The WISP series (short for Wonderfully Illustrated Short Pieces) represents an ingenious marriage of two creative forces: the artistry of today's foremost children's book illustrators and the literary legacy of beloved authors of popular short works for adults. The resulting offspring of this union are captivating, full-color illustrated editions of timeless classics that readers will want to savor and collect. For the first time ever, the series makes selected popular short works previously offered only in collections available in a unique, stand-alone format. Also for the first time, WISPs harness the talents of top children's book illustrators for the benefit and delight of a new, older audience. The unique appeal of WISPs is brought to life in Marc Simont's The Secret Lives of Walter Mitty and James Thurber, which imaginatively renders the fantastic adventures of the famed protagonist in Thurber's beloved story, first published in 1939. Also included in this edition are Simont's renderings of Thurber's tongue-in-cheek autobiographical essay "The Secret Life of James Thurber", which first appeared in The New Yorker in 1943 and is not widely available. These one-of-a-kind, attractively priced and invitingly formatted illustrated editions will make a great impulse buy with broad appeal.
In Conversations with James Thurber this remarkable man who has been called America¿s twentieth-century Mark Twain and who was one of the great talkers of his time expresses his opinions on just about everything and recounts stories and anecdotes about his life which provided the basis for much of his humor writing. These entertaining interviews, conducted by Arthur Miller, Harvey Breit, George Plimpton, Arthur Gelb, and others, span twenty-two years, from 1939--1961. In them Thurber recalls his youth in Columbus, Ohio, his struggles as a student at Ohio State University, and his days of literary and journalistic apprenticeship in Europe as a code clerk and newspaperman who had to recreate entire stories from a few words of coded copy provided by the wire service. He tells too of his early days in New York City when he joined the staff of The New Yorker, of the origins of his drawings, of the pleasures that word games and mental puzzles gave him, and of his increasing blindness and its effect on his work and his perception of the world. As a man who like to express his opinions and to have an audience, Thurber enjoyed interviews and rarely refused to grant them. With the interview format he became so skilled that he perfected the interview-monologue into a Thurberesque art form, the oral equivalent of the autobiographical essay that he refined in his prose.
James Thurber was a comedic genius. His fables are not simply parodies of Aesop. They are wry, accurate, and powerful reflections of ourselves, our foibles, our follies, and, above all, our self-importance. And they are very, very funny." --Neil Gaiman James Thurber has been called “one of the world’s greatest humorists” by Alistair Cooke (TheAtlantic), and “one of our great American institutions” (Stanley Walker)—and few works reveal Thurber’s genius as powerfully as his fables. Perennially entertaining and astutely satirical, Thurber pinpricks the idiosyncrasies of life with verbal frivolity, hilarious insights, political shrewdness, and, of course, quirky, quotable morals. Now, readers can savor 85 fables by the twentieth century’s preeminent humorist collected for the first time in a single anthology. Here, Fables for Our Time, Further Fables for Our Time, and ten previously uncollected fables—illustrated by ten contemporary artists including Seymour Chwast, Mark Ulriksen, Laurie Rosenwald, and R. O. Blechman—are presented in Collected Fables, a must-have for readers of all ages.
From iconic American humorist James Thurber, a celebrated and poignant memoir about his years at The New Yorker with the magazine’s unforgettable founder and longtime editor, Harold Ross “Extremely entertaining. . . . life at The New Yorker emerges as a lovely sort of pageant of lunacy, of practical jokes, of feuds and foibles. It is an affectionate picture of scamps playing their games around a man who, for all his brusqueness, loved them, took care of them, pampered and scolded them like an irascible mother hen.” —New York Times With a foreword by Adam Gopnik and illustrations by James Thurber At the helm of America’s most influential literary magazine from 1925 to 1951, Harold Ross introduced the country to a host of exciting talent, including Robert Benchley, Alexander Woollcott, Ogden Nash, Peter Arno, Charles Addams, and Dorothy Parker. But no one could have written about this irascible, eccentric genius more affectionately or more critically than James Thurber, whose portrait of Ross captures not only a complex literary giant but a historic friendship and a glorious era as well. "If you get Ross down on paper," warned Wolcott Gibbs to Thurber," nobody will ever believe it." But readers of this unforgettable memoir will find that they do. Offering a peek into the lives of two American literary giants and the New York literary scene at its heyday, The Years with Ross is a true classic, and a testament to the enduring influence of their genius.
