The POINT BLANK READER series is dedicated to introducing you to the finest novelists in the mystery and crime fiction genres in carefully selected volumes that each include a full length novel, selected shorter fiction and other writings by the author. JAMES SALLIS is the author of the acclaimed Lew Griffin series of detective novels, multiple collections of short fiction, essays, poems, musicology, a biography of Chester Himes, and several other books. This volume includes his novels DEATH WILL HAVE YOUR EYES and RENDERINGS, numerous short stories, poems, personal essays and articles on crime writers such as Patricia Highsmith, Gerald Kersh and others. "Ever among the most unconventional and interesting writers of crime fiction." KIRKUS REVIEWS
Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there'd be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him...
From crimes of heart and crimes of violence, A CITY EQUAL TO MY DESIRE effortlessly guides you through the narrows of human existence in all its forms. In this selection of new stories, James Sallis, author of the acclaimed Lew Griffin series of detective novels, both entertains and engages the mind with stories that will linger in memory long after they've been experienced. "Sallis wants to take your experience of the world, mutate it to the edge of recognition, and then deliver it back before your eyes like a coin pulled from behind your earlobe. And in this way, he makes you see and feel, all over again, the meaning, the beauty-and, pointedly sometimes, the horror-of being human." Jack O'Connell from his introduction
As this tale opens, Turner, ex-cop, ex-con, and ex-psychotherapist, remains on the lam in rural Cypress Grove, Tennessee, escaping the demons of past lives in Memphis, but he is starting to mend. There's a developing relationship with Val Bjorn, teacher and country musician; there's the appearance of his daughter from Seattle; and there's the fact that he has come out of hibernation to accept the job as deputy sheriff of Cypress Grove. Then his boss, the kindly sheriff, is assaulted by a gang of mobbed-up toughs in the act of breaking one of their own out of the small-town jail. Turner pursues the thugs to Memphis, confronting his past and giving vent to his suppressed blood lust. Every action prompts a reaction, however, and soon the thugs return to Cypress Grove looking for some blood of their own. Sallis tells the violent tale quietly, effectively using jump cuts, flashbacks, and flashforwards to generate both suspense and, simultaneously, a sense of inevitability.
The poignant and surprising new thriller by one of America's most acclaimed writers. Few American writers create more memorable landscapes-both natural and interior-than James Sallis. His highly praised Lew Griffin novels evoked classic New Orleans and the convoluted inner space of his black private detective. More recently-in Cypress Grove and Cripple Creek-he has conjured a small town somewhere near Memphis, where John Turner-ex-policeman, ex-con, war veteran and former therapist-has come to escape his past. But the past proved inescapable; thrust into the role of Deputy Sheriff, Turner finds himself at the center of his new community, one that, like so many others, is drying up, disappearing before his eyes. As Salt River begins, two years have passed since Turner's amour, Val Bjorn, was shot as they sat together on the porch of his cabin. Sometimes you just have to see how much music you can make with what you have left, Val had told him, a mantra for picking up the pieces around her death, not sure how much he or the town has left. Then the sheriff's long-lost son comes plowing down Main Street into City Hall in what appears to be a stolen car. And waiting at Turner's cabin is his good friend, Eldon Brown, Val's banjo on the back of his motorcycle so that it looks as though he has two heads. "They think I killed someone," he says. Turner asks: "Did you?" And Eldon responds: "I don't know." Haunted by his own ghosts, Turner nonetheless goes in search of a truth he's not sure he can live with.
A man travels alone to an island. There he reflects on his life as an artist- a writer- and on the women he has loved. Soon the reader realizes that this man is on the edge of sanity, and his review of his life is his attempt to retain what he can of sanity and meaning. Renderings is a novel written so tightly that no air escapes and no impurity seeps in. Harlan Ellison says of the author: It is quite possible that speaking of Jim Sallis in the same tone as Poe and Dostoevski is not overblowing on my part. His early work indicates a mind and a talent of uncommon dimensions... He may well be one of the significant ones. New York Newsday: Sallis is a rare find...a fine prose stylist with an interest in moral struggle and a gift for the lacerating evocation of loss. Twentieth Century Fiction Writers: James Sallis's extraordinary fiction is distinguished by it honesty and meticulous artistry.
