By the mid-1920s, Buster Keaton had established himself as one of the geniuses of cinema with such films as Sherlock, Jr., The Navigator, and his 1927 work The General, which was the highest ranked silent on the American Film Institute's survey of the 100 greatest films. Before Keaton ventured into longer works, however, he had honed his skills as an actor, writer, and director of short films produced in the early 1920s. In Buster Keaton's Silent Shorts: 1920-1923, James L. Neibaur and Terri Niemi provide a film-by-film assessment of these brilliant two-reelers. The authors discuss the significance of each short--The High Sign, One Week, Convict 13, The Scarecrow, Neighbors, The Haunted House, Hard Luck, The Goat, The Playhouse, The Boat, The Paleface, Cops, My Wife's Relations, The Blacksmith, Frozen North, Daydreams, The Electric House, The Balloonatic, and The Love Nest--to the Keaton filmography, as well as each film's importance to cinema. Offering a clear and in-depth perspective on these 19 films, the authors explain what makes these shorts effective and why they're funny. Buster Keaton's Silent Shorts will enlighten both scholars and casual fans alike about the early work produced by one of cinema's most gifted comedians and filmmakers.
Forget Doris Day singing on the stagecoach. Forget Robin Weigert’s gritty portrayal on HBO’s Deadwood. The real Calamity Jane was someone the likes of whom you’ve never encountered. That is, until now. This book is a definitive biography of Martha Canary, the woman popularly known as Calamity Jane. Written by one of today’s foremost authorities on this notorious character, it is a meticulously researched account of how an alcoholic prostitute was transformed into a Wild West heroine. Always on the move across the northern plains, Martha was more camp follower than the scout of legend. A mother of two, she often found employment as waitress, laundress, or dance hall girl and was more likely to be wearing a dress than buckskin. But she was hard to ignore when she’d had a few drinks, and she exploited the aura of fame that dime novels created around her, even selling her autobiography and photos to tourists. Gun toting, swearing, hard drinking—Calamity Jane was all of these, to be sure. But whatever her flaws or foibles, James D. McLaird paints a compelling portrait of an unconventional woman who more than once turned the tables on those who sought to condemn or patronize her. He also includes dozens of photos—many never before seen—depicting Jane in her many guises. His book is a long-awaited biography of Martha Canary and the last word on Calamity Jane.
This volume is a review of the trends in the field of radiation chemistry research. It covers a broad spectrum of topics, ranging from the historical perspective, instrumentation of accelerators in the nanosecond to femtosecond region, through the use ofradiation chemical methods in the study of antioxidants and nanomaterials, radiation-induced DNA damage by ionizing radiation involving both direct and indirect effects, to ultrafast events in free electron transfer, radiation-induced processes at solid-liquid interfaces and the recent work on infrared spectroscopy and radiation chemistry. The book is unique in that it covers a wide spectrum of topics that will be of great interest to beginners as well as experts. Recent data on ultrafast phenomena from the recently established world-class laser-driven accelerators facilities in the US, France and Japan are reviewed.
(Limelight). From the femme fatale of the early cinema to her post-feminist rebirth, this lavishly illustrated book and comprehensive guide traces the history of these dangerously alluring, manipulative, and desperate lethal ladies. Femme Fatale surveys the history of the femme fatale in world cinema, with more than 300 photographs testifying to the power of these mysterious women. The book begins with the silent period and its vamps, like Theda Bara, Pola Negri, Clara Bow, and Bebe Daniels, then moves on to the Pre-Code sound period of American films, which, showing liberated attitudes toward sex and women, featured actresses like Jean Harlow, Marlene Dietrich, and Greta Garbo. The story continues with the noir 1940s, when the femme fatale became truly lethal including actresses like Ava Gardner, Rita Hayworth, and Barbara Stanwyck. In the repressive 1950s, the international femme fatale took the fore Brigitte Bardot, Maria Felix, Elizabeth Taylor, Anita Ekberg, etc. Finally, the authors turn to the revolutionary post-feminist modern period, with an array of lethal ladies from all over the world, like Pam Grier, Salma Hayek, Gong Li, Angelina Jolie, and Sharon Stone.
