“A narrative that spans seven millennia, five continents and even reaches into cyberspace. . . . I savored each page.” —Henry Petroski, Wall Street Journal In Fallen Glory, James Crawford uncovers the biographies of some of the world’s most fascinating lost and ruined buildings, from the dawn of civilization to the cyber era. The lives of these iconic structures are packed with drama and intrigue, featuring war and religion, politics and art, love and betrayal, catastrophe and hope. They provide the stage for a startling array of characters, including Gilgamesh, the Cretan Minotaur, Agamemnon, Nefertiti, Genghis Khan, Henry VIII, Catherine the Great, Adolf Hitler, and even Bruce Springsteen. The twenty-one structures Crawford focuses on include The Tower of Babel, The Temple of Jerusalem, The Library of Alexandria, The Bastille, Kowloon Walled City, the Berlin Wall, and the Twin Towers of the World Trade Center. Ranging from the deserts of Iraq, the banks of the Nile and the cloud forests of Peru, to the great cities of Jerusalem, Istanbul, Paris, Rome, London and New York, Fallen Glory is a unique guide to a world of vanished architecture. And, by picking through the fragments of our past, it asks what history’s scattered ruins can tell us about our own future. “Witty and memorable . . . moving as well as myth-busting.” —Times Literary Supplement (UK) “[An] elegant, charged book . . . A well-written prize for students of history, archaeology, and urban planning.” —Kirkus Reviews, starred review “Astute, entertaining, and affecting.” —Booklist “A lovely, wise book.” —Alexander McCall Smith, New Statesman (UK) “A cabinet of curiosities, a book of wonders with unexpected excursions and jubilant and haunting marginalia.” —Spectator (UK)
Somebody is using television as a mind control vehicle, sending subliminal messages to hollow-eyed viewers, and turning ordinary couch potatoes into raging mobs programmed to kill. A secret enemy dares to take over the world – by controlling its greatest natural resource – the boob tube. Worse, it’s soon clear that whoever is behind the conspiracy knows about CURE and plans to preempt its mission to protect the world. Will Remo and Chiun kill each other . . . or just change the channel? Will Harold Smith discover his new assistant is a traitor . . . or just a victim of bad programming? Will the Destroyer be cancelled by a certain network bigwig . . . or will the most fiendish plot ever to grip the airways become just another failure in the cut-throat world of big entertainment? Breathlessly action-packed and boasting a winning combination of thrills, humour and mysticism, the Destroyer is one of the bestselling series of all time.
Identifies over 8,000 individuals named in Jack County Mortuary Records (1891-1959), Eastland County Marriages (1874-1882), and Erath County Birth Affidavits (1877-1920).
John Rutledge (1739-1800) was a wealthy planter and successful lawyer, a leader in South Carolina's colonial Commons House of Assembly, and a delegate to the First and Second Continental Congresses. As chief executive of the state during most of the War for Independence, he was instrumental in its defense and recovery after the British conquest of 1780. One of the leading delegates to the United States constitutional convention in 1787, he served as chief justice of South Carolina, and briefly as associate justice of the U.S. Supreme Court.
There’s some nasty sibling rivalry in the family assassination business . . . For Remo, Sinanju’s Holiest tradition is “cash up front” But as his long road to the rank of Reigning Master of the venerable house of assassins nears its end, the Time of Succession ritual begins. For the enforcement arm of CURE, this means making his way around the globe, killing the best assassins money can buy – and proving to kings and presidents alike that Sinanju is the primo strategic weapon around. For a reasonable fee, of course. But there is a storm cloud on the horizon of Chiun’s retirement and Remo’s promotion: a dark nemesis has been reborn from the fires of evil and has unleashed his plot for vengeance. He starts by looting Chiun’s treasure-filled basement in Sinanju. But he won’t stop until he has fulfilled a prophecy of doom that even Chiun may not be able to thwart – the death of the Destroyer. Breathlessly action-packed and boasting a winning combination of thrills, humour and mysticism, the Destroyer is one of the bestselling series of all time.
At the start of the Civil War, volunteers from six counties in southeastern Alabama formed the 15th Alabama Infantry Regiment. As part of Robert E. Lee's Army of Northern Virginia--and briefly serving with Braxton Bragg's Army of Tennessee--the 15th Alabama was one of the Confederacy's most active regiments and fought in many of the war's key battles. Based on firsthand accounts, this volume chronicles the regiment's experiences from its organization in July 1861 through its surrender at Appomattox. Detailed firsthand accounts are given of the 15th's action at Shenandoah, Gettysburg, Chickamauga and Spotsylvania, along with intimate descriptions of camp life. Service records of each member are provided, including enlistment, hometown, battle wounds and, where applicable, cause of death.
This is the first edition of a unique new plastics industry resource: Who's Who in Plastics & Polymers. It is the only biographical directory of its kind and includes contact, affiliation and background information on more than 3300 individuals who are active leaders in this industry and related organizations. The biographical directory is i
A secret Russian particle beam weapon has long been suspected of being responsible for the space shuttle Challenger explosion. Many have scoffed...until the old Soviet Union dissolves and the weapon is sold on the Russian black market to the ruling council of Berkeley, California – the most famous enclave of unrepentant socialists in the Western world. They, in turn, immediately direct it at American skies, making no planes, satellites or space shuttles safe until their very heavy price is paid. Breathlessly action-packed and boasting a winning combination of thrills, humour and mysticism, the Destroyer is one of the bestselling series of all time.
The phenomenological method in the study of religions has provided the linchpin supporting the argument that Religious Studies constitutes an academic discipline in its own right and thus that it is irreducible either to theology or to the social sciences. This book examines the figures whom the author regards as having been most influential in creating a phenomenology of religion. Background factors drawn from philosophy, theology and the social sciences are traced before examining the thinking of scholars within the Dutch, British and North American 'schools' of religious phenomenology.
This is one of the most important baseball books to be published in a long time, taking a comprehensive look at black participation in the national pastime from 1858 through 1900. It provides team rosters and team histories, player biographies, a list of umpires and games they officiated and information on team managers and team secretaries. Well known organizations like the Washington's Mutuals, Philadelphia Pythians, Chicago Uniques, St. Louis Black Stockings, Cuban Giants and Chicago Unions are documented, as well as lesser known teams like the Wilmington Mutuals, Newton Black Stockings, San Francisco Enterprise, Dallas Black Stockings, Galveston Flyaways, Louisville Brotherhoods and Helena Pastimes. Player biographies trace their connections between teams across the country. Essays frame the biographies, discussing the social and cultural events that shaped black baseball. Waiters and barbers formed the earliest organized clubs and developed local, regional and national circuits. Some players belonged to both white and colored clubs, and some umpires officiated colored, white and interracial matches. High schools nurtured young players and transformed them into powerhouse teams, like Cincinnati's Vigilant Base Ball Club. A special essay covers visual representations of black baseball and the artists who created them, including colored artists of color who were also baseballists.
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