In the grim decades after the Civil War, Southerners dreamed of industrial growth and agricultural diversification. In this study, Mr. Moore traces the development and changes that took place in the Old Dominion during these troubled postbellum years. The state's massive debt burden touched off an upheaval, splintering the electorate into competing Funder and Readjuster factions. The Funders, composed largely of the conservative farmers of eastern Virginia and the commercial classes of the towns, were committed to pay off Virginia's prewar debt in full. The Readjusters, drawing their support from the fringe elements of society, sought a more realistic, downward adjustment of the debt.
Despite the renewed interest in Frank Lloyd Wright and the increasing body of literature that has illuminated his career, the deeper meaning of his architecture continues to be elusive. His own writings are often interesting commentaries but tend not to enlighten us as to his design methodology, and it is difficult to make the connection between his stated philosophy and his actual designs. This book is a refreshing account that evaluates Wright’s contribution on the basis of his architectural form, its animating principle and consequent meaning. Wright’s architecture, not his persona, is the primary focus of this investigation. This study presents a comprehensive overview of Wright’s work in a comparative analytical format. Wright’s major building types have been identified to enable the reader to pursue a more systematic understanding of his work. The conceptual and experiential order of each building group is demonstrated visually with specially developed analytical illustrations. These drawings offer vital insights into Wright’s exploration of form and underscore the connection between form and principle. The implications of Wright’s work for architecture in general serves as an important underlying theme throughout. This volume also integrates the research of several noted scholars to clarify the interaction of theory and practice in Wright’s work, as well as the role of formal order in architectural experience in general. By seeing how Wright integrates his intuitive and intellectual grasp of design, the reader will build a keen awareness of the rational and coherent basis of his architecture and its symbiotic relationship with emotional, qualitative reality. A graphic taxonomy of plans of Wright’s building designs helps the reader focus on specific subjects. Among the diverse areas covered are sources and influences of Wright’s work, domestic themes and variations, public buildings and skyscraper designs, and the influence of site on design. Complete with a chronology of the master architect’s work, Frank Lloyd Wright: Between Principle and Form is an important reference for students, architects and architectural historians.
Essays, drawings, plans, and over 200 black-and-white photographs document the courtyard housing in Los Angeles. The style, expressed in both grand and humble dwellings, was at its height in the 1920's and 1930's, but is still around to provide privacy and greenspace in the dense urban area. Annotation copyright by Book News, Inc., Portland, OR
In The One Voice of James Dickey, Gordon Van Ness skillfully documents James Dickey's growth from a callow teen interested primarily in sports to a mature poet who possessed literary genius and who deliberately advanced himself and his career. The letters from 1942 through 1969 depict Dickey gradually establishing a self-identity, deciding to write, struggling to determine a subject matter and style, working determinedly to gain initial recognition, and eventually seeking out the literary establishment to promote himself and his views on poetry. The letters also portray a complex personality with broad interests, acute intelligence, and heightened imagination as well as a deep need to re-create his past and assume various roles in the present." "From Dickey's extensive correspondence, Van Ness has selected not only those letters that best reveal the chronological development of Dickey's career and his conscious efforts to chart its course, but also those that portray his other interests and depict the various features of his personality. The letters are grouped by decade, with each period placed in perspective by a critical introduction. The introductory sections offer a psychological understanding of Dickey's personality by identifying the needs and fears that affected his actions. They also explain the American literary and cultural scene that Dickey confronted as he matured. Together, the letters and commentary yield a sense of Dickey's complex personality - both the man as a writer and the writer as a man - while arguing that he remained "one voice."" "Because how a writer writes - the appearance of a writer's words on a page - makes a statement, the letters are reproduced here without alterations. There are no silent deletions or revisions; the original spelling and punctuation have been preserved. Dickey's letters gathered in The One Voice of James Dickey portray a poet's consciousness, chronicling its growth and revealing its breadth. They do not contain the whole truth, but they are what we have."--Jacket.
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