A hired assassin searching for a rival killer, a burned-out detective with a terminally ill wife and an abandoned youth surviving by his wits follow inextricably linked paths toward community acceptance in the unforgiving sunlight and sprawl of Phoenix. 20,000 first printing.
Agreeing to help a young woman who has been abducted and traumatized, Jenny Rowan finds long-buried memories coming to the surface, which sets in motion an unexpected chain of events in a world of political turmoil.
Winner of the 2019 H.R.F. Keating Award for the best biographical or critical book related to crime fiction Originally published by Gryphon Books in 1993, Difficult Lives was one of the earliest attempts to track the legacy of original paperback writers such as Jim Thompson, David Goodis and Chester Himes. The individual essays on these three first appeared in literary magazines. Difficult Lives visits a rare moment when daylight was showing around the seams of American society and visions quite in contrast to the sanctioned version drifted to the surface in books one bought off racks in drugstores and bus stations -- stark, bonelike, disturbing books. We're pleased to make Difficult Lives available again, doubling your pleasure by pairing it with Hitching Rides, an equal volume of new essays on other crime writers including Derek Raymond, Jean-Patrick Manchette, Patricia Highsmith and Shirley Jackson.
Over the past five years, James Sallis has created three of the most acclaimed mysteries published in America, each of them featuring the complex John Turner--former cop, therapist, and an ex-con, trying to escape his past, yet ever involved in the small community somewhere near Memphis where he has sought refuge. The Turner Trilogy--concise, elegiac, memorable--collects these three classics in one paperback volume.
The mystery of private investigator Lew Griffin is revealed in the conclusion of this critically acclaimed, groundbreaking series. In his old house in uptown New Orleans, Lew Griffin stands alone in a dark room, looking out. Behind him on the bed is a body. Instead of speaking, he reflects on his life—his failing relationship, his missing son, the fact that he hasn’t written in years—and how the two of them ended up there. In a novel as much about identity as about crime, the answers to Lew’s personal mysteries begin to become clear in the series’ brilliantly constructed climax.
With this flashback novel to Lew Griffin’s past, James Sallis takes readers to 1960s New Orleans, a sun-baked city of Black Panthers and other separatists. A sniper has fatally shot five people. When the sixth victim is killed, Lew Griffin is standing beside her. Though they are virtual strangers, it is left to Griffin to avenge her death, or at least to try and make some sense of it. His unlikely allies include a crusading journalist, a longtime supplier of mercenary arms and troops, and a bail bondsman.
In his acclaimed career, James Sallis has created some of the most finely drawn protagonists in crime fiction, all of them memorable observers of the human condition: Lew Griffin, the existential black New Orleans private investigator; retired detective John Turner; the unnamed wheelman in Drive. Dr. Lamar Hale will now join the ranks of Sallis's finest characters. In the woods outside the town of Willnot in rural Virginia, the remains of several people have suddenly been discovered, unsettling the community and Hale, the town's all-purpose general practitioner, surgeon, and town conscience. At the same time, Bobby Lowndes--military records disappeared, of interest to the FBI--mysteriously re-appears in his home town, at Hale's door. "Willnot was a lake into which rocks had been thrown; mud still swirled." Over the ensuing months, the daily dramas Hale faces as he tends to his town and to his partner, Richard, bump up against the inexplicable vagaries of life in Willnot. And when a gunshot aimed at Lowndes critically wounds Richard, Hale's world is truly upended. Just as great artists can draw a face and create a presence in a few brush strokes, James Sallis conjures indelible characters and scenes in a few sentences. In its brilliant conciseness Willnot presents an unforgettable world. "You live with someone year after year, you think you've heard all the stories," Lamar observes, "but you never have.
Lew Griffin, now fifty years old, has abandoned his former career as a New Orleans private investigator for the safety of teaching. But his old life draws him back. One of the very few lights from Lew Griffin’s dark and violent past has flickered out. His one-time lover, LaVerne Adams, is dead—and her daughter, Alouette, has vanished into a seamy, dead-end world of users and abusers, leaving behind a critically fragile premature infant daughter. Griffin is determined to keep his distance from the dangers of the New Orleans night. But his inescapable obligation to an old friend keeps bringing him back like a moth to a flame.
