Taiwan is a peculiar place resulting in a peculiar cinema, with Hou Hsiao-hsien being its most remarkable product. Hou’s signature long and static shots almost invite critics to give auteurist readings of his films, often privileging the analysis of cinematic techniques at the expense of the context from which Hou emerges. In this pioneering study, James Udden argues instead that the Taiwanese experience is the key to understanding Hou’s art. The convoluted history of Taiwan in the last century has often rendered fixed social and political categories irrelevant. Changing circumstances have forced the people in Taiwan to be hyperaware of how imaginary identity—above all national identity—is. Hou translates this larger state of affairs in such masterpieces as City of Sadness, The Puppetmaster, and Flowers of Shanghai, which capture and perhaps even embody the elusive, slippery contours of the collective experience of the islanders. Making extensive uses of Chinese sources from Taiwan, the author shows how important the local matters for this globally recognized director. In this new edition of No Man an Island, James Udden charts a new chapter in the evolving art of Hou Hsiao-hsien, whose latest film, The Assassin, earned him the Best Director Award at the Cannes Film Festival in 2015. Hou breaks new ground in turning the classic wuxia genre into a vehicle to express his unique insight into the working of history. The unconventional approach to conventions is quintessential Hou Hsiao-hsien. “An excellent and groundbreaking volume. This book’s very precise analyses of the films as well as their context make it the primary source for any scholar working on Hou in English.” —Chris Berry, King’s College London “In this first book-length study on Hou Hsiao-hsien James Udden illuminates the most intriguing yet mystifying filmmaker in world cinema. No Man an Island is without doubt a major contribution to the fields of Chinese-language cinema and film studies.” —Emilie Yueh-yu Yeh, Lingnan University, Hong Kong
Dr. Lester Adelson's original The Pathology of Homicide has been described as a "superb textbook" and "without doubt…the best written book of its type in the English language" by Dr. Charles Hirsch. This new, revised edition preserves Dr. Adelson's eloquent and articulate voice, while bringing the subject matter up to date. Since the first edition was published in 1974, Dr. Adelson’s book was a treasured text among many forensic pathologists. The “aging” of the book, however, made it less appealing to the new generation of forensic pathologists, and Dr. Adelson’s important contribution to forensic pathology was at risk of being lost. Although much has changed in forensic pathology in the ensuing nearly fifty years since it was first written, much also has stayed the same. In this new edition, the author, Dr. James Gill—Chief Medical Examiner of the State of Connecticut and past president of the National Association of Medical Examiners—preserves the voice, vision, and wisdom of Dr. Adelson while updating the forensic pathology material. The author has included nearly 700 all new color images. In addition, the references have been updated with over 4,400 citations. Six new chapters and sections have been added, including death certification, elder abuse, pediatric head injury, drugs of misuse, histopathology, and bereavement. Other updates are included on DNA technology, CT scans, and novel drugs. Although primarily concerned with homicides, there is the need to be able to recognize natural, accidental, and suicidal deaths; therefore, these topics are interspersed in the text to give the appropriate context. This book will help the reader understand the details of injuries and how a person was injured, why they died, and how these injuries, perhaps at first blush seemingly insignificant, can shed new light on a death investigation. It is the author’s hope to get this book to the next generation of forensic pathologists.
Taiwan is a peculiar place resulting in a peculiar cinema, with Hou Hsiao-hsien being its most remarkable product. Hou’s signature long and static shots almost invite critics to give auteurist readings of his films, often privileging the analysis of cinematic techniques at the expense of the context from which Hou emerges. In this pioneering study, James Udden argues instead that the Taiwanese experience is the key to understanding Hou’s art. The convoluted history of Taiwan in the last century has often rendered fixed social and political categories irrelevant. Changing circumstances have forced the people in Taiwan to be hyperaware of how imaginary identity—above all national identity—is. Hou translates this larger state of affairs in such masterpieces as City of Sadness, The Puppetmaster, and Flowers of Shanghai, which capture and perhaps even embody the elusive, slippery contours of the collective experience of the islanders. Making extensive uses of Chinese sources from Taiwan, the author shows how important the local matters for this globally recognized director. In this new edition of No Man an Island, James Udden charts a new chapter in the evolving art of Hou Hsiao-hsien, whose latest film, The Assassin, earned him the Best Director Award at the Cannes Film Festival in 2015. Hou breaks new ground in turning the classic wuxia genre into a vehicle to express his unique insight into the working of history. The unconventional approach to conventions is quintessential Hou Hsiao-hsien. “An excellent and groundbreaking volume. This book’s very precise analyses of the films as well as their context make it the primary source for any scholar working on Hou in English.” —Chris Berry, King’s College London “In this first book-length study on Hou Hsiao-hsien James Udden illuminates the most intriguing yet mystifying filmmaker in world cinema. No Man an Island is without doubt a major contribution to the fields of Chinese-language cinema and film studies.” —Emilie Yueh-yu Yeh, Lingnan University, Hong Kong
The primary goal here is to present a treatise on the significance and value of coarse clastic carbonate sediments (i.e. large coral boulders) on tropical coastlines for understanding both modern and pre-historical (Holocene) high-magnitude marine inundation events. There has been a rapid groundswell of interest in large carbonate blocks on tropical coasts over the last decade, yet it is not widely appreciated that such features were observed and recorded back in the early explorations of Matthew Flinders on the Great Barrier Reef in the 1800s. This book will illuminate how various characteristics of datable carbonate blocks torn up from coral reefs and deposited on reef platforms yield importance evidence about the storms and tsunamis that emplaced them over decadal and centennial timescales. No comprehensive review has so far been published. A need now exists for a ‘definitive reference’ on coral boulder research, which details the earliest observations, changing terminology, sedimentology, and relevance for coastal hazard research in the tropics. A wide range of examples will be incorporated from across Asia, Australia, the Pacific and the Americas, as well as a full up-to-date review of the existing literature.
