Everybody liked Mo. Throughout his political lifeÑ and especially during his bid for the Democratic presidential nomination in 1976Ñ thousands of people were drawn to Arizona congressman Morris K. Udall by his humor, humanity, and courage. This biography traces the remarkable career of the candidate who was "too funny to be president" and introduces readers to Mo the politician, Mo the environmentalist, and Mo the man. Journalists Donald Carson and James Johnson interviewed more than one hundred of Udall's associates and family members to create an unusually rich portrait. They recall Udall's Mormon boyhood in Arizona when he lost an eye at age six, his service during World War II, his brief career in professional basketball, and his work as a lawyer and county prosecutor, which earned him a reputation for fairness and openness. Mo provides the most complete record of Udall's thirty-year congressional career ever published. It reveals how he challenged the House seniority system and turned the House Interior Committee into a powerful panel that did as much to protect the environment as any organization in the twentieth century. It shows Udall to have been a consensus builder for environmental issues who paved the way for the Alaska Lands Act of 1980, helped set aside 2.4 million acres of wilderness in Arizona, and fought for the Central Arizona Project, one of the most ambitious water projects in U.S. history. Carson and Johnson record Udall's early opposition to the Vietnam War at a time when that conflict was largely perceived as a just cause, as well as his early advocacy of campaign finance reform. They also provide a behind-the-scenes account of his run for the presidencyÑ the first House member to seek the office in nearly a centuryÑ which gained him an intensely loyal national following. Mo explores the paradoxes that beset Udall: He was a man able to accomplish things politically because people genuinely liked and respected him, yet he was a loner and workaholic whose focus on politics overshadowed his personal life. Carson and Johnson devote a chapter to the famous Udall sense of humor. They also look sensitively at his role as a husband and father and at his proud and stubborn bout with Parkinson's disease. Mo Udall will long be remembered for his contributions to environmental legislation, for his unflagging efforts in behalf of Arizona, and for the gentle humor with which he conducted his life. This book secures his legacy.
The Norton Critical Edition of this influential Harlem Renaissance novel includes related materials available in no other edition. Known only as the “Ex-Colored Man,” the protagonist in Johnson’s novel is forced to choose between celebrating his African American heritage or “passing” as an average white man in a post-Reconstruction America that is rapidly changing. This Norton Critical Edition is based on the 1912 text. It is accompanied by a detailed introduction, explanatory footnotes, and a note on the text. The appendices that follow the novel include materials available in no other edition: manuscript drafts of the final chapters, including the original lynching scene (chapter 10, ca. 1910) and the original ending (chapter 11, ca. 1908). An unusually rich selection of “Backgrounds and Sources” focuses on Johnson’s life; the autobiographical inspirations for The Autobiography of an Ex-Colored Man; the cultural history of the era in which Johnson lived and wrote; the noteworthy reception history for the 1912, 1927, and 1948 editions; and related writings by Johnson. In addition to Johnson, contributors include Eugene Levy, W. E. B. Du Bois, Carl Van Vechten, Blanche W. Knopf, and Victor Weybright among others. The four critical essays and interpretations in this volume speak to The Autobiography of an Ex-Colored Man’s major themes, among them irony, authorship, passing, and parody. Assessments are provided by Robert B. Stepto, M. Giulia Fabi, Siobhan B. Somerville, and Christina L. Ruotolo. A chronology of Johnson’s life and work and a selected bibliography are also included, as well as six images.
This is one of the most important baseball books to be published in a long time, taking a comprehensive look at black participation in the national pastime from 1858 through 1900. It provides team rosters and team histories, player biographies, a list of umpires and games they officiated and information on team managers and team secretaries. Well known organizations like the Washington's Mutuals, Philadelphia Pythians, Chicago Uniques, St. Louis Black Stockings, Cuban Giants and Chicago Unions are documented, as well as lesser known teams like the Wilmington Mutuals, Newton Black Stockings, San Francisco Enterprise, Dallas Black Stockings, Galveston Flyaways, Louisville Brotherhoods and Helena Pastimes. Player biographies trace their connections between teams across the country. Essays frame the biographies, discussing the social and cultural events that shaped black baseball. Waiters and barbers formed the earliest organized clubs and developed local, regional and national circuits. Some players belonged to both white and colored clubs, and some umpires officiated colored, white and interracial matches. High schools nurtured young players and transformed them into powerhouse teams, like Cincinnati's Vigilant Base Ball Club. A special essay covers visual representations of black baseball and the artists who created them, including colored artists of color who were also baseballists.
