A valuable resource for James Taylor fans and a fascinating read for anyone interested in autobiographical popular music of the past 50 years. What kinds of unusual musical forms and lyrical structures did American singer-songwriter James Taylor incorporate into his songs? What role did Taylor play in the introspective singer-songwriter movement of the 1970s? How did Taylor write and record songs that were inspired from his own experiences in life that touched so many other people? The Words and Music of James Taylor explores these specific topics and provides detailed critical analysis of the songs and recordings of this well-known musical icon, examining his melodic writing, his use of harmony, and his often-unappreciated tailoring of musical form to enhance his lyrical messages. The book is organized chronologically, primarily around Taylor's studio albums from 1968 to 2015, and offers an introduction, a summary of Taylor's career and importance, as well as an annotated bibliography and discography. The final section of the book presents an overview of Taylor's importance and lasting impact, an analysis of themes that run through his songs, and an explanation of how Taylor's treatment of these themes changed over the years as he matured and as the world around him changed.
A valuable resource for James Taylor fans and a fascinating read for anyone interested in autobiographical popular music of the past 50 years. What kinds of unusual musical forms and lyrical structures did American singer-songwriter James Taylor incorporate into his songs? What role did Taylor play in the introspective singer-songwriter movement of the 1970s? How did Taylor write and record songs that were inspired from his own experiences in life that touched so many other people? The Words and Music of James Taylor explores these specific topics and provides detailed critical analysis of the songs and recordings of this well-known musical icon, examining his melodic writing, his use of harmony, and his often-unappreciated tailoring of musical form to enhance his lyrical messages. The book is organized chronologically, primarily around Taylor's studio albums from 1968 to 2015, and offers an introduction, a summary of Taylor's career and importance, as well as an annotated bibliography and discography. The final section of the book presents an overview of Taylor's importance and lasting impact, an analysis of themes that run through his songs, and an explanation of how Taylor's treatment of these themes changed over the years as he matured and as the world around him changed.
Composer, critic, author, and radio personality, (Joseph) Deems Taylor (1885-1966) was one of the most influential figures in American culture from the 1920s through the 1940s. A self-taught composer, the New York City native wrote such pieces as the orchestral suite Through the Looking Glass and the acclaimed operas The King's Henchman and Peter Ibbetson, the first commissions ever offered by the Metropolitan Opera. Taylor's operatic works were among the most popular and widely performed of his day, yet he achieved greatest fame and recognition as the golden-voiced intermission commentator for the New York Philharmonic radio broadcasts and as the on-screen host of Walt Disney's classic film Fantasia. With his witty, clever, charming, and informative but unpatronizing manner, he almost single-handedly introduced classical music to millions of Americans across the nation. In this first biography of Taylor, James A. Pegolotti brings to life the remarkably multi-talented man within the context of his times. The captivating portrait recounts his formative years in the Bronx, his college years at New York University, where he composed four successive varsity musicals, his journalistic career first as a writer for the New York Tribune Sunday Magazine and then as the powerful music critic for the New York World, and his musical triumphs. Pegolotti also details Taylor's stints as editor of Musical America, president of the American Society of Composers, Authors and Publishers (ASCAP), best-selling author of Of Men and Music and other books, collaborator with Disney and Leopold Stokowski on Fantasia, and even judge for the Miss America pageant. He describes how Taylor used his critic's pulpit to champion American music, opera, and musicians, and also chronicles his colorful personal life, including his third marriage at age sixty to a twenty-year-old costume designer. Enlivened with such figures as George Gershwin, Jerome Kern, F. Scott Fitzgerald, Ayn Rand, and Taylor's fellow Algonquin Round Table tastemakers, this in-depth, well-balanced, and objective biography will stand as the definitive work on the great American composer-critic.
