, though, life took a surprising turn when a drug deal his father was heavily involved in went tragically wrong and he was forced to go on the run to America with his dad, which marked the start of a whole new adventure ... A truly fascinating story of a unique life. From being babysat by the Kray Twins to his life-changing meeting with Lawrence Olivier. Jamie's is a compelling tale of a boy becoming a man, of a father lost and found (and nearly lost again), and of the adventure, violence and tenderness that forged an unbreakable father-son relationship.
Letters: Michael Morris and Concrete Poetry profiles artist Michael Morris during the period between 1964 and 1971. The book has a particular focus on concrete poetry, considered as perhaps the first global art movement, springing up in South and North America, Japan and Europe in the mid to late 1950s. Recognising the potential of concrete poetry as an area that included design, poetry, architecture, art, and communications, Morris co-curated an important exhibition of Concrete Poetry at the University of British Columbia Fine Arts Gallery in 1969. It presented a selection of Morris' large ?Letter” paintings and a selection of international concrete poetry from the period.
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