This book measures contemporary attitudes to the law - within and outside of the legal profession – to see how c17th century Englishmen defined the role of law in their society, to see what their expectations were of the law and how these expectations helped shape political debate – and ultimately determined political decisions – over the course of a very turbulent century.
Long before his momentous teaming with Oliver Hardy, comedian Stan Laurel (1890-1965) was a motion picture star in his own right. From his film debut in Nuts in May (1917) through his final solo starring effort Should Tall Men Marry? (1928), Laurel headlined dozens of short comedies for a variety of producers and production companies, often playing characters far removed from the meek, dimwitted "Stanley" persona that we know and love. This is a film-by-film look at the pictures Stan made as a solo artist, as well as those he wrote and directed for other stars, shows his development as a movie comedian and filmmaker. Comedy legend Jerry Lewis, a longtime friend and admirer of Stan Laurel, provides an affectionate and eloquent foreword. Included are several rare photographs and production stills.
Originally published in 1991, this book traces the evolution of the House of Lords as a court for private litigation during the critically important years from 1621 to 1675. It offers new insights into contemporary politics, government and religion, adding an important dimension to our understanding of the House of Lords. This book is primary reading for advanced undergraduates and postgraduate students on courses on early Stuart England, the Civil War and Restoration history.
From 1917 to 1919, Joseph Schenck produced a series of Comique comedies starring master movie comedian Roscoe "Fatty" Arbuckle and featuring an apprentice, Joseph Frank "Buster" Keaton. These films were initially deemed significant by modern archivists for representing the first movie appearances of Keaton, widely considered one of the most important figures in motion picture history. But the Comique films also remain the most important of Arbuckle's career because they feature him at the height of his cinematic genius and powers. The 14 short comedies starring Arbuckle and Keaton are incredibly important to the history of cinema and are analyzed in this book. After two chapters of biographical introductions, the rest of the book discusses their collaborative efforts and reveals the way in which the films evolved from Arbuckle's wild slapstick to feature more of the subtlety and cleverness of Keaton. Closing sections discuss what became of Arbuckle and Keaton afterward, commenting significantly on the scandal that undermined Arbuckle's career.
Douglas Fairbanks and the American Century brings to life the most popular movie star of his day, the personification of the Golden Age of Hollywood. At his peak, in the teens and 1920s, the swashbuckling adventurer embodied the new American century of speed, opportunity, and aggressive optimism. The essays and interviews in this volume bring fresh perspectives to his life and work, including analyses of films never before examined. Also published here for the first time in English is a first-hand production account of the making of Fairbanks's last silent film, The Iron Mask. Fairbanks (1883–1939) was the most vivid and strenuous exponent of the American Century, whose dominant mode after 1900 was the mass marketing of a burgeoning democratic optimism, at home and abroad. During those first decades of the twentieth century, his satiric comedy adventures shadow-boxed with the illusions of class and custom. His characters managed to combine the American easterner's experience and pretension and the westerner's promise and expansion. As the masculine personification of the Old World aristocrat and the New World self-made man—tied to tradition yet emancipated from history—he constructed a uniquely American aristocrat striding into a new age and sensibility. This is the most complete account yet written of the film career of Douglas Fairbanks, one of the first great stars of the silent American cinema and one of the original United Artists (comprising Fairbanks, Mary Pickford, Charlie Chaplin, and D. W. Griffith). John C. Tibbetts and James M. Welsh's text is especially rich in its coverage of the early years of the star's career from 1915 to 1920 and covers in detail several films previously considered lost.
Billings is sometimes called "The Magic City" for its rapid growth that seems to change the skyline overnight. Located in the heart of the Yellowstone Valley, it is Montana's largest city and the state's premier business destination. From 1900 to the 1960s--Billings's "Golden Years"--locals and tourists alike enjoyed a variety of hotels, fine restaurants, and retail and wholesale shopping, while businesses such as sugar and oil refineries, banking, and brewing kept the economy running. Surrounded by unparalleled natural splendor, Billings has always had the stark juxtaposition of a modern city set amid wilderness, as these vintage postcards attest.
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