One of the greatest American humorists of our century, Thurber was not a man to shrink from danger--as long as he was safely ensconced behind his typewriter or drawing board. Here is a collection of ruminations on everyday villainy--stories, articles and drawings on the evil that men and women do. 32 line drawings.
In Conversations with James Thurber this remarkable man who has been called America¿s twentieth-century Mark Twain and who was one of the great talkers of his time expresses his opinions on just about everything and recounts stories and anecdotes about his life which provided the basis for much of his humor writing. These entertaining interviews, conducted by Arthur Miller, Harvey Breit, George Plimpton, Arthur Gelb, and others, span twenty-two years, from 1939--1961. In them Thurber recalls his youth in Columbus, Ohio, his struggles as a student at Ohio State University, and his days of literary and journalistic apprenticeship in Europe as a code clerk and newspaperman who had to recreate entire stories from a few words of coded copy provided by the wire service. He tells too of his early days in New York City when he joined the staff of The New Yorker, of the origins of his drawings, of the pleasures that word games and mental puzzles gave him, and of his increasing blindness and its effect on his work and his perception of the world. As a man who like to express his opinions and to have an audience, Thurber enjoyed interviews and rarely refused to grant them. With the interview format he became so skilled that he perfected the interview-monologue into a Thurberesque art form, the oral equivalent of the autobiographical essay that he refined in his prose.
James Thurber has been called "one of our great American institutions' (Stanley Walker), "a magnificent satirist (Boston Transcript), and "a Joyce in false-face" (New York Times). The New York Herald Tribune submits that he is "as blithe as Benchley...as savage as Swift...surprisingly wise and witty," while the Times of London, out of enthusiasm and a profound regard for truth, proclaims that "Thurber is Thurber." In Fables for Our Time, Thurber the Moralist is in the ascendancy. Here are a score or more lessons-in-prose dedicated to conventional sinners and proving--what you will. The fables are imperishably illustrated, and are supplemented by Mr. Thurber's own pictorial interpretations of famous poems in a wonderful and joyous assemblage.
A comprehensive collection of the American humorist’s best work—including “The Secret Life of Walter Mitty”—plus original drawings and a chronology of Thurber’s own troubled life James Thurber, whimsical fantasist and deadpan chronicler of everyday absurdities, brought American humor into the 20th century. His comic persona, a modern city-dweller whose zaniest flights of free association are tinged with anxiety, remains hilarious, subtly disturbing, and instantly recognizable. Here, in over 1,000 pages, editor Garrison Keillor presents the best and most extensive collection ever assembled. Pieces include “The Secret Life of Walter Mitty” and “The Catbird Seat,” the brilliantly satirical Fables for Our Time, the classic My Life and Hard Times, and the best of The Owl in the Attic, Let Your Mind Alone!, My World—And Welcome to It, and the other famous books. Plus 500 wonderful drawings, including The Seal in the Bedroom and celebrated sequences like “The Masculine Approach” and “The War Between Men and Women.” Rounding out the volume is a selection from The Years with Ross, a memoir of the New Yorker publisher, and a number of wonderful early pieces never collected by Thurber. Only a book of this scope can do justice to Thurber’s extraordinary career and to the many unexpected turns of his comic genius. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
One of the greatest American humorists of our century, Thurber was not a man to shrink from danger--as long as he was safely ensconced behind his typewriter or drawing board. Here is a collection of ruminations on everyday villainy--stories, articles and drawings on the evil that men and women do. 32 line drawings.
