Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
A disciple of Sir Walter Scott, George Payne Rainsford James was a bestselling historical novelist of the early Victorian period. Masterpieces such as ‘Richelieu’, ‘Agincourt’ and ‘The Smuggler’ are noted for their polished prose, spice of adventure and scholarly attention to historical detail. This eBook presents James’ collected works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to James’ life and works * Concise introductions to the novels and other texts * 41 novels, with individual contents tables * Features rare novels appearing for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare poetry available in no other collection * Easily locate the poems or short stories you want to read * Includes James’ non-fiction study of ‘The History of Chivalry’ * Includes a brief biography * Ordering of texts into chronological order and genres CONTENTS: The Novels Richelieu (1829) Darnley (1830) De l’Orme (1830) Philip Augustus (1831) Bertrand de la Croix (1831) Delaware (1833) Mary of Burgundy (1833) The Life and Adventures of John Marston Hall (1834) The Gypsy (1835) One in a Thousand (1835) Attila (1837) The Robber (1838) Henry of Guise (1839) The Huguenot (1839) Charles Tyrrell (1839) The King’s Highway (1840) The Man at Arms (1840) Corse de Leon (1841) Morley Ernstein (1842) Forest Days (1843) Agincourt (1844) Arabella Stuart (1844) Rose d’Albret (1844) Arrah Neil (1845) The Smuggler (1845) Beauchamp (1846) Heidelberg (1846) The Castle of Ehrenstein (1847) A Whim and Its Consequences (1847) The Convict (1847) Gowrie (1848) The Forgery (1849) The Woodman (1849) Henry Smeaton (1851) The Fate (1851) Revenge (1852) Agnes Sorel (1853) Ticonderoga (1854) The Old Dominion (1856) Leonora d’Orco (1857) Lord Montagu’s Page (1858) The Shorter Fiction The Desultory Man (1836) The Poetry Adra, or The Peruvians and Other Poems (1829) The Non-Fiction The History of Chivalry (1830) The Biography George Payne Rainsford James (1900) by John Andrew Hamilton
The fourteenth-century poem Sir Gawain and the Green Knight is one of the greatest classics of English literature, but one of the least accessible to most twentieth-century readers. Written in an obscure dialect, it is far more difficult to digest in the original than are most other late medieval English works. Yet any translation is bound to lose much of the flavour of the original. This edition of the poem offers the original text together with a facing-page translation. With the alliterative Middle English before the reader, James Winny provides a non-alliterative and sensitively literal rendering in modern English. This edition also provides an introduction, explanatory and textual notes, a further note on some words that present particular difficulties, and, in the appendices, two contemporary stories, The Feast of Bricriu and The Knight of the Sword, which provide insight on the poem.
Ten years ago, the prehistoric past collided with the present as time itself underwent a tremendous disruption, transporting huge swaths of the Cretaceous Period into the world of the twentieth century. Entire neighborhoods and cities were replaced by dense primeval jungles and modern humanity suddenly found itself sharing the earth with fierce dinosaurs. In the end, desperate measures were taken to halt the disruptions and the crisis appeared to be over. Until now. Slowly at first, but with increasing frequency, time begins to unravel once more. What's worse, Nick Paulson, Director of the newly-formed Office of Security Science, discovers that the time displacements are being manipulated by unknown parties, utilizing a mysterious new technology. Indeed, the very integrity of the space-time continuum appears to be at risk. To preserve both the future and the past, Nick and his allies must uncover the secrets hidden within in a lost temple at the center of a dino-infested jungle–and in an enigmatic structure on the surface of the moon. But they are not alone in their quest. A cult of ruthless fanatics is also intent on controlling the time waves, and they will stop at nothing to reshape history to their own design . . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
While a sociopathic jihadist readies a sadistic attack, a poor African-American woman from Mississippi quiets the debilitating buzz in her head by deflecting hurricanes, subduing warring air forces, and shielding the innocent. Can she pursue her calling without drawing powerful attention? The INR, a secretive State Department agency knows what she is. Their newest operative, a patriotic F.B.I. prodigy, tracks her across the Middle East and learns that she is unlike any of his previous targets. Glamorous cityscapes, bold costumes, and cute alter-egos are useless to an exhausted, lonely twenty-four year old evading the man she wants to call ally. Reader advisory: contains adult situations, adult language, and violence.
The essential Buddhist perspective, Howe argues, is that "reality" lacks the solidity which we habitually assume it has, and that therefore the appropriate attitude toward life is to play it as we would a game - with unusual seriousness, for itself rather than for any ulterior motive, even that of investing it with meaning. Howe also demonstrates that the "real" subject of representational art is always just itself. The significance of such art depends upon the concession that it has no significance. In the same way, it is precisely the self-deconstructive nature of Shakespeare's plays which makes their Buddhist-like affirmative positions visible."--BOOK JACKET.
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