Arkansas, the Old South's last frontier, was forced, after the election of Lincoln, to face the issue of secession. Woods focuses upon the resulting social, economic, and geographic divisions that grew within the state before and during the secession crisis. He captures the political struggles of the state as it tore away from the nation, and as it threatened, in so doing, to tear itself apart.
Combining compelling narrative and grand historical sweep, Forgotten Allies offers a vivid account of the Oneida Indians, forgotten heroes of the American Revolution who risked their homeland, their culture, and their lives to join in a war that gave birth to a new nation at the expense of their own. Revealing for the first time the full sacrifice of the Oneidas in securing independence, Forgotten Allies offers poignant insights about Oneida culture and how it changed and adjusted in the wake of nearly two centuries of contact with European-American colonists. It depicts the resolve of an Indian nation that fought alongside the revolutionaries as their valuable allies, only to be erased from America's collective historical memory. Beautifully written, Forgotten Allies recaptures these lost memories and makes certain that the Oneidas' incredible story is finally told in its entirety, thereby deepening and enriching our understanding of the American experience.
A history of the settlement and development of the townships of Brushy Lake and Hickory Ridge and of the emergence of the town of Hickory ridge, all located within the state of Arkansas. The time span covered begins with the discovery of America and comes forth to about the year 2000. It includes such events as DeSoto's trek through the area, transfer of ownership via the Louisiana Purchase, regional exploration and surveying, territorial politics and gaining the status of statehood. Following the time of the Civil War, the narrative focuses more on the development of Cross County, the two townships of Brushy Lake and Hickory Ridge and, finally, on the town of hickory Ridge. A history of some of the region's schools, churches, and cemeteries is included as well as several maps, some as early as 1819, a full record of Cross County post offices, Peace Court Records from the early part of the 20th century, and many random photographs.
The average pitcher has about a .000645 chance of throwing a no-hitter. In the spring of 1938, Cincinnati Reds rookie pitcher Johnny Vander Meer pitched two, back to back. The feat has never been duplicated, which comes as no surprise to sports professionals and aficionados alike. Decade after decade, in one poll after another (from Sport magazine, Sports Illustrated, and ESPN),Vander Meer’s consecutive no-hitters turn up as one of baseball’s greatest and most untouchable achievements. Double No-Hit offers an inning-by-inning account of that historic second consecutive no-hitter accomplished during the first night game in New York City, with the Cincinnati Reds facing the Brooklyn Dodgers in Ebbets Field. James W. Johnson sets the stage and assembles the colorful cast of characters. Highlighting the story with recollections and observations from owners, managers, and players past and present, he fills in the details of Vander Meer’s accomplishment—and his baseball career, which never lived up to expectations heightened by his sensational performance. In the end, Double No-Hit brings to life a bygone era of the national pastime and one shining spring night, June 15, 1938, when a twenty-two-year-old fireballing left-hander with lousy control pitched his way into the top tier of baseball’s record book.
The Black Bruins chronicles the inspirational lives of five African American athletes who faced racial discrimination as teammates at UCLA in the late 1930s. Best known among them was Jackie Robinson, a four‐star athlete for the Bruins who went on to break the color barrier in Major League Baseball and become a leader in the civil rights movement after his retirement. Joining him were Kenny Washington, Woody Strode, Ray Bartlett, and Tom Bradley—the four played starring roles in an era when fewer than a dozen major colleges had black players on their rosters. This rejection of the “gentleman’s agreement,” which kept teams from fielding black players against all-white teams, inspired black Angelinos and the African American press to adopt the teammates as their own. Kenny Washington became the first African American player to sign with an NFL team in the post–World War II era and later became a Los Angeles police officer and actor. Woody Strode, a Bruins football and track star, broke into the NFL with Washington in 1946 as a Los Angeles Ram and went on to act in at least fifty‐seven full-length feature films. Ray Bartlett, a football, basketball, baseball, and track athlete, became the second African American to join the Pasadena Police Department, later donating his time to civic affairs and charity. Tom Bradley, a runner for the Bruins’ track team, spent twenty years fighting racial discrimination in the Los Angeles Police Department before being elected the first black mayor of Los Angeles.
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