Walter Mitty, a mild-mannered forty-year-old man, drives into Connecticut with his wife for their weekly shopping trip. Tired of his drab, schedule-driven life, Walter escapes into five elaborate daydreams, and finally becomes the hero he always hoped to be. “The Secret Life of Walter Mitty” was originally published in a 1939 issue of The New Yorker. It is considered to be an American classic, and author James Thurber’s masterpiece. It has been adapted for film, first in 1947, and most recently for the 2013 feature film starring Ben Stiller and Kristen Wiig. HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short stories collection to build your digital library.
Great American humorist James Thurber’s beloved, madcap, and eerily timely fairy tale about an island society robbed of the wonders of the letter O—in a stunning Deluxe Edition featuring flaps, deckle-edged paper, and the original, full-color illustrations Littlejack has a map that indicates the existence of a treasure on a far and lonely island, and Black has a ship to get there. So the two bad men team up and sail off on Black’s vessel, the Aeiu. The name, Black explains, is all the vowels except for O—which he hates since his mother got wedged in a porthole: They couldn’t pull her in, so they had to push her out. Black and Littlejack arrive at the port and demand the treasure. No one knows anything about it, so they have their henchmen ransack the place—to no avail. But Black has a better idea: He will take over the island and purge it of O. (“I'll issue an edict!”) The harsh limits of a life sans O (where shoe is she and woe is we) and how finally with a little luck and lots of pluck the islanders shake off their overbearing interlopers and discover the true treasure for themselves (Oh yes—and get back their O’s)—these are only some of the surprises that await readers of James Thurber’s timelessly zany fairy tale about two louts who try to lock up the language—and lose. It is a tour de force of wordplay that will delight fans of Lewis Carroll, Dr. Seuss, Edward Lear, and Roald Dahl, and a timely reminder of how people can band together in the name of freedom to overthrow a tyrant. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The WISP series (short for Wonderfully Illustrated Short Pieces) represents an ingenious marriage of two creative forces: the artistry of today's foremost children's book illustrators and the literary legacy of beloved authors of popular short works for adults. The resulting offspring of this union are captivating, full-color illustrated editions of timeless classics that readers will want to savor and collect. For the first time ever, the series makes selected popular short works previously offered only in collections available in a unique, stand-alone format. Also for the first time, WISPs harness the talents of top children's book illustrators for the benefit and delight of a new, older audience. The unique appeal of WISPs is brought to life in Marc Simont's The Secret Lives of Walter Mitty and James Thurber, which imaginatively renders the fantastic adventures of the famed protagonist in Thurber's beloved story, first published in 1939. Also included in this edition are Simont's renderings of Thurber's tongue-in-cheek autobiographical essay "The Secret Life of James Thurber", which first appeared in The New Yorker in 1943 and is not widely available. These one-of-a-kind, attractively priced and invitingly formatted illustrated editions will make a great impulse buy with broad appeal.
The legendary tales of Central Ohio reach far beyond the region. Bigfoot-like creatures have been sighted in the state since the 1800s. Wright-Patterson Air Force Base was the headquarters for the military's investigations into UFO sightings in the mid-twentieth century. Some of Johnny Appleseed's earliest orchards were planted near present-day Steubenville, Mansfield and Lima, and a farm in Nova boasts the last tree planted by Appleseed. Join James A. Willis as he travels across Central Ohio and delves into the Buckeye State's stories of murderous villains, courageous heroes and even a few ghosts and monsters.
Identifies over 8,000 individuals named in Jack County Mortuary Records (1891-1959), Eastland County Marriages (1874-1882), and Erath County Birth Affidavits (1877-1920).