This book describes how sand dunes work, why they are the way they are in different settings, and how they are being studied. Particular attention is paid to their formation and appearance elsewhere in the solar system. New developments in knowledge about dunes make for an interesting story – like the dunes themselves, dune science is dynamic – and the visual appeal of Aeolian geomorphology ensures that this is an attractive volume. The book is divided into 4 parts, the first of which introduces dunes as a planetary phenomenon, showing a landscape reflecting the balance of geological processes – volcanism, impact, tectonics, erosion, deposition of sediments. Dunes are then considered as emergent dynamical systems: the interaction of sand and wind conspires to generate very characteristic and reproducible shapes. Analogies are given with other emergent structures such as patterned ground before the influence of dunes on desert peoples and infrastructure is studied, together with their use as forensic climatological indicators. Dune Physics is looked at with regard to the mechanics of sand, the physics of wind, saltation – interaction of sand and air – dunes versus ripples and transverse Aeolian ridges, the classification of dune morphology and the sources and sinks of sand. Dune Trafficability considers soil mechanics, effects on mobility on Earth, Mars and elsewhere. In the second part, Earth, Mars, Titan and other moons and planets are examined, beginning with a survey of the major deserts and dunefields on Earth. The authors then turn to Mars and its environment, sediment type, dune stratigraphy, sediment source and sinks and the association of dunes with topographic features. Titan follows - its thick, cold atmosphere, methane dampness, low gravity, morphology – interaction with topography and the implications of dunes for climate and winds. Dunes elsewhere conclude this part. There are few dunefields on Venus, but there is a .possibility of Aeolian transport on Triton and volcanic-related windstreaks on Io.
Designated a Doody's Core Title! "This is an excellent tool for anyone preparing to take the national licensing exam or a current licensed administrator needing a good review." Score: 93, 4 Stars. --Doody's Medical Reviews This revised and updated study guide is based on the same format as the actual exam and provides an easy-to-use, effective way to review essential concepts and practice test-taking skills. This up-to-date guide reflects the latest changes in the domains of practice for nursing home administrators covering core information on nursing governance, business and finance, human resources, and resident and patient care nursing. New questions and answers are included in this study guide to reflect the revised sixth edition of Nursing Home Administration to cover new laws and regulations, federal guidelines to surveyors, quality indicators, resident assessment instrument, safety code inspection process, and new ICDM-10. With over 800 test questions, 1,000 key terms and concepts, and answer keys (some with full explanations) -- this is the essential resource for anyone looking to pass the licensing exam.
Transnational Representations focuses on a neglected period in Taiwan film scholarship: the golden age of the 1960s and 1970s, which saw innovations in plot, theme and genre as directors highlighted the complexities of Taiwan’s position in the world. Combining a concise overview of Taiwan film history with analysis of representative Taiwan films, the book reveals the internal and external struggles Taiwan experienced in its search for global identity. This cross-disciplinary study adopts a transnational approach which presents Taiwan’s film industry as one that is intertwined with that of mainland China, challenging previous accounts that present the two industries as parallel yet separate. The book also offers productive comparisons between Taiwan films and contemporary films elsewhere representing the politics of migration, and between the antecedents of new cinema movements and Taiwan New Cinema of the 1980s. “James Wicks’s book offers a most nuanced, sensible, and timely account of the 1960s to 1970s Taiwan films in terms of plot, theme, language, and generic innovations. It zooms in on works by such prominent directors as Li Xing, Bai Jingrui, Song Cunshou, and others, highlighting local, regional, and transnational flows, while not losing sight of the complexities in the island-state’s identity and modernity formation processes.” —Ping-hui Liao, University of California, San Diego “Wicks’s engaging study forges a comparative approach to Taiwanese cinema that is enlivened and inspired by the possibility of close reading, historical research, and interviews. Most importantly, it draws attention to seminal films so rarely discussed in the English language.” —Brian Hu, artistic director of the San Diego Asian Film Festival
Independent Pasts has a very large range of apeal. It is a must read for all motorcycle enthusiests, as well as an insightful look at the process necessary to patch up relationships that have wandered off track. The mother of the author insists that it tells an important story of the importance of good, strong adult male relationships (in a healthy way). Guaranteed to make you laugh out loud and shed a soft tear, this adventure filled memoir is an easy read that you will not want to put down.
Take this book to the beach; it will open up a whole new world. Illustrated throughout with color photographs, maps, and graphics, it explores one of the planet’s most dynamic environments—from tourist beaches to Arctic beaches strewn with ice chunks to steaming hot tropical shores. The World’s Beaches tells how beaches work, explains why they vary so much, and shows how dramatic changes can occur on them in a matter of hours. It discusses tides, waves, and wind; the patterns of dunes, washover fans, and wrack lines; and the shape of berms, bars, shell lags, cusps, ripples, and blisters. What is the world’s longest beach? Why do some beaches sing when you walk on them? Why do some have dark rings on their surface and tiny holes scattered far and wide? This fascinating, comprehensive guide also considers the future of beaches, and explains how extensively people have affected them—from coastal engineering to pollution, oil spills, and rising sea levels.
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