This scholarly analysis of the music of Taylor Swift identifies how and why she is one of the early 21st century's most recognizable and most popular stars. By the age of 13, singer-songwriter Taylor Swift had already inked a development deal with a major record label. This early milestone was an appropriate predictor of what accomplishments were to come. Now a superstar artist with an international fanbase of millions and several critically acclaimed and commercially successful albums, Swift has established herself as one of the most important musicians of the 21st century. This accessible book serves Taylor Swift fans as well as students of contemporary popular music and popular culture, critically examining all of this young artist's work to date. The book's organization is primarily chronological, covering Taylor Swift's album and single releases in order of release date while also documenting the elements of her music and personality that have made her popular with fans of country music and pop music across a surprisingly diverse age range of listeners. The chapters address how Swift's songs have been viewed by some fans as anthems of empowerment or messages of encouragement, particularly by members of the LGBTQ community, those who have been bullied or been seen as outsiders, and emerging artists. The final chapter places Swift's work and her public persona in the context of her times with respect to her use of and relationship with technology—for example, her use of social media and songwriting technology—and her expressions of a new type of feminism that is unlike the feminism of the 1970s.
Marauding outlaws, or violent rebels still bent on fighting the Civil War? For decades, the so-called “Taylor-Sutton feud” has been seen as a bloody vendetta between two opposing gangs of Texas gunfighters. However, historian James M. Smallwood here shows that what seemed to be random lawlessness can be interpreted as a pattern of rebellion by a loose confederation of desperadoes who found common cause in their hatred of the Reconstruction government in Texas. Between the 1850s and 1880, almost 200 men rode at one time or another with Creed Taylor and his family through a forty-five-county area of Texas, stealing and killing almost at will, despite heated and often violent opposition from pro-Union law enforcement officials, often led by William Sutton. From 1871 until his eventual arrest, notorious outlaw John Wesley Hardin served as enforcer for the Taylors. In 1874 in the streets of Comanche, Texas, on his twenty-first birthday, Hardin and two other members of the Taylor ring gunned down Brown County Deputy Charlie Webb. This cold-blooded killing—one among many—marked the beginning of the end for the Taylor ring, and Hardin eventually went to the penitentiary as a result. The Feud That Wasn’t reinforces the interpretation that Reconstruction was actually just a continuation of the Civil War in another guise, a thesis Smallwood has advanced in other books and articles. He chronicles in vivid detail the cattle rustling, horse thieving, killing sprees, and attacks on law officials perpetrated by the loosely knit Taylor ring, drawing a composite picture of a group of anti-Reconstruction hoodlums who at various times banded together for criminal purposes. Western historians and those interested in gunfighters and lawmen will heartily enjoy this colorful and meticulously researched narrative.
A superstar athlete’s inspiring autobiography—from his cricket-loving youth to the diagnosis of a career-ending heart condition and its aftermath. James Taylor was born in Burrough on the Hill, Leicestershire, in 1990. A sporting phenomenon from an early age, he chose to forge a life in cricket, establishing himself as one of the country’s leading batsmen and an England regular. And then tragedy struck. In April 2016, a serious heart condition left Taylor fighting for his life in the changing room. Told he faced possible death if he played cricket, or exercised, ever again, James’s bright and brilliant career was over at the age of 26. In Cut Short, Taylor reveals his route to the top. On the way, he describes how he encountered prejudice against his size and takes us through the highs and lows of his international career, including a century against the Australians and a closeup view of the unsavory nature of David Warner. With the world at his feet, Taylor reveals just what it was like to have sporting ambition snatched away right at the point of international breakthrough. He relives in breathless detail the horrific events of the day he thought he was going to die and his desolation at watching a fine sporting career torn from his grasp. At the same time he faced a battle to rebuild his life and his future, he was getting used to a body which, on several occasions, left him fearing for his existence. That James has emerged from these dark days with courage, good humor, and renewed ambition is testament to a remarkable personality.
The news is full of modern variations of the Ponzi scheme, which uses money from new investors to pay existing ones, setting up "levels" of investors to keep growing which always eventually collapse. This book uses case studies to suggest several explanations, plus helpful tips to detect Ponzi schemes and offers ways to respond.
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