Pure food" became the rallying cry among a divergent group of campaigners who lobbied Congress for a law regulating foods and drugs. James Harvey Young reveals the complex and pluralistic nature not only of that crusade but also of the broader Progressive movement of which it was a significant strand. In the vivid style familiar to readers of his earlier works, The Toadstool Millionaires and The Medical Messiahs, Young sets the pure food movement in the context of changing technology and medical theory and describes pioneering laws to control imported drugs and domestic oleomargarine. He explains controversy within the pure food coalition, showing how farming and business groups sought competitive commercial advantage, while consumer advocates wished to promote commercial integrity and advance public health. The author focuses on how the public became increasingly fearful of hazards in adulterated foods and narcotic nostrums and how Congress finally achieved the compromises necessary to pass the Food and Drugs Act and the meat inspection law of 1906. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
On the lawns and porches, and in the living rooms and backyards of my threescore years, there have been more dogs, written and drawn, real and imaginary, than I had guessed before I started this roundup." Here is James Thurber, arguably the greatest humorist of the twentieth century, on all things canine. In The Dog Department, Michael J. Rosen, a literary dogcatcher of sorts, has gathered together Thurber's best in show. Here we have the stylish prose and drawings from Thurber's Dogs (which connected the words "Thurber" and "Dog" as inseparably as "Bartlett" and "Quotation," as "Emily Post" and "Etiquette"), along with unpublished material from the Thurber archives, a great sheaf of uncollected cartoons, and two dozen "Talk of the Town" miniatures from The New Yorker — the consummate dog book from an artist of extraordinary pedigree. What other author can claim to have penned his own personal breed? The Thurber hound is a creature as unmistakable as Disney's mouse or Playboy's bunny. In The Dog Department you'll find standard poodles, Scottish terriers, an Airedale, a rough collie, an American Staffordshire terrier — all Thurber family members who inspired quintessential dog tales. For instance, there's Muggs, "the dog that bit people," an avocation that, each year, required Thurber's mother to send her famous chocolates to an ever-growing list of Muggs's victims. There's also a fair share about bloodhounds, German shepherd dogs, and pugs. But what you'll find remarkable and comforting is that reading Thurber from fifty or even seventy-five years ago is akin to reading about dogs today — or about dogs from the previous century, as Thurber grew up reading — or about dogs, we hope, from this new century we've just entered. The Dog Department is proof that Thurber's work defines the canine canon.
James Thurber was a comedic genius. His fables are not simply parodies of Aesop. They are wry, accurate, and powerful reflections of ourselves, our foibles, our follies, and, above all, our self-importance. And they are very, very funny." --Neil Gaiman James Thurber has been called “one of the world’s greatest humorists” by Alistair Cooke (TheAtlantic), and “one of our great American institutions” (Stanley Walker)—and few works reveal Thurber’s genius as powerfully as his fables. Perennially entertaining and astutely satirical, Thurber pinpricks the idiosyncrasies of life with verbal frivolity, hilarious insights, political shrewdness, and, of course, quirky, quotable morals. Now, readers can savor 85 fables by the twentieth century’s preeminent humorist collected for the first time in a single anthology. Here, Fables for Our Time, Further Fables for Our Time, and ten previously uncollected fables—illustrated by ten contemporary artists including Seymour Chwast, Mark Ulriksen, Laurie Rosenwald, and R. O. Blechman—are presented in Collected Fables, a must-have for readers of all ages.
In the mid-20th century, Mickey Spillane was the sensation of not just mystery fiction but publishing itself. The level of sex and violence in his Mike Hammer thrillers (starting with I, the Jury in 1947) broke down long-held taboos and engendered a near hysterical critical backlash. Nonetheless, Spillane's influence has been felt--reflections of Hammer are visible in nearly every subsequent tough guy of fiction and film, including James Bond, Dirty Harry, Shaft, Billy Jack, and Jack Bauer. Spillane's fiction came to the screen in a series of films that include Kiss Me Deadly (1955) and The Girl Hunters (1963) with the author himself playing his private eye. These films, and television series starring Darren McGavin and Stacy Keach respectively, are examined in a lively, knowledgeable fashion by Spillane experts. Included are cast and crew listings, brief biographical entries on key persons, and a lengthy interview with Spillane.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.