The True Story Behind the Major Motion Picture — and one of the greatest daredevil stories in the history of aviation In 1862, ambitious scientist James Glaisher set out to do the impossible: ascend higher into the skies than ever before. A pioneer of weather forecasting and of photography, and a founding member of the Royal Meteorological Society, he wanted to take ground-breaking research measurements from different altitudes. On 5th September, along with experienced balloonist Henry Coxwell as his pilot, he lifted off in a hot air balloon for what would prove to be a death-defying and historic flight. Rising above the English countryside, they rose to the remarkable height of 37,000 feet (7 miles or 11km), almost killing both men, who experienced blurred vision, loss of motor function and, eventually, unconsciousness. It was a miracle they survived to tell the tale. Written in his own words, The Aeronauts chronicles Glaisher’s incredible flights and discoveries first hand, as well as his observations on those pioneers who came before and inspired him. His audaciously daring journey forms the story of the forthcoming major motion picture The Aeronauts. With an introduction by Professor Liz Bentley, Chief Executive at the Royal Meteorological Society
Volume II: 1862-1873 contains texts which illuminate Maxwell's scientific maturity. In this period he wrote the classic works on field physics and statistical molecular theory which established his unique status in the history of science. His important correspondence with Thomson and Tait provides remarkable insight into the major themes of his physics.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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