The story of the 1940 college football season when unheralded Stanford went undefeated, and Coach Clark Shaughnessy's T-formation offense revolutionized the game of football.
In the mid-1950s three unrecruited black basketball players, coached by a white former prison guard who had never before coached a college team, led a small Jesuit university in San Francisco to two national titles. The Dandy Dons describes for the first time how the unprecedented accomplishment of the Dons, led by coach Phil Woolpert and future hall-of-famers Bill Russell and K. C. Jones, paved the way for black talent in major college basketball and transformed the sport. James W. Johnson traces the backgrounds of the coach and players, chronicles the heart-stopping games on the road to the championships, and details the Dons’ novel techniques: a more vertical game, more central defense, and intimidation as part of game strategy. He also gives a textured picture of life on an integrated basketball team amid a culture of racism and Jim Crow in mid-twentieth-century America.
Everybody liked Mo. Throughout his political lifeÑ and especially during his bid for the Democratic presidential nomination in 1976Ñ thousands of people were drawn to Arizona congressman Morris K. Udall by his humor, humanity, and courage. This biography traces the remarkable career of the candidate who was "too funny to be president" and introduces readers to Mo the politician, Mo the environmentalist, and Mo the man. Journalists Donald Carson and James Johnson interviewed more than one hundred of Udall's associates and family members to create an unusually rich portrait. They recall Udall's Mormon boyhood in Arizona when he lost an eye at age six, his service during World War II, his brief career in professional basketball, and his work as a lawyer and county prosecutor, which earned him a reputation for fairness and openness. Mo provides the most complete record of Udall's thirty-year congressional career ever published. It reveals how he challenged the House seniority system and turned the House Interior Committee into a powerful panel that did as much to protect the environment as any organization in the twentieth century. It shows Udall to have been a consensus builder for environmental issues who paved the way for the Alaska Lands Act of 1980, helped set aside 2.4 million acres of wilderness in Arizona, and fought for the Central Arizona Project, one of the most ambitious water projects in U.S. history. Carson and Johnson record Udall's early opposition to the Vietnam War at a time when that conflict was largely perceived as a just cause, as well as his early advocacy of campaign finance reform. They also provide a behind-the-scenes account of his run for the presidencyÑ the first House member to seek the office in nearly a centuryÑ which gained him an intensely loyal national following. Mo explores the paradoxes that beset Udall: He was a man able to accomplish things politically because people genuinely liked and respected him, yet he was a loner and workaholic whose focus on politics overshadowed his personal life. Carson and Johnson devote a chapter to the famous Udall sense of humor. They also look sensitively at his role as a husband and father and at his proud and stubborn bout with Parkinson's disease. Mo Udall will long be remembered for his contributions to environmental legislation, for his unflagging efforts in behalf of Arizona, and for the gentle humor with which he conducted his life. This book secures his legacy.
The Norton Critical Edition of this influential Harlem Renaissance novel includes related materials available in no other edition. Known only as the “Ex-Colored Man,” the protagonist in Johnson’s novel is forced to choose between celebrating his African American heritage or “passing” as an average white man in a post-Reconstruction America that is rapidly changing. This Norton Critical Edition is based on the 1912 text. It is accompanied by a detailed introduction, explanatory footnotes, and a note on the text. The appendices that follow the novel include materials available in no other edition: manuscript drafts of the final chapters, including the original lynching scene (chapter 10, ca. 1910) and the original ending (chapter 11, ca. 1908). An unusually rich selection of “Backgrounds and Sources” focuses on Johnson’s life; the autobiographical inspirations for The Autobiography of an Ex-Colored Man; the cultural history of the era in which Johnson lived and wrote; the noteworthy reception history for the 1912, 1927, and 1948 editions; and related writings by Johnson. In addition to Johnson, contributors include Eugene Levy, W. E. B. Du Bois, Carl Van Vechten, Blanche W. Knopf, and Victor Weybright among others. The four critical essays and interpretations in this volume speak to The Autobiography of an Ex-Colored Man’s major themes, among them irony, authorship, passing, and parody. Assessments are provided by Robert B. Stepto, M. Giulia Fabi, Siobhan B. Somerville, and Christina L. Ruotolo. A chronology of Johnson’s life and work and a selected bibliography are also included, as well as six images.
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