The New Guidebook for Pastors is written in the tradition of classics like Criswell's Guidebook for Pastors. But since most pastoral guidebooks available today date back to 1980 or earlier, this new resource by Mac Brunson and James W. Bryant will offer fresh experience-based encouragement to all pastors in their pursuit of excellence and development in their God-called profession. Among the twenty chapters are "The Pastor and His Call," "The Pastor and His Family," "The Pastor and His Staff," "The Pastor and Worship," "The Pastor and Finances," "The Pastor, Wedding, and Funerals," "The Pastor, Politics, and Moral Issues," and "The Pastor and His Denomination.
In 1902, Professor Woodrow Wilson took the helm of Princeton University, then a small denominational college with few academic pretensions. But Wilson had a blueprint for remaking the too-cozy college into an intellectual powerhouse. The Making of Princeton University tells, for the first time, the story of how the University adapted and updated Wilson's vision to transform itself into the prestigious institution it is today. James Axtell brings the methods and insights from his extensive work in ethnohistory to the collegiate realm, focusing especially on one of Princeton's most distinguished features: its unrivaled reputation for undergraduate education. Addressing admissions, the curriculum, extracurricular activities, and the changing landscape of student culture, the book devotes four full chapters to undergraduate life inside and outside the classroom. The book is a lively warts-and-all rendering of Princeton's rise, addressing such themes as discriminatory admission policies, the academic underperformance of many varsity athletes, and the controversial "bicker" system through which students have been selected for the University's private eating clubs. Written in a delightful and elegant style, The Making of Princeton University offers a detailed picture of how the University has dealt with these issues to secure a distinguished position in both higher education and American society. For anyone interested in or associated with Princeton, past or present, this is a book to savor.
In this reference volume, more than 200 fictional feature-length movies with a primary focus on an athletic endeavor are discussed, including comedies, dramas, and biopics. Brief summaries and credit information are provided for an additional 200 films, and appendixes include made-for-teleivion movies and documentaries.
Known as the "Man in the Brown Suit" and the "Baron of the Bluegrass," Adolph Rupp (1901–1977) is a towering figure in the history of college athletics. In Adolph Rupp and the Rise of Kentucky Basketball, historian James Duane Bolin goes beyond the wins and losses to present the fullest account of Rupp's life to date based on more than one-hundred interviews with Rupp, his assistant coaches, former players, University of Kentucky presidents and faculty members, and his admirers and critics, as well as court transcripts, newspaper accounts, and other archival materials. His teams won four NCAA championships (1948, 1949, 1951, and 1958), the 1946 National Invitation Tournament title, and twenty-seven Southeastern Conference regular season titles. Rupp's influence on the game of college basketball and his impact on Kentucky culture are both much broader than his impressive record on the court. Bolin covers Rupp's early years—from his rural upbringing in a German Mennonite family in Halstead, Kansas, through his undergraduate years at the University of Kansas playing on teams coached by Phog Allen and taking classes with James Naismith, the inventor of basketball—to his success at Kentucky. This revealing portrait of a pivotal figure in American sports also exposes how college basketball changed, for better or worse, in the twentieth century.
The purpose of this book is to document the naval operations that took place during the American Revolution. These can be divided into two parts: those that took place before the French intervention of 1778, and those that took place thereafter"--Introduction
The book documents the maritime history and the 2018/2019 archaeological fieldwork and laboratory and historical research to identify the wreck of notorious schooner Clotilda in Mobile Bay. Clotilda was owned by Alabama businessman Thomas Meaher, who, on a dare, equipped it to carry captured Africans from what is now Benin and bring them to Alabama in 1860, some fifty years after the import of the enslaved was banned. The boat carried perhaps 110 Africans, and, on approaching Mobile Bay, the captives were unloaded and dispersed by river steamer/s to plantations upriver. To hide the evidence, Clotilda was set afire and sunk. Apparently, the site of the wreck was an open secret but lost from memory for a time. Various surveys through the years failed to locate the ship. In 2018, Al.com reporter Ben Raines identified a shipwreck near Twelvemile Island, and the story attracted international attention. Researcher partners, including Delgado and coauthors in the crew, determined that this was not the Clotilda. In 2019, on another investigative mission to locate the Clotilda, Delgado and crew compared the remains of a schooner and determined that it was the Clotilda. The Alabama Historical Commission and the descendent community of Africatown, where survivors of the Clotilda made their lives post-Emancipation, are making plans for commemoration of the site and the remains of the ship, if it is possible to salvage and preserve out of water. The book takes two tacks. First it serves as a nautical biography of Clotilda. After reviewing the maritime trade in and out of Mobile Bay, it places the Clotilda within the larger landscape of American and Gulf of Mexico schooners and covers its career before being used as a slave ship. Delgado et al. reconstruct Clotilda's likely appearance and characteristics. The second tack is the archaeological assessment of the wreck. The book also places the wreck within the context of a ship's graveyard in a "back water" of the Mobile River. Delgado et al. discuss the various searches for Clotilda. Detailing of the forensic and other analyses shows how those involved concluded that this wreck was indeed the Clotilda"--
Set in New York City after the melting of the polar ice caps, an independent loner along with his cat and only friend, navigates the flooded city as he tries to live another day. Each morning he sails in search of food, crossing paths with others from this makeshift community--from outsiders like himself to the depraved and ruthless elite--all struggling to maintain a sense of normalcy in a city drowned in its past. But everything changes when he encounters both a mysterious woman and a trapped blue whale. Will they be each other's salvation . . . or destruction? An eco-fiction fable of epic proportions, POST YORK is an expansion of the Eisner nominated one-shot, and includes an environmental fact sheet, and other bonus material. JAMES ROMBERGER is an Eisner-nominated cartoonist, fine artist and artist of the graphic novels 7 Miles a Second, The Late Child and Other Animals, Bronx Kill and Aaron and Ahmed. "James Romberger...is in the highest horror-comics tradition."--The New York Times Book Review "Romberger's art is a fine version of bony realism - his figures are so casually realistic, you can almost see the joints moving."--Entertainment Weekly "James Romberger's Post York is a set of three alluvial nightmares that talk about what small changes can do in the New York we are heading to all too quickly. It makes one aspect of climate change distressingly real... it's good to see a fine artist drawing about it seriously."--Samuel R. Delany, Dhalgren and Through the Valley of the Nest of Spiders "Told in a brutal use of light and shadow, this desolate tale of post-apocalypse sucker-punches you with...of all things...hope."-- Matt Kindt, Bang!, Ether, Dept.H "Post York casts deep human drama against an epic canvas with wonderful artwork by James Romberger. Highy recommended."--Jeff Lemire, Sweet Tooth, Black Hammer and Old Man Logan "(Post York is) beautiful on multiple levels. It shouldn't be this rare to see sequential art be so precise and open-hearted at the same time. We also shouldn't be seeing this world burn and drown, but here we are."--Ales Kot, Zero, Winter Soldier and Material
Russell's meticulously researched and highly detailed book presents a critically important people's history of North America. It provides rich insights and demonstrates the potential of comparative research to broaden our perspective." - Dan Zuberi, University of British Columbia
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