After moving to a small Tennessee town to escape his past, Turner--a former cop, psychotherapist, and convict--is asked by the town's overwhelmed sheriff to help investigate the brutal and ritualistic murder of a drifter.
As much a classic detective story as it is a literary masterpiece, The Long-Legged Fly introduces us to Lew Griffin: tough, smart, and living in a corner of society where life is fought for as much as it is lived. In steamy New Orleans, black private detective Lew Griffin has taken on a seemingly hopeless missing-person case. The trail takes him through the underbelly of the French Quarter with its bar girls, pimps, and tourist attractions. As his search leads to one violent dead end and then another, Griffin is confronted by the realization that his own life has come to resemble those of the people he is attempting to find.
Mulholland Books takes pleasure in restoring to print an acclaimed novel of espionage and suspense by the author of Drive. David (as he's currently known) was a member of an elite corps of spies trained during the coldest days of the Cold War. For almost a decade he has been out of the game, working as a sculptor. Then a phone call in the middle of the night awakens him: the only other survivor from that elite corps has gone rogue. David is tasked with stopping him. What ensues is an existential cat-and-mouse game played out across the American landscape, through the diners and motels that dot the terrain like green plastic houses on a Monopoly board. Both a suspenseful novel of pursuit and a thematically rich exploration of the mind of a spy, Death Will Have Your Eyes is a contemporary classic of the espionage genre.
Weaving Griffin's search for identity-one of the recurring themes in this magnificent series of novels-with a sensuous portrait of the people and places the define New Orleans, James Sallis continues not only to unravel Griffin's past but to map his future . . . and our own. As Lew Griffin leaves a New Orleans music club with an older white woman he has just met, someone fires a shot and Lew goes down. When he comes to, he discovers that most of a year has gone by since that night. Who was the woman? Which of them was the target? Who was the shooter? Somewhere in the Crescent City—and in the white supremacist movement crawling through it—there's an answer. But to get to it, he is going to have to work with the only people offering help, people he knows he should avoid.
Ain't Long Fore Day collects poems "written or finished" in the two years since publication of Jim's last collection, Night's Pardons. These poems carry on his lifelong interest in the blues, in the stories we tell ourselves and the many ways we tell them, in the mysteries and immense beauty lurking behind our homespun, daily lives.
A gritty and thrilling anthology of 30 new short stories in tribute to pulp noir master, Cornell Woolrich, author of 'Rear Window' that inspired Alfred Hitchock's classic film. Featuring Neil Gaiman, Kim Newman, James Sallis, A.K. Benedict, USA Today-bestseller Samantha Lee Howe, Joe R. Lansdale and many more. An anthology of exclusive new short stories in tribute to the master of pulp era crime writing, Cornell Woolrich. Woolrich, also published as William Irish and George Hopley, stands with Raymond Chandler, Erle Stanley Gardner and Dashiell Hammett as a legend in the genre. He is a hugely influential figure for crime writers, and is also remembered through the 50+ films made from his novels and stories, including Alfred Hitchcock’s Rear Window, The Bride Wore Black, I Married a Dead Man, Phantom Lady, Truffaut's La Sirène du Mississippi, and Black Alibi. Collected and edited by one of the most experienced editors in the field, Maxim Jakubowski, features original work from: Neil Gaiman Joel Lane Joe R. Lansdale Vaseem Khan Brandon Barrows Tara Moss Kim Newman Nick Mamatas Mason Cross Martin Edwards Donna Moore James Grady Lavie Tidhar Barry N. Malzberg James Sallis A.K. Benedict Warren Moore Max Décharné Paul Di Filippo M.W. Craven Charles Ardai Susi Holliday Bill Pronzini Kristine Kathryn Rusch Maxim Jakubowski Joseph S. Walker Samantha Lee Howe O'Neil De Noux David Quantick Ana Teresa Pereira William Boyle.
