The first woman to gain a pilot's licence in the Commonwealth outside Britain, Millicent Bryant steps onto the Sydney Harbour Ferry, Greycliffe, to return home on a sunny November afternoon in 1927. But just off Bradley's Head, the Greycliffe is rammed and sunk by a passenger ship and, in the moments of her drowning, Millicent's recent life and flying achievements rise like final bubbles of breath from the wreckage. Ninety years later, this innovative biographical work, based on Millicent's rediscovered letters and writings, tells the 'lost' life of a highly individual, modern woman whose passions took her not only to the sky but beyond it. Entrepreneur, student of Japanese, early motorist, mother of three, would-be novelist, politically engaged citizen - and woman wih a hidden love - this was Millicent Bryant, aviator.
The Portuguese Inquisition is often portrayed as a tyrannical institution that imposed itself on an unsuspecting and impotent society. The men who ran it are depicted as unprincipled bandits and ruthless spies who gleefully dragged their neighbors away to rot in dark, pestilential prisons. In this new study, based on extensive archival research, James E. Wadsworth challenges these myths by focusing on the lay and clerical officials who staffed the Inquisition in colonial Pernambuco, one of Brazil's oldest, wealthiest, and most populated colonies. He argues that the Inquisition was an integral part of colonial society and that it reflected and reinforced deeply held social and religious values that crossed the Atlantic, recreated themselves in colonial Brazil, and became powerful tools for exclusion and promotion in Brazilian society. The Inquisition successfully appropriated widely held social norms and manipulated social tensions to create and recreate its own power and prestige for almost three hundred years. It finally declined only when its capacity to socially promote its officials diminished in the late eighteenth century. Agents of Orthodoxy places the men who ran the Inquisition in historical context and demonstrates that they were often motivated by social aspirations in seeking inquisitional appointments. Beautifully written and extensively researched, this book sheds new light on a long-standing institution and its participants.
James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.
This new edition of An Introduction to Canon Law has been updated to reflect changes and adaptations in canon law, as well as to uncover new resources in the field. It offers an introductory orientation to all of canon law, it outlines and overviews the various specialized areas of the law, and it sketches the structure and function of the offices within the church and how they relate to one another. The book gives historical perspectives, and focuses on the rights and duties of Catholics in the church.
On the night of November 4th 1605, the English authorities uncovered an alleged plot by a group of discontented Catholics to blow up the Houses of Parliament with the lords, princes, queen and king in attendance. The failure of the plot is celebrated to this day and is known as Guy Fawkes Day. In Poets, Players and Preachers, Anne James explores the literary responses to the discovery of the Gunpowder Plot in poetry, drama, and sermons. This book is the first full-length study of the literary repercussions of the conspiracy. By analyzing the genres of poems, plays, and sermons produced between 1605 and 1688, the author argues that not only did the continuous reinterpretation of the conspiracy serve religious and political purposes but that such literary reinterpretations produced generic changes.
But Flint's extensive research in the Vatican archives finds that even the most skillful British campaign would have found it difficult to set up diplomatic relations that, for the most part, the Papal government did not want.".
Documents the early 20th-century battle against Muslim insurgents in the southern Philippines, discussing the fierce debates between military supporters and peace advocates while offering insight into the challenges faced by U.S. forces and the contributions of future general John Pershing. 20,000 first printing.
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