“[A] smart, conscientious, often stylish biography” of the great African American crime writer of the mid-twentieth century (The New York Times). Best known for The Harlem Cycle, the series of crime stories featuring Coffin Ed Johnson and Grave Digger Jones, Chester Himes was a novelist and memoirist whose work was neglected and underappreciated in his native America during the 1950s and ’60s, even as he was awarded France’s most prestigious crime fiction prize. In this major biography, literary critic and fellow writer James Sallis examines the life of this “fascinating figure,” combining interviews of those who knew Himes best—including his second wife—with insightful and poignant writing (Publishers Weekly). “Himes wrote some of the 20th century’s most memorable crime fiction and has been compared to Jim Thompson, Raymond Chandler, and Dashiell Hammett. His life was just as spectacular as his novels. Sentenced to 25 years in prison for armed robbery when he was 19, he turned to writing while behind bars and, when released after serving eight years, published two novels. Their poor reception by the white establishment only confirmed Himes’s beliefs about racism in America. He eventually moved to Paris, spending most of the rest of his life abroad. While in Paris, he began to produce the crime fiction that would make him famous, including A Rage in Harlem and Cotton Comes to Harlem . . . [a] riveting biography.” —Library Journal (starred review) “Satisfying, thoughtful, long-overdue.” —Publishers Weekly “As intelligent, and as much fun to read, as a book by Himes himself. There is no higher praise.” —The Times (London)
Vor sieben Jahren ist Driver, der wortkarge Stuntfahrer, der nebenbei bei Raubüberfällen den Fluchtwagen lenkte, abgetaucht. Einer dieser Überfälle war schiefgelaufen, und mehrere Leute sind für eine Tasche mit gestohlenem Geld draufgegangen. Erst als die Sache geregelt war, konnte Driver verschwinden und eine andere Identität annehmen. Nur hatte er nicht damit gerechnet, dass ihn die Vergangenheit eines Tages einholen würde. Sie kamen an einem Samstagmorgen, kurz nach elf Uhr, zu zweit. Es war bereits heiß und würde noch heißer werden ... James Sallis hat die Fortsetzung seines preisgekrönten und erfolgreich verfilmten Romans "Driver" geschrieben - und wieder einen außergewöhnlichen Roman noir geschaffen.
Jim Sallis has published fourteen novels including the Lew Griffin cycle and Drive, the standard biography of Chester Himes, a translation of Raymond Queneau's novel Saint Glinglin, and multiple collections of essays, stories and poems.
Finding people is what former private investigator Lew Griffin excels at. The terrible irony is that the exception is his own missing son. Dreams, memories, and reality run together to form his own darkest night. Lew Griffin is a survivor, a black man in New Orleans—a teacher, a writer, and an ex-detective. Having spent years finding others, he has lost his son—and himself in the process. Now a derelict has appeared in a New Orleans hospital claiming to be Lewis Griffin and toting a copy of one of Lew’s novels. Learning the truth is a quest that will take Griffin into his own past as he tries to deal with the present: a search for three missing young men.
Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there'd be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn's late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room...." Thus begins Driveby one of the nation's most respected and honored authors. Set mostly in Arizona and L.A., the story is, according to Sallis, "about a guy who does stunt driving for movies by day and drives for criminals at night. In classic noir fashion, he is double-crossed and, though never before has he participated in the violence (I drive. That's all.), he goes after the ones who double-crossed and tried to kill him.
Driver ist kein Verbrecher. Jedenfalls nicht im engeren Sinne. Er ist nur der beste Stuntfahrer, den man in Hollywood kriegen kann. Und manchmal fährt er bei Raubüberfällen den Fluchtwagen, obwohl ihn das gar nicht so richtig interessiert. Genauso wenig wie die Hollywoodfilme. Eigentlich will er nur fahren. Aber dann läuft einer dieser Überfälle schief, und Driver findet sich in einem schäbigen Motel in Arizona wieder, mit mehreren Leichen im Zimmer und einer Tasche voller Geldscheine. Eigentlich sollte auch er tot sein, denn der Raubüberfall war eine abgekartete Sache ... "Driver" von James Sallis ist ein literarischer Glücksfall: ein fesselnder, atmosphärisch dichter und zugleich virtuos erzählter Kriminalroman, eine Hommage an den klassischen Roman noir, die fast beiläufig zu großer Literatur wird.
Essays about the author's life in writing and music, and working as a respiratory therapist. James Sallis is the author of the widely reviewed and highly regarded Lew Griffin detective series, as well as books of jazz criticism and a new biography of Chester Himes. Gently into the Land. gives the reader an intimate view of the author's concerns-drawing meaning from tragedy, providing solace to the weak and vulnerable, gathering truth from love-and their sources. This volume will appeal to all